Call of The Crane

“When we hear his call we hear no mere bird. We hear the trumpet in the orchestra of evolution. He is the symbol of our untamable past, of that incredible sweep of millennia which underlies and conditions the daily affairs of birds and men.”

– Aldo Leopold on the call of the sandhill crane

During my Christmas day stroll with family and Tobi, I came across a crumbling old stump harboring an exquisite feathered creature. The majestic bird looked to be either a Whooping Crane or Sandhill crane - the two largest birds of North America.

While North America has many struggling ecosystems, it's so important that we remember the stories of hope and recovery too. The Sandhill crane is one such story - once endangered, their numbers have rebounded thanks to determined humans working to save them. Getting to know these creatures better can only inspire more hope for future environmental recoveries. I'm looking forward to learning more about the whooping cranes on my trip south this February with Curtis. If you know any other inspiring stories of environmental recovery please share them with me?

As found on Christmas day with it's natural patina.

In my garage studio after giving the bark a little wash to highlight the movement in the wood.

Detail

When Aldo Leopold wrote the above quote in his 1937 essay “Marshland Elegy,” there was an estimated 25 pair of nesting sandhill cranes in Wisconsin. Leopold had little hope that the population would recover and also wrote in that essay, “The last crane may well trumpet his farewell and spiral skyward from the great marsh.”

Due to hunting and the loss of wetland habitat, the sandhill crane was an endangered species in Leopold’s time, but today it is considered a conservation success story. According to the International Crane Foundation, the sandhill crane population today is 650,000, which makes it the most numerous of the world’s cranes.-

We need these stories of recovery our society needs to believe we can do this.

Symbiosis Relationships 10/2022

New World Giant Swallowtail and Milkweed and the health of Monarchs. This tropical mikweed HAS to be cut down November 1. The Milkweeds are the host plants for Monarchs. They need to move south by November and won’t head south if Tropical Milkweed is available as a host.

Monarch and Climbing Hempvine. Climbing Hempvine is an aromatic delight. It reminds me if warmed sweet honey. The Monarchs agree.

Purple Coneflower and the Gulf Fritillary Butterfly.

Mockingbirds and the fence. I have learned that birds need habitats with multiple elevations. The fence is a popular place for birds to look for insects and tiny toads to eat while keeping an eye on predators.

Monarch and Climbing Hempvine.

Ask upper of the Hesperiini family

Gulf fritillaryon American beauty berry.

GulfFritillary on Marsh fkeabane pictured below.

Marsh fleabane

Gulf fritillary and Lawndale’s mailbox. Over a few weeks the count in the doorway climbed to over 200.

In identified mushrooms.

Carpenter bee

Gukf Fritillary are eating everything

How nature arranges itself

Chrysalis on crabgrass stem

Morning glory, mile a minute vine.

Carpenter bee and Obedient flower

The White viened pipevinesis is the host plant for the Pipelvine swallowtails. I wish I had more. The caterpillars devoures it, and then it comes back.

Cloudless Sulphur and Turkscap

Hemiargus ceraunus, it blue ceraunus,an d pasted native plants.

Monarch and Blue mist flower

Northern Mocking bird perched on the fence.

Northern Mockingbird and trough pond

Hesperiina And Frogfruit

Pushfly and Passiflora leaf

True Sparrow stays in messy bush like spaces for safety and for a source of caterpillars

American snout butterfly

Gulf Fritillary with OE

“Ophryocystis elektroscirrha (OE) is a debilitating protozoan parasite that infects monarchs. Infected adult monarchs harbor thousands or millions of microscopic OE spores on the outside of their bodies. When dormant spores are scattered onto eggs or milkweed leaves by infected adults, monarch larvae consume the spores, and these parasites then replicate inside the larvae and pupae. Monarchs with severe OE infections can fail to emerge successfully from their pupal stage, either because they become stuck or they are too weak

to fully expand their wings. Monarchs with mild OE infections can appear normal but live shorter lives and cannot fly was well as healthy monarchs.

Although recent research shows that tropical milkweed can lower OE replication within infected monarchs (due to high levels of cardenolide toxins), this might not benefit the monarch population. In

fact, this could actually promote disease spread by allowing moderately infected

I PROJECT MONARCH

HEALTH

monarchs that otherwise would have died quickly following eclosion to live longer and spread more parasite spores.“- monarch parasites.

The white pedestal?

When I started in the MFAH Glassell School block program, I needed pedestals for my smaller sculptures. I made stark white cubes as I saw in museums and galleries.

Over the years, my work has transitioned to tell a specific story. I make work to reveal the beauty in diversity, the messiness in the natural world and the connections between all living things on the planet. And most importantly, I work to inspire society to step into a rhythm that will flow with the natural world and celebrate the beauty in its messiness. My work conflicts with borders that separate, clean lines that divide and sterile objects.

The white cube pedestals are a symptom of sameness, monocultures and sterile environments, a symptom of me wanting to ” look “ like I belong and fit in. A change is an imminent.

I am leting my eyes and mind play with how objects that physically support my work should look. Work that reimagines urban landscapes to balance humanity and natural systems should not be sterile cubes. What should, - what could they be?

The images below are some thoughts I am considering. .

Rocks

Bricks

Stones or concrete.

Cracks

Dried plant material

Electrical wire

Upcycled lawn furniture.

Palm tree trunk skin

Salvaged construction site rotting root with interesting chain link necklace imbedded across her shoulders.

Endangered Knowledge: The Soul of Humus

Progress from the last two days of work.

Sagged bellie and manhood

Endangered knowledge:The Soul of Humus

I dried some cosmos leaves to us as the coat of a sculpture that is in the works - Endangered knowledge: the Soul of Humus. The piece will be in the #sculpturemonthhouston 2021 exhibit. I started the armature during COVID for the SMH 2020 exhibit, which was postponed. The sculpture looks at the ecological history of the coastal prairie. This texture is perfect #cindeeklementart #endangeredknowledge #coastalprairie #tezasart #houstonart #bioart #environmentalart #cosmos #art #sculpture #bison

Endangered Knowledge: The Soul of Humus #13

View l from the mouth

The cheekbones are added.

For the full story see Endangered Knowledge: The Soul of Humus

Endangered Knowledge: The Soul of Humus #12

My favorite measuring tool when building the armature is a sewing tape measure.

For the full story see Endangered Knowledge: The Soul of Humus

Endangered Knowledge: The Soul of Humus - #11 head

The head is a lot of detail work. Bending small pieces of steel takes time and strength. It is easy to bend large pieces of steel because I can use leverage to bend it. Small parts are too short To get much lecerage. This is the first time in my life strength is an issue., I have not been doing my regular weight lifting due to COVID 19 quarantine. So I have to think of creative ways to make the shapes I need. It takes longer to figure out.

Examining this work I have decided I need to raise the left horn.

I have only welded the horn in one location. This will make it easier to correctly position the horn once the head is connected to the body. I can find them if I want, or I can cut the one weld and resend them in the correct position.

I moved the horn and added the front of the upper jaw.

I added the back of the upper jaw and two pieces to stabilize the head. The stabilizing pieces run through the center of the head, the length of the face to the back If the skull. I used the angle grinder to separate the front and left sides of the front jaw separating the two stabilizing pieces. This will make it easier to make any adjustments in the head structure when it is finished and attached to the body.

The skin and coat of the finished piece is the most crucial part if this piece. This steel armature is purely structural.

For the full story see Endangered Knowledge: The Soul of Humus

Endangered Knowledge: The Soul of Humus - #10 head

I have cut the steel for two sets of horns, the center of the face, top of the scull and part of the nisee. .

Working on the horns

This bison skull was a Christmas present. From Griffin and Alex my son and daughter in law. They have been unbelievably supportive of my environmental works. They are the best. The skull is proving extremely helpful in figuring out how to build the head armature.

For the Full story see Endangered Knowledge: The Soul of Humus

Endangered Knowledge: The Soul of Humus - #4 reference images.

When I start to build a new piece the first thing I do is gather and organize all the reference images and information I am going to need.

I staple all the images to a piece of cardboard. This way it us easy to see as I work. This secti n focuses on the hoofs. I am starting with the hoofs.

For the full story see Endangered Knowledge: The Soul of Humus

Endangered Knowledge: The Soul of Humus - #6 Hooves

I am spending a lot of time looking at and thinking about the bison's hoof. Bison are ungulates. Their two toed hooves are a cross between a spade and two chisels. With the weight of their massive bodies their hooves cut into the soil, churn it up, break clumps, and create pockets that hold moisture. They trample old vegetation into the ground a long with the 40 lbs of waste they create everyday. They have a two pronged tools on each leg that tills and cultivates 24/7. And then you put them in a herd and they are mother nature's industrial farmer.

Image from bob the bison used at epic food conferences

Image from under the shoot at the roundup

Image from the harvest

the back story Endangered Knowledge: The Soul of Humus

Endangered Knowledge: The Soul of Humus - #5 the welding begins

I am starting to design and build the armature (the support structure) of the piece. The structure will be supported with welded rebar and then covered in a steel lath to help hold the mud and dried native plants to the sculpture.

I begin with the hooves It takes a lot of muscle to bend a piece of rebar enough to make a complete hoof side, I will have to piece it.

I did not measure the circumference of a hoof but I do know the ankle is 12” and hoofs are bigger.

I think best in wire or a material I can shape by hand - by feel. I decided to wrestle up a wire sketch of a hoof to get me started.

The front part of a front hoof

Front hooves started

Endangered Knowledge: The Soul of Humus - #3 Collecting raw materials

I reached out to the Houston Arboretum describing my project and my need for native plants. They responded immediately. They are steadily cutting plants out and I made a big haul today. My studio floor is covered in drying plants. I am drying these on my patio. Curtis suggested every morning I flip them, so rodents don't decide to nest in them. I love all animals but I am not a fan of rodents nesting around my house. They offered me to raid their compost bend as I need. :)

Endangered Knowledge: The Soul of Humus - #2 A closer look at the materials I have so far.

I am in love with these textures and I can hardly wait to incorporate them into my Endangered Knowledge piece. I do need to figure out how to fade the green out. I do not want a green bison. I think the answer is sunlight.

Endangered Knowledge: The Soul of Humus -#1b Collecting raw materials

I reached out to the Katy Prairie Conservancy, and they put me in touch with Bill Stransky with the Texas Rice Coalition, Bill a founder of the Katy Prairie Conservancy is a rock star in the nature Conservancy world. He very kindly offered to help me identify native grasses. He met me on a Sunday morning with his college-age daughters and not only pointed out native plants, but they helped me cut and bag them. It was such an honor to meet him and have him support my environmental work. I can not finish these piece without help in accessing native plants. It was a great day. I am hoping to meet Bill again in the fall when the rice plants are ready to harvest. It is important I have rice grasses since the exhibitiion space is a Success rice grain silo. The plants we harvested are presently drying in ny studio. My studio smells like heaven covered in plants. It is also the new home to a few spiders.

Bill Stransky and his daughters.

A bag of prairie seed mix. - donated by Bill to my project

The mix-

A new studio mate.

This is just the beginning, I need a lot more plants to dry for this large old male beast.

Sapling #8 to kindling - finishing touches

It needs a light sanding, a patina on the bronze and the concrete.

Faux bois Wedding gift ❤️❤️#20

The hard work is done. I did a little sanding on the seat so it won’t snag anyone clothes and then I was able to get some help moving it to a place where I can stand back and look at the work.

Front and reflection in the pond

Back view

Bronze

Lovebirds back

Left side view

Left back leg

Back right leg

Another view of the back right legs

Back right view of right legs

Back branch

Back left where back branches and legs connect

Front right legs - I love their hug

the seat texture

A piece of metal that was in my Dad’s ashes and his last name - Travis carved to the right of the metal bolt. I am guessing it is from one of his four hip replacements.

Griffin and Alex after their vows. - the lovebirds January 3, 2018

They will be in Houston for two weeks for Sage and Cameron Cuenods legal wedding vows June 12, 2020.

I Am looking forward to showing it to them. And I would like their opinion regarding a stain/patina.

Faux bois Wedding gift ❤️❤️#13

Last Thursday while in Coronavirus 19 quarantine/social distancing I poured a top coat for the upper branches. I actually mixed all the ingredients over a year ago and then got caught up in making the pieces for my Hurricane Harvey Heroes exhibition 51.88” -Art of Resilience. The bucket of dry mix sat by the cement mixer untouched.

The piece will hydrate for 5 days. If it dries too quickly the concrete will crack. I (actually we, Curtis helped me) build a cube out of pvc. I covered it in heavy sheets of plastic that I cut and sewed to fit the cube. I then installed two construction zippers to allow me to get in and check the humidity. I put a humidifier in the cube with the bench, the humidifier keeps the concrete very moist.

Today I started to prepare the dry ingredients so that I can mix the concrete tomorrow morning.

I prepared 30 lbs. of dry ingredients, 10 pounds of fly ash and 20 lbs. of white concrete. And then I panicked - is the piece in white concrete or is it in grey? With the fly ash mixed with the concrete and the piece being wet, I can not determine what color it is. Yikes! this is a problem. I decided to mix a second bucket of dry ingredients. Tomorrow I will be ready for anything.

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” The inspiration?

He is one big pig, the beloved family pet that had to be hoisted upstairs to save him from drowning in the flood waters of Harvey. The idea of saving a pig was inspired by a YouTube video posted by a young family in Conroe, Texas. I hope you see in the figure not only the strength it takes to lift up a frightened squirming pig but also the determination that the figure has not to let the family’s favorite pet parish. The pig twist and turns  while straining his back legs straight out trying to reach the ground. 

photo by Nash Baker 

Bringing home the bacon

66” X 42” 60”

Steel, stainless steel lath, plaster, hydro stone, wire mesh, screen and cloth, and baling wire. 

the next pig post -  why a pig?

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” why a pig?

Why a pig?  We humans have a lot in common with pigs. We're both omnivorous mammals that gain weight easily and are susceptible to the flu. We share 98% of the same DNA.

Photo graph by Nash Baker 

66” X 42” 60”

Pigs are somewhat domestic (if you don’t believe me, check out @esterthewonderpig on Instagram).  In addition they are on rural, commercial, and regenerative hog farms. They are incredibly smart and very clean animals.

2019 is the year of the pig. Pigs symbolize prosperity, wealth and abundance. Having a fattened up pig brings good luck. The Pig is thought to bring luck to farmers as it brings in a good crop.

The pig is very powerful and brings all good things.  They are a very laid back animal they do not readily attack or anger.

They have been known to overindulge and can weigh  an average of around 700 lbs. They are also often adored characters in nursery rhymes, children’s stories and tv shows as well as a variety of sitcoms. Miss Piggy, Porky Pig, Piglet, Timon and Pumbaa, Petunia Pig, The three little pigs, This little piggy went to the Market, Old Major, and Babe. I could go on and on. 

A pig checks a lot of boxes that I feel a lot of people can relate to.

From a personal stand point, my brothers had a couple of pigs on our farm in Dell City. I was very young and can barely remember them. I do remember something about my oldest brother’s, Bob Travis Jr.’s, pig drowning. I am not sure how. It was not a flood because Dell City is in the middle of the desert. When we were teenagers and living in the city, my brother, Dean Travis, was riding his motorcycle in the desert checking his beehives and found a piglet lost in the desert. The piglet had gotten his head stuck in a paint can. I can still remember Dean pulling into the driveway on his motorcycle with the poor squealing piglet tucked under his arm with its head still stuck in the can. He lived in our backyard that summer.

In the early 2000s, we lived in New Orleans, Louisiana. There is a nice size Vietnamese population in New Orleans and a fair amount of Vietnamese pot bellied pigs. A family that went to my children’s school had a miniature Vietnamese pot bellied pig. The mom used to walk him to school on a leash when she picked her kids up at 2:45. My daughter, Sage, did everything in her power to convince  me to buy her one. We already had two dogs, 2 birds, several frogs, turtles, fish and snakes. She finally quit asking when we learned they could not bend their knees to climb steps. Our home was on a small uptown lot with lots and lots of stairs. The pig would have to stay outside and we would want it to be part of our family. 

If anyone has a great pig family pet, urban or rural, please share stories and pictures. I would love to hear and see them.

Most importantly I hope this piece can bring a little good luck and good fortune to the people who are still suffering the wrath of Harvey.