what we think we become

I started this piece 1 1/2 years ago but neglected to have it photographed until this week. Seeing it through the photographer’s eye, it has an additional layer of meaning in 8/2020.

Originally it was a maquette for a memorial piece. We ended up going a different path for the memoriam. Personally I was happy this piece emerged from the event and cast it in bronze. It resonates with me because years ago I became fascinated, completely sucked in by modern neurology. Neurology was my obsession. I read everything a Mom could get her hands on. My favorite was Phantoms in the Brain by V. S. Ramachandran. The brain is amazing and especially since neurologists have learned that it is plastic and is changed with everything you do, everything you tell yourself or others tell you changes your brain. This knowledge is what gives every human a chance for hope. Dreaming is the first step, and self-talk is hugely important. You can control how you see the world, and how you see yourself, “fake it until you make it works“. What you think you will become”.

The additional layer - living through a pandemic is choosing how one reacts to stressful and depressing situations. Humans choose how we react and how we see. “what you think you will become”. The texture of the piece is composed of repetitive arched lines, they are mirrored in the profiles/contours of the work. It is an abstract sculpture but I clearly read “what we think we become”. What we look for we will find, 8/2020 is a good time to control your thoughts and look for the light. If you look for it you will find it.

“what you think you become”bronze12” X 4” X 3”

“what you think you become”

bronze

12” X 4” X 3”

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Same Time Next Year 2017, 2018, 2019

Same Time Next Year, is an annual survey of organic found objects preserved in the form of a bird’s nest cast in bronze. I retrieved these objects in a given year. I started making these modern-day fossils in 2013; each piece is a smidgen of a historical record of the natural world found in urban Texas. I include things I pick up gardening, walking my dog, flipping my compost bin, and daily outdoor chores. They are things that find me; I never go out hunting for them however I am always looking. Neighborhoods today are exceptionally manicured to the point of being sterile as opposed to full of life. Mosquito home misting machines and heavy weed control chemical additives keep the insects, birds and available organic matter relatively bland. I am campaigning to change the landscapes of urban settings. One day I hope there will be a greater diversity of found materials.

This year I am playing catch up and created the pieces for years 2017, 2018, 2019, in these pieces, there are bug casings, dried flowers, bug carcasses, twigs, wings, feathers, leaves, seeds a beetle, cicada and a dead bee. In January - March, I coated them in wax, sprued them up, dipped them to make the shell, and did two burnouts at the MFAH Glassell studio school foundry, and then the COVID 19 quarantine kicked in.

The MFAH responsibly closed the school but allowed us to pick up any work. I picked up the shells and took them to Legacy Fine Arts Foundry. They are great people, I have used them on several occasions on projects over the last six years. Their work is phenomenal; they finished burning out the shells and cast them, broke off the shells, cut off the sprues, and sandblasted the nests. I could break off the shells, but I have torn my shoulder twice, breaking off shells. I am so grateful for their help and enjoy working with them. I am excited to have the pieces cast, and I am ready to do the finish work and patina. 

Below are the images I took as I worked on the three nests. 

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Shaping the dried organic matter.

Shaping the dried organic matter.

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Creating a system to get bronze into the sculpture.

Creating a system to get bronze into the sculpture.

The best with the wax sorue system.

The best with the wax sorue system.

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The sprue system after the first dip in slurry.

The sprue system after the first dip in slurry.

All three pieces after several dips.

All three pieces after several dips.

Drying after the last dip to build the shell.

Drying after the last dip to build the shell.

My tools to cut off the top of the cup and blind vents. The wax will drain out if the tuop of the cup. I also drill holes to keep the shell from cracking as the wax expands in the furnace.

My tools to cut off the top of the cup and blind vents. The wax will drain out if the tuop of the cup. I also drill holes to keep the shell from cracking as the wax expands in the furnace.

After cutting the cup and blind vents.

After cutting the cup and blind vents.

The pieces at legacy as Victor is breaking off the shells.

The pieces at legacy as Victor is breaking off the shells.

The three nests and some small bronze casting to use for studio visit gifts.

The three nests and some small bronze casting to use for studio visit gifts.

Nash Baker is my art photgrapher, Nash lost his photography studio to a fire studio during COVID. I will wait to have these pieces photographed when he is back in operation.

Sapling #9 to kindling - finish details

The finish can make or break a sculpture. I decided to lightly ground down the gritty textured surface on the concrete branches and polished the leaves. The highly detailed branches contrast with the simple almost primitive or crude Leaf-like forms. The leaves are smooth except any fingerprints and marks accidentally made by the process. The roughly made leaves have more energy and life than a realistically detailed leaf.

I made the leaves by pouring a thin sheet of wax and then tore leaf shapes out of the wax. Then I crumpled and twisted them Into fall leaves and cast them in bronze.

I made the leaves by pouring a thin sheet of wax and then tore leaf shapes out of the wax. Then I crumpled and twisted them Into fall leaves and cast them in bronze.

The little bird is also highly textured but in a more organized pattern.

The little bird is also highly textured but in a more organized pattern.

I have not made a decision on the stain of the concrete.

I have not made a decision on the stain of the concrete.

Another view

Another view

The base mimics dirt under the tree.

The base mimics dirt under the tree.

Faux bois Wedding gift ❤️❤️#20

The hard work is done. I did a little sanding on the seat so it won’t snag anyone clothes and then I was able to get some help moving it to a place where I can stand back and look at the work.

Front and reflection in the pond

Front and reflection in the pond

Back view

Back view

Bronze

Bronze

Lovebirds back

Lovebirds back

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Left side view

Left side view

Left back leg

Left back leg

Back right leg

Back right leg

Another view of the back right legs

Another view of the back right legs

Back right view of right legs

Back right view of right legs

Back branch

Back branch

Back left where back branches and legs connect

Back left where back branches and legs connect

Front right legs - I love their hug

Front right legs - I love their hug

the seat texture

the seat texture

A piece of metal that was in my Dad’s ashes and his last name - Travis carved to the right of the metal bolt. I am guessing it is from one of his four hip replacements.

A piece of metal that was in my Dad’s ashes and his last name - Travis carved to the right of the metal bolt. I am guessing it is from one of his four hip replacements.

Griffin and Alex after their vows. - the lovebirds January 3, 2018

Griffin and Alex after their vows. - the lovebirds January 3, 2018

They will be in Houston for two weeks for Sage and Cameron Cuenods legal wedding vows June 12, 2020.

I Am looking forward to showing it to them. And I would like their opinion regarding a stain/patina.

Herman Park bees

Early last winter I was at the Herman Park family garden- it is a jewel of a garden. They had everything; yummy plants, honey bees, fruits, and veggies galore. They had almost everything, I say almost- they did not give a native bee condo.It was my pleasure to gift to the Herman Park family garden an air, Bee, And Bee. It is awesomely installed right next to the berries. I also have them a bunch of reeds full of blue orchard bees. I hope their air bee and bee outs out the no vacancy sign soon. My vacant little bee condo houses lizards—no bees in my area. :(

Herman Oatks newly installed air bee and bee.

Herman Oatks newly installed air bee and bee.

60 calves

A big shout out to @roamranch They are expecting 60 calves this coming spring. This past summer during my first visit to Roam I took this photo of the momma cow awkwardly nursing her bison calf. Watching the herd with the calves was a day I will always cherish. I have never shared this touching photo, I was saving it for something extraordinary. 60 cows with calves is pretty special. I could not be happier for Katy, Taylor, Julia, and Cody. I also want to thank them for sharing bison bob the @epicbar bison with me on Tuesday. Getting close up and learning about bison and their impact in regenerating overgrazed prairie has been a long-long time dream/goal of mine. Thanks to these good people and land stewards at Roam Ranch, things are falling in place to create a new body of art that looks at regeneration agriculture. #environmentalart #bison #bioart #gass #calves #sequestercarbon #mothers #ilovebison

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SITE Gallery- Sculpture Month Houston - Building the support system

Finally, I feel like I can make some progress. Step one is to make a structure that I can hang my sculptures from. The gallery owners are trying to preserve the space in its original condition, and ask the artists to deface the silo as little as possible when installing our work. Normally I use acrylic hangers that I designed to hold the pieces. Each bracket takes four anchors. I feel like that is too much destruction to the silo. Instead, I decide to buy some black 14 gauge wire fencing, 20 feet X 36”. The silo funnel has metal bands tack welded to it. The middle metal band is 31” from the wall. I cut the fencing in 31” pieces. I cut one end in a concave shape and the other end convex. The convex end will rest on top of the metal band and the concave end will be supported by two screws in the cinderblock wall. This is 19‘ high, and I feel pretty good that my screw holes will only be minimally defacing the silo.

Close up of support system

Close up of support system

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The moment I got off the scissor lift and looked up at my support system, I realized I had made a big mistake. I should have painted them white. The black stood out too much on the white walls. I could not sleep that night trying to decide if I should repaint them... It was not easy, but I spent the next half day painting the system 19’ in the air white.

I think it was worth it, the support system is much less intrusive.

I think it was worth it, the support system is much less intrusive.

I hung from the support system 8 fishing tackle swivels with 25 lb filament attached to each swivel. Four of the swivels are 36” apart 18” from the wall. At these distances the pieces will not touch each other or the wall. Everything should move independently. These are for the big pieces. The other swivels are for smaller pieces and are spaced randomly. I am guesstimating where I want these. Tomorrow I will start hanging work.

SITE Gallery Houston

Behind and attached to the Silos at Sawyer Yards

The lobby of the SITE Gallery Houston with the mechanicals of the grain silo in place. Just the coolest

The lobby of the SITE Gallery Houston with the mechanicals of the grain silo in place. Just the coolest

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Green marks the spot

Green marks the spot

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Sewing 🐝 #4 experiment for possible community project.

Sewing 🐝 #4

This piece is a conversation starter. The bee on this cap is the Bombus Affinis or commonly known as the Rusty Patch bumble bee. This bee was listed on the endangered species list in 2017. It is the first U.S. bee to be listed.

Finished piece.

Finished piece.

No planing just winging it. It explains why that antenna is so BIG

No planing just winging it. It explains why that antenna is so BIG

This fuzzy little body needs some wings.

This fuzzy little body needs some wings.

Detail of wing and legs

Detail of wing and legs

I need to delete the giant antennae.

I need to delete the giant antennae.

Copy added

Copy added

Every bee needs some pollen in the air.

Every bee needs some pollen in the air.

After I finished and stood back I was not pleased. It was too busy, too much. Today I took out Impact. It feels better, I will live with it and maybe take out Endangered and the pollen and plant pieces.

After I finished and stood back I was not pleased. It was too busy, too much. Today I took out Impact. It feels better, I will live with it and maybe take out Endangered and the pollen and plant pieces.

Is destitching a word?

Is destitching a word?

Nine things that can help #savethebees

1. Plant a pollinator garden 

2. Pull weeds or better yet go native, as many weeds and wild flowers are food for bees. 

3. Do not use herbicides to kill weeds. Bees live in the ground and neonicotinoids kill microflora in bee guts, making them less tolerant to bee disease. 

4. Find natural ways to combat mosquitos. Many urban beekeepers tell me their hives suffer when city mosquito trucks spray and when their neighbors install mosquito misting systems. 

5. Become an urban beekeeper.  

6. Buy local honey that is not mixed with corn syrup. 

7. Provide a water source. 

8. Buy local organic food. 

9. Spread the word.

Sewing 🐝 #4 experiment for possible community project.

Sewing 🐝 #4

This piece is a conversation starter. The bee on this cap is the Bombus Affinis or commonly known as the Rusty Patch bumble bee. This bee was listed on the endangered species list in 2017. It is the first U.S. bee to be listed.

Finished piece.

Finished piece.

No planing just winging it. It explains why that antenna is so BIG

No planing just winging it. It explains why that antenna is so BIG

This fuzzy little body needs some wings.

This fuzzy little body needs some wings.

Detail of wing and legs

Detail of wing and legs

I need to delete the giant antennae.

I need to delete the giant antennae.

Copy added

Copy added

Every bee needs some pollen in the air.

Every bee needs some pollen in the air.

After I finished and stood back I was not pleased. It was too busy, too much. Today I took out Impact. It feels better, I will live with it and maybe take out Endangered and the pollen and plant pieces.

After I finished and stood back I was not pleased. It was too busy, too much. Today I took out Impact. It feels better, I will live with it and maybe take out Endangered and the pollen and plant pieces.

Is destitching a word?

Is destitching a word?

Nine things that can help #savethebees

1. Plant a pollinator garden 

2. Pull weeds or better yet go native, as many weeds and wild flowers are food for bees. 

3. Do not use herbicides to kill weeds. Bees live in the ground and neonicotinoids kill microflora in bee guts, making them less tolerant to bee disease. 

4. Find natural ways to combat mosquitos. Many urban beekeepers tell me their hives suffer when city mosquito trucks spray and when their neighbors install mosquito misting systems. 

5. Become an urban beekeeper.  

6. Buy local honey that is not mixed with corn syrup. 

7. Provide a water source. 

8. Buy local organic food. 

9. Spread the word.