SITE Gallery- Sculpture Month Houston - Building the support system

Finally, I feel like I can make some progress. Step one is to make a structure that I can hang my sculptures from. The gallery owners are trying to preserve the space in its original condition, and ask the artists to deface the silo as little as possible when installing our work. Normally I use acrylic hangers that I designed to hold the pieces. Each bracket takes four anchors. I feel like that is too much destruction to the silo. Instead, I decide to buy some black 14 gauge wire fencing, 20 feet X 36”. The silo funnel has metal bands tack welded to it. The middle metal band is 31” from the wall. I cut the fencing in 31” pieces. I cut one end in a concave shape and the other end convex. The convex end will rest on top of the metal band and the concave end will be supported by two screws in the cinderblock wall. This is 19‘ high, and I feel pretty good that my screw holes will only be minimally defacing the silo.

Close up of support system

Close up of support system

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The moment I got off the scissor lift and looked up at my support system, I realized I had made a big mistake. I should have painted them white. The black stood out too much on the white walls. I could not sleep that night trying to decide if I should repaint them... It was not easy, but I spent the next half day painting the system 19’ in the air white.

I think it was worth it, the support system is much less intrusive.

I think it was worth it, the support system is much less intrusive.

I hung from the support system 8 fishing tackle swivels with 25 lb filament attached to each swivel. Four of the swivels are 36” apart 18” from the wall. At these distances the pieces will not touch each other or the wall. Everything should move independently. These are for the big pieces. The other swivels are for smaller pieces and are spaced randomly. I am guesstimating where I want these. Tomorrow I will start hanging work.

Technique experiment for endangered bees.

Bee technique experiment

Bombus Affinis - listed on the Endangered list 2017

Bombus Affinis - listed on the Endangered list 2017

Detail of head with a big white eye, thorax antenna and leg

Detail of head with a big white eye, thorax antenna and leg

Th ghost of Bombus Affinis

Th ghost of Bombus Affinis

One is to heavy and ones too light. That is how they look to me wet. It is too soon to judge.

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” The inspiration?

He is one big pig, the beloved family pet that had to be hoisted upstairs to save him from drowning in the flood waters of Harvey. The idea of saving a pig was inspired by a YouTube video posted by a young family in Conroe, Texas. I hope you see in the figure not only the strength it takes to lift up a frightened squirming pig but also the determination that the figure has not to let the family’s favorite pet parish. The pig twist and turns  while straining his back legs straight out trying to reach the ground. 

photo by Nash Baker 

Bringing home the bacon

Bringing home the bacon

66” X 42” 60”

Steel, stainless steel lath, plaster, hydro stone, wire mesh, screen and cloth, and baling wire. 

the next pig post -  why a pig?

Houston Flood Museum

A selection of my Hurricane Harvey Heroes monotypes and one of the Humanities pieces are now exhibited in the Houston Flood Museum. 

 

 https://houstonfloodmuseum.org/hurricane-harvey-heroes-and-humanity/

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Hurricane Harvey - sculpture day 5 “bringing home the bacon”

Today I spent a lot of time cutting off and rewelding. The upper leg/booty was too big. After four hours  it now has a trimmer. 

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I am trying to decide if I need to reinforce the lower half of the body or move on. Once I reinforce the joints it is a lot more difficult to make changes. If I move on without reinforcing the welding joints, the piece could fall apart. That is my dilemma. 

Hurricane Harvey - sculpture day 3 bringing home the bacon

This sculpture is about the movement and the energy of rescuing livestock (a pig) during Hurricane Harvey. Today I have to decide on where the figure's weight needs to be to best balance the sculpture and express the energy of hoisting the swine to safety. The photos I took of Griffin while he was walking helped me committe to the foot placement. For the weight, I need new reference photos taken from each side. I am fortunate that my husband is always agreeable to posing for me. We wrapped a stool in a towel to stand in for the pig. Below are the new photos.

View from the front  

View from the front  

View of the left side  

View of the left side  

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back view