Endangered Knowledge: The Soul of Humus — The Bison in the Texaco Star

The Bison in the Texaco Star

The third pasture/exhibition

 As in agriculture that rejuvenates the soil, the bison has rotated to its third pasture/exhibition. It began in a historic grain silo/art venue in Sculpture Month Houston's Altamira, which considered modern caveman's materials and message to the future, followed by the Blue Norther exhibit, where the bison addressed extreme weather's connection to soil. Now it brings its message to the Houston Forever exhibition in the former Texaco Building in downtown Houston.

The Star building, former home of Texaco, the company that developed the Spindletop gusher in 1901 and took the US into the oil age, is a key location in the sculpture's rotation. The bison in the Star embodies our civilization's conflict "between" ecology and commerce. Before Spindletop, oil was primarily used for lighting and as a lubricant. With Spindletop's abundance, Texaco began marketing petroleum for mass consumption. What can we learn about natural carbon cycling through the soil from the herd's eating and waste habits — also called consumption and regeneration — contrasted with the development of the energy industry and our society's mass consumption without individual responsibility for regeneration? Comparing and contrasting these two energy sources, both receive energy from the earth: one where each consumer returns carbon to the soil and the other supplying a chain of energy but still trying to figure out how to repay its debt of carbon for future generations. Integrating natural systems of regeneration can steer our innovation and creative minds to a future in which consumption, conservation and regeneration of earth's resources are in balance.

 

Endangered Knowledge: The Soul of Humus

Today‘s progress may not look like much, however I worked 7 hours. I was focused on filling the tiny spaces in the groin, inside its flanks and rear end. And I was careful not to catch my skin on the sharp edges of the late. It is razor-sharp and requires careful deliberate moves.

Endangered Knowledge: The Soul of Humus

I attach the lath with airplane safety wire. Think of lath as the skin. Once the armature is covered in lath/skin, I will add the fur/soil/dried native plants.

Endangered Knowledge: The Soul of Humus

Today's work

Yes, I use a sewing tape measure

Yes, I use a sewing tape measure

I worked on his middle

I worked on his middle

Endangered Knowledge: The Soul of Humus

A few weeks ago Nash Baker took some in progress shots of my SMH piece. Then I had two weeks of off and on heat exhaustion. It is a rough summer to have an outdoor living sculpture and a piece that requires welding in a space that does not gave AC. I have finally replenished the minerals in my body and I am back to work on my bison. The temperatures are going to be extremely high this week to work outside. :(

Working on Endangered Knowledge: The Soul of Humus in my garage welding studioPhoto by Nash Baker

Working on Endangered Knowledge: The Soul of Humus in my garage welding studio

Photo by Nash Baker

Endangered Knowledge: The Soul of Humus

Progress from the last two days of work.

I worked on building the muscles on his neck, left leg bulk, sagged his bellie and made him a man.
Sagged bellie and  manhood

Sagged bellie and manhood

Endangered Knowledge: The Soul of Humus

Ferlocks, hocks and nape

Right front leg chap and starting to build the neck muscles. The neck muscles are massive.

Right front leg chap and starting to build the neck muscles. The neck muscles are massive.

I build the legs on separate days. Left keg the hock curves up and right keg the Hock curves down. I still need fetlocks. I think bison have two per foot. More research

I build the legs on separate days. Left keg the hock curves up and right keg the Hock curves down. I still need fetlocks. I think bison have two per foot. More research

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Endangered Knowledge: The Soul of Humus

Todays work- His right back haunch and leg.

Endangered Knowledge: The Soul of Humus

Front legs and right shoulder

Front legs and right shoulder

Endangered Knowledge: The Soul of Humus

20’ more of rebar.

I used 20’ more of rebar today to build the hip bones up on both sides and his right side in the stomach area of his side. I worked from the hip to his shoulder.

I used 20’ more of rebar today to build the hip bones up on both sides and his right side in the stomach area of his side. I worked from the hip to his shoulder.

My work space is not large enough to get a good side photo.

My work space is not large enough to get a good side photo.

Endangered Knowledge: The Soul of Humus

Stomach, upper hip bones, and more hump.

He still looks like a hybrid giraffe bison, that is only because his muscles and fur come later.

Endangered knowledge: the Soul of Humus.

SMH fall of 2020 was canceled due to Covid 19 last July of 2020. I put a halt on welding my piece and focused on planning “Symbiosis.” “Symbiosis” is installed the Big Show is opened which provided a tremendous amount of traffic. I will still check on it every day, but I will spend most of my day building my piece for SMH 2021. Today I started where I left off. Below are images from last year's work and blog posts.

When I stopped in 2020 I had the hooves on steel plate bases and new where I wanted them to bare the weight.

When I stopped in 2020 I had the hooves on steel plate bases and new where I wanted them to bare the weight.

Today I cut the rebar to form the lover part of the legs and grinded the tips. Tomorrow I weld.

Today I cut the rebar to form the lover part of the legs and grinded the tips. Tomorrow I weld.

Some of my notes from measuring Epics Bob the bison January of 2020.

Some of my notes from measuring Epics Bob the bison January of 2020.

My bison will be in motion not standing still.

The skull and upper jaw.

The skull and upper jaw.

And lower jaw

And lower jaw

4  pieces of rebar cut for each leg will provide the structure of the lower legs.

4 pieces of rebar cut for each leg will provide the structure of the lower legs.

Endangered knowledge:The Soul of Humus

I dried some cosmos leaves to us as the coat of a sculpture that is in the works - Endangered knowledge: the Soul of Humus. The piece will be in the #sculpturemonthhouston 2021 exhibit. I started the armature during COVID for the SMH 2020 exhibit, which was postponed. The sculpture looks at the ecological history of the coastal prairie. This texture is perfect #cindeeklementart #endangeredknowledge #coastalprairie #tezasart #houstonart #bioart #environmentalart #cosmos #art #sculpture #bison

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Endangered knowledge: The Soul of Humus #17 Cowbirds

I just read an intesting article; how Cowbirds are hedging their bets when choosing surrogate birds to hatch and raise their young. Another instance that supports the theory that diversity is the ticket when it comes to the survival of a species.

Coincidently I picked up the bronze Cowbirds yesterday. They are ready for me to recreate the texture where they were damaged during the spruing process. Once that is complete I will deal with their patina. I should wait and decide on their finish once the abstract bison is further developed. That said I am excited to see how the materials will look in a polished finish. Below are closeups of each bird - just for the record.

The finishes are very powdery looking and flat because they were just sandblasted. When I decide on the patiba the textures will really show up.

I took a risk when I decided on the manner in which I would create the birds. The Cowbirds are constructed in a primitive manner. And they look extra primitive laying on the faux bois chair. Context impacts the way we see. I feel hopeful the organic and rough construction will work on the abstract beast they will be attached to. Roughly constructed they support the story, polished perfectly detailed birds would not relay their connection to the geography and mammals. I realize I have not taken the safe root and hope I didn’t need to hedge my by as the Cowbirds did theirs.

The big bird side 1

The big bird side 1

Opposite side.On this image you can see a smooth surface from where the sprue was cur off. One spots the I will retexture.

Opposite side.

On this image you can see a smooth surface from where the sprue was cur off. One spots the I will retexture.

From the top

From the top

Bird 2

Bird 2

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Adjustments.jpeg
Bird 3

Bird 3

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Derail shot of bird 3 - you can see the seeds and grass stems.

Derail shot of bird 3 - you can see the seeds and grass stems.

Bird 4

Bird 4

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As I recall this one gas some bluebonbet seeds in it's back feathers.

As I recall this one gas some bluebonbet seeds in it's back feathers.

Bird 5

Bird 5

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Texture gives me good goosebumps.

Texture gives me good goosebumps.