Symbiosis Relationships 10/2022
“Ophryocystis elektroscirrha (OE) is a debilitating protozoan parasite that infects monarchs. Infected adult monarchs harbor thousands or millions of microscopic OE spores on the outside of their bodies. When dormant spores are scattered onto eggs or milkweed leaves by infected adults, monarch larvae consume the spores, and these parasites then replicate inside the larvae and pupae. Monarchs with severe OE infections can fail to emerge successfully from their pupal stage, either because they become stuck or they are too weak
to fully expand their wings. Monarchs with mild OE infections can appear normal but live shorter lives and cannot fly was well as healthy monarchs.
Although recent research shows that tropical milkweed can lower OE replication within infected monarchs (due to high levels of cardenolide toxins), this might not benefit the monarch population. In
fact, this could actually promote disease spread by allowing moderately infected
I PROJECT MONARCH
HEALTH
monarchs that otherwise would have died quickly following eclosion to live longer and spread more parasite spores.“- monarch parasites.
Symbiosis — Gerhert Prairie Rescue plants
On October 7th, I was invited to participate in rescuing prairie plants from the Gerhart Prairie south of Houston. The Prairie, I believe, is part of the Texas Nature Conservancy. A manufacturer has a fenced-off area on the property. They will put in a road through the prairie to service the fenced-in operations. We were rescuing the plants in the designated place on the future road. Several Master Naturalists identified plants, as did Mark Morganstern of Morningstar Nursery. Mark kindly reaches out to me when free and needy plants are available.
That Saturday, I received an amazing list of the plants I rescued.
1.) Helianthus angustifolia (aka Swamp Sunflower)
this is the tall 'sunflower' plant with the very narrow leaves that have the edges rolled under.
(I think I may have inadvertently referred to this as Maximillian Sunflower, which is not what this is)
2.) Baptisia sphaerocarpa (aka Yellow Wild Indigo or Yellow False Indigo)
this plant is a small subshrub in the Fabaceae (Pea Family); it has trifoliate leaves without subending bractlets and it has bright yellow flowers borne on erect inflorescences. Its fruits are round, hence the Latin name sphaerocarpa which literally means 'round fruit'. It will bloom in the spring.
3.) Euthamia leptocephala (aka Bushy Goldentop)
This plant is in the Asteraceae (Sunflower Family) and is closely related to the goldenrods (Solidago spp.). Euthamias have round-topped inflorescences rather that the 'open-spray'-shaped inflorescences of the goldenrods. There are two species of Euthamia in our area -- the other is Euthamnia gymnospermoides (aka Texas Goldentop) -- it have longer and much narrower leaves than does E. leptocephala.
4.) Croton lindheimeri (aka Woolly Croton or Lindheimer's Hogwort)
This plant is a member of the Euphorbiaceae (Spurge Family). It has very small unisexual flowers surrounding by a yellowish tomentose hairs; the female flowers are borne near the base of the inflorescence while the male flowers are bunched near the apex of the inflorescence. This seeds of this species are an important food source for quail and dove and the plant is a larval host for several species of butterfly.
5.) Neptunia pubescens (aka Tropical Puff)
A member of the Fabaceae (Pea Family) in the Mimosoid clade (or subfamily) which means it does not have typical pea-shaped flowers. The flowers are bunched onto a round receptacle or head, each with a small inconspicuous corolla, but the numerous long stamens are quite showy. Neptunia pubescens sprawls along the ground. It is larval host plant for the ceranus blue (Hemiargus ceranus) butterfly and its seeds are consumed by many wildlife species.
6.) Lythrum alatum var. lanceolatum (aka Winged Loosestrife)
This member of the Lythraceae (Loosestrife Family) grows to be about 3-4 ft tall and produces long racemose infloresceces with smallish lavendar (pink,purple) flowers. It is a special value to native bees and is also used by hummingbirds and butterflies.
7.) Eupatorium serotinum (aka Late-flowering Boneset)
A member of the Asteraceae (Sunflower Family) which has rayless sporting only white disc florets. It is a perennial that emerges early in the year, but does not bloom until August - November. While it's flowers are small there are many of them, so that the plant is a real show-stopper in the fall. It is of special value to native bees and its nectar attracts butterflies and many other insect species and it seeds are eaten by many bird species. The plants you dug up were fairly small (maybe due to the drought this year; the species usually grows 4-5+ feet tall.
8.) Agalinis heterophylla (aka Prairie Agalinis, Prairie Geradia, False Foxglove)
This is a member of the Boraginaceae (Borage or Broomrape Family). There are several species found locally, but the most common is Agalinis heterophylla, easily distinguished by its deeply lobed calyx. It is a larval host for the Buckeye butterfly and attracts numerous insect species, including bees and bumblebees.
9.) Ludwigia octovalvis (aka Mexican Primrose Willow)
A member of the Onograceae (Evening Primrose Family), this plant likes its feet wet, so a low spot that collects water is a great place to plant it. It is fast growing and reseeds readily. It is a nectar source for butterflies and other insects and is a larval host for the water primrose hornworm moth (now there's a mouthful!).
10.) Conoclinium coelestinum (aka Blue Mist Flower)
Another member of the Asteraceae whose flowerhead do not have ray florets, but the long stigmas of the disc florets make for a showy flowerhead nonetheless. This species is NOT an annual (as I misinformed you yesterday, sometimes things stick erroneously in your mind), but rather a perennial that dies back to the ground each year and also spreads readily by seed. It attracts many late-season butterflies. It can be a bit 'bossy' as Mary Spolyar put it, but as I have found with vigorous natives a bit of pruning/thinning doesn't hurt them in the least.
I look forward to watching them thrive in Symbiosis.
Symbiosis Relationship 9/2022
Despite its vivid alarm coloration, the Great Golden Digger Wasp is not an aggressive species of wasp. They tend to mind their own business and can be found sipping on flower nectar during the summer, but in the early spring, females prepare to lay eggs.
Females will dig into loose soil and create many deep tunnels. When established, she then covers them to hide their existence. A female will track a small insect and sting them to paralyze them, but not to kill them. Once the prey is immobile, she will clutch it using her antennae and mandible (mouth parts) in order to fly it back to the tunnels. While in flight with her prey, it is not uncommon to see birds like robins or tanagers attempt to steal her meal from her by chasing her until she drops it. No other known species of Digger Wasp is known to be harassed by birds in this way. If the female is successful in returning to her tunnels with her catch, she will place the paralyzed prey aside to quickly inspect a tunnel. If it looks like it's still intact, she will pull the paralyzed insect, head first, down into it. She then lays an egg on the insect, exits the tunnel, and covers it over again. She repeats this process for each tunnel. Unlike other wasps, she does not actively defend her nest. Once hatched, the wasp larvae will feed on the living, yet immobile, insect until they are developed enough to leave the tunnel lair in the summer. Eventually, the parasitism of the paralyzed insect kills it.
Scientists are studying the behavior of this unique species. Great Golden Digger Wasps seem to display a type of internal programming. If their insect prey is moved away from the tunnel while the female inspects it, she will emerge, relocate it, bring it back to the tunnel entrance and start the inspection all over again. Every female exhibited the same repetitive 'start inspection again' behavior when tested in that way.
Females have also shown that they do not keep a tally of how many insects they catch versus how many tunnels they create. If some meals are stolen by birds, they do not realize that they are short on insects compared to tunnels.
With such gorgeous orange and black coloration, mild demeanor, and interesting behaviors, the Great Golden Digger Wasp is one to admire, not destroy. Perhaps a careful observer will discover even more fascinating things about this species.
The largest Mammal
The eating and Waste Habits of the largest mammal of the greatest numbers on a land mass have the greatest impact on all other life forms. In Texas there are 26,448,193 humans and 10,900,000 cows. Homo sapiens are the most impactful mammal.
In today's society our eating habits define some of us socially and morally. This makes the discussion of eating meat vs. a vegan lifestyle and saving the planet a loaded topic. One of the most important topics of our day triggers emotions that progress bit discussion and block minds. When I find a movie or a book that looks at the topic in a non-threatening, non emotional context I like to highlight it.
The documentary Goodbye Cows looks at the impact of the two consumption models.
If you want to take a deeper dive into the beautiful and complex relationship between ruminants the planet and humans, I recommend the book Cows Will Save The Planet. By Judith Schwartz
On a lighter note in 2015 I was invited to visit a a friends family farm that raises cattle for consumption and regeneration. My friends incorporate methods that mimic nature and manage the cattle’s movement as predators managed herds. This process builds the health of the planet’s soil and tempers climate. .
My rancher friends Lisa and John threw some healthy treats in the back of their pick-up so that I could get some cow close-up.
I had to draw the expressive cows as they contorted, licked and moooved the pick-up clean.
Below is the drawing. It still makes me laugh.
Rumblings - Osmosia aglaia
Osmia aglaia is 1/10,000 bee species. It is a N. American west coast bee, and exceptional in pollinating raspberries and blackberries. I am sad to report they are currently studied for industrialization.
Rumblings - Agapostemen Virescens
This is part of a large body of work I started in 2019, Rumblings.
I pressed this monotype in 2019. I loved parts of it and not others. In 8/2022 with pastels I addressed the issues that we're not working on. I am pleased with the minute beast.
Agapostemen Virescens
watercolor and pastel monotype
30” X 44”
Little is known about this metallic green eye-catching Agapostemon virescens, a bicolored striped-sweat bee in the family Halictidae. It is commonly found in North America and is the official bee of Toronto. Its metallic green head and striped abdomen make it identifiable
The bicolored sweat bee is a solitary ground nesting bee. Each spring the female will dig a tunnel in an open patch of ground. Off the tunnel will be several branches. After building her nest, the female will gather pollen, take it back to her nest, form it into a ball with a little nectar and place it in one of the branches before laying an egg and sealing off that branch so each egg will have its own “room.” -.backyardecology
The white pedestal?
When I started in the MFAH Glassell School block program, I needed pedestals for my smaller sculptures. I made stark white cubes as I saw in museums and galleries.
Over the years, my work has transitioned to tell a specific story. I make work to reveal the beauty in diversity, the messiness in the natural world and the connections between all living things on the planet. And most importantly, I work to inspire society to step into a rhythm that will flow with the natural world and celebrate the beauty in its messiness. My work conflicts with borders that separate, clean lines that divide and sterile objects.
The white cube pedestals are a symptom of sameness, monocultures and sterile environments, a symptom of me wanting to ” look “ like I belong and fit in. A change is an imminent.
I am leting my eyes and mind play with how objects that physically support my work should look. Work that reimagines urban landscapes to balance humanity and natural systems should not be sterile cubes. What should, - what could they be?
The images below are some thoughts I am considering. .
Symbiosis - relationship 8/2022
Cyathus stercoreus
Dung-loving birds nest fungus also known as splash cups.
When a raindrop hits the cup's interior, the peridioles are ejected into the air tearing open the purse. In the lower part of the purse, the coiled funicular cord expands. The peridioles, followed by the sticky funicular cord and basal hapteron, land on a nearby plant stem or stick. Flying through the air, the line wraps around the plant's stem. The peridiole remains attached to the vegetation. In a natural setting, a grazing animal may eat it and later deposit it in that animal's dung to continue the life cycle. This amazing amazing creature breaks down dung, and captures raindrops.
Symbiosis - The first anniversary and a feisty or rebellious future.
What would the next twelve months look like?
A two-year-old can be feisty, or would it be more like a rebellious teenager coming into its sexuality?
April of 2021, I started installing the plant material in “Symbiosis.” Seeing, hearing and smelling the transformation has been a gift. This past spring marked the first anniversary. This post celebrates the relationships and natural systems I have documented from the first anniversary through mid-August.
Keep in mind that in the summer of 2020, when I agreed to install a site specific living sculpture, I went every day to observe the space. Sitting and looking — observational research is a big part of my work.
How did it function in the ecosystem? The mowed nonnative zoysia turf grass was neat within its “borders.” The nonnative shrubs and plants were in aligned rows amongst compressed dirt and it was static. As the summer days warmed the bare spaces, the rising heat never created any movement in the garden. It was designed in rows and easy to maintain with gas-powered mowers and edgers. The first soil test revealed that the garden was void of life. The lower food chain of earthworms and grubs was absent. That explained why the birds flew by without landing. There was nothing for them to forage or seek shelter from predators. It did not soak up much water and sequestered little carbon. Lawndale’s Sculpture Garden was a dysfunctional plot of earth. It was green but not part of the coastal prairie ecosystem.
In a sea of Midtown asphalt and groomed properties in April of 2021, I questioned; would any wildlife find the small space? Failure was possible.
Nature was undeniably resilient in year one. Symbiosis was a living sculpture, a functioning part of the coastal prairie and the New World. The installation was not land art; it was a living ecosystem. It regenerated life.
On Mother’s day after the first big rain, the pond was full of white green treefrog eggs. The relationship between amphibians and clean water and important in building the lower food chain and keeping it in balance. for more details see the post Symbiosis — Green Treefrog Eggs.
Cricotopus rests on the Lawndale Art Centers building. This image is symbolic of a nonprofit art institution’s commitment to it's relationship with the natural world. Hopefully it will inspire others.
Large carpenter bee on a trumpet vine bloom.
Mutation of a rudbeckia hirta. A reminder that being different is beautiful.
White-striped longtail enjoying a Rudebeckia hirta bloom.
Anole asserts his dominance on the trunk of a dead olive tree.
Ischnura hastata Citrine forktail on a frogfrut leaf.
Blue dock beetle enjoying the nutrition of a volunteer plant.
Spilosoma Virginia on a Rosinweed sunflower leaf.
Cricotopus Non biting midge on Rosinweed leaf.
Hippodamia convergens convergent lady beetle, on a volunteer plant.
unknown - But interesting
Celithemis fasciata and frogfruit.
Native bee _________ and Rosinseed sunflower.
Repipta taurus , Red bull assassin bug and painted blanket leaf.
Follow up post coming soon
Rumblings - diversifying and implementing systems thinking.
All living and nonliving matter are connected in form or system. Through my work on “Symbiosis,” I have witnessed the power of holistic management, also called systems thinking. I can see that Changing our decision making process to consider whole systems and connectedness is the solution to our environmental and social issues. Changing how society thinks is the driving force in my art.
With this new awareness I am inspired to consistently reflect it in my work. I have decided to rethink “Rumblings,” which began as a collection of monotypes of 50 of the 10,000 bee species. It wasa mono crop of bees. However, you can’t separate the interconnection between bees, humans, or other living organisms and the earth's natural systems. We are all part of the living planet Earth. I will start applying systems thinking to all my installations. “Rumblings ” will celebrate the relationships among a diversity of species up and down the food chain. I will weave into these pieces the relationships that whisper of Earths biological processes and Physical and chemical Elements. The connections can be obvious or subtle, they can be unmeasurable or invisible. This will be fun.
Rosinweed sunflower bloom and spider.
Tiny spent sunflower bloom/seed head-the colors - suttle and faded, still rich and deep. The shapes of the seeds as they dried ❤️ The beauty of the natural world when you stop and look. I studied this dried object probably 4 minutes turning it in my fingers watching the white blooms from the crepe myrtle attached by the thread of a spider and then turning it over hiding underneath- a creature. As we enter the Anthropocene, saving insects is a priority in “Symbiosis.” When I edit out any materials such as this elegant, delicate, dried Rosinweed sunflower head from the garden, I do not bag them and put them in a trash can. I chop and drop. This tiny spider is evidence that chopping and dropping not only builds soil and saves money it also saves insects.
Symbiosis- Food chain - Mockingbirds and Toads
On an early July morning, with a new camera in my hands, I was hopeful the zoom lens would document unseen details in Symbiosis. I focused the lens on the “feed me” gesture of the juvenile bird. Later zooming in on the image on my computer revealed the middle of the food chain — A Mockingbird feeding a juvenile, not a caterpillar, wasp, or an insect but a slight blurry silhouette of a toad. On my laptop, I witnessed the middle of the food chain, a moment in a living sculpture, evidence of a healthy ecosystem and hope in a sea of asphalt on the Gulf Coast.
In Symbiosis building, a food chain that has not been exposed to chemicals or pesticides is crucial to building a base and armature that supports the more visible kinetic elements — wildlife and humans, the upper food chain. Its strength is critical to the success of the whole.
I use systems thinking to plan and organize my sculptural additions and extractions to the piece. In this case, not using pesticides to control insect pests or unruly vegetation is a priority. The water feature in the garden invites mosquitos, dragonflies, frogs, toads, and aquatic insects to lay their eggs in the still water. The tadpoles, nymphs, and Texas mosquito fish eat the mosquito larvae.
In the work, all of the individual species are linked by the health and abundance of the lower species. “Symbiosis” is an element of the “living” Earth, a community of organisms existing within the Art center's sculpture garden and social sculpture.
That Was Then This is Now.
I ❤️Aphids and what insects tell us.
I Leave aphids be. It may look alarming but It is a necessary step in regaining a balance of good bugs and bad in "Symbiosis". I am looking forward to see which beneficial insects show up to help the planet manage the aphids. Aphids feed through a needle-like mouthpart. After they insert their mouthpart into a plant's tissue, they then use it like a straw to suck out plant juices. The do not kill the host plant. Aphids aid benefical bugs they are food for thousands of different species of predatory insects. As protein Aphids help build a broad diversity of beneficial bugs in nature.
After writing this post I came across one of the most interesting insect control articles.
We have so much to unlearn.
Land Art vs Living Sculpture
Land art or earth art has paved the way for what I hope will become a new art movement.
The Tate defines Land art or earth art as the art made directly in the landscape, sculpting the land itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs. With the Tate's definitions, Symbiosis is land art, a part of the conceptual art movement, and environmental art.
What separates Symbiosis from these traditional classifications of art are the concepts I apply to my creative decision-making process and the materials I use support and regenerate life. It values all living creatures as participants in the creative process.
My process for creating a living sculpture involves holistic decision-making. First, I incorporate a systems thinking approach to create a functional balance between the healthy ecosystem, human economics and societal landscape norms. For example, contemporary landscape designs are structured in monocrop rows or groupings separated with bare earth. To maintain the manicured design, weed-killing chemicals and gas-operated mowers and edgers are the most economical. This lack of plant diversity, geometric-in-shape groomed plantings, and chemical inputs make these landscapes uninhabitable for a diversity of wildlife other than a few lizards. For many valuable insects and microorganisms, the inputs are deadly. These designs do not consider supporting the food chain necessary in a healthy ecosystem. In Symbiosis, I keep the ground covered with a diversity of plantings that drift in and out of each other and with the seasons; this provides camouflage from predators, nesting materials, and a variety of nourishment all year. Weeds fit into this landscape and help build the microorganisms and structure or armature in the soil. This less structured planting design is balanced with a classical symmetrical layout. Symbiosis is designed to build the food chain. The maintenance required is easily accomplished with handheld clippers. The clippings are put back into the garden to decompose by insects and natural systems that build the soil health and retain water and carbon, or into a vase to be enjoyed. Ultimately Lawndale benefits economically through lower maintenance, chemical inputs, and utility costs, while enjoying a toxin-free environment—living sculpture.
I use materials that support plants and wildlife specific to the site's ecological history. I begin with a water source, animal waste and decaying plant materials native to the area. These materials build habitat and nourishment for microorganisms in the soil, in the water feature and up the food chain to sustain each other in extreme Texas weather. When combined with our clay soil they: store carbon, cool and return water to the aquifer, support life beneficial to humans and keep harmful pests at bay. In addition, they assist in cleaning the air, slowing rainwater, and reducing land erosion.
For example, I have created symbiotic relationships between humans, mosquitos, dragonflies, fish, and chemical-free water. In a hot environment, animals need a freshwater source to drink and reproduce. I installed a small pond without a filter or pump. Using plants to filter the water, I utilize the eating and waste habits of the Texas Mosquitofish to control the algae and build the water's biology. Mosquitos and dragonflies are attracted to still water with a balance of healthy bacteria and algae to deposit their larvae. The larvae become protein for the fish. Attracted by the water source, the dragonflies hover above the garden and on dried plant materials hunting mosquitos, supporting human health. Lawndale benefits economically by not utilizing an electric pump, needing a mosquito misting machine or pesticides and enjoys the beauty of the water feature and a kinetic, ephemeral rainbow of dragonflies hovering and darting over the living sculpture.
In Symbiosis, as the lower food chains develop, it begins to regenerate life and recover what is lost. Perpetual, it is art for now and future generations. In a living sculpture, the ways to evaluate it are space, shape, line, color, texture and regeneration.
I submit below images and descriptions of symbiotic relationships, ephemeral parts of the installation from April 2021-April 2022.
Dung loving birds nest fungus
Gulf Fritillary butterfly on rosin weed sunflower. It roots can extend 16’.
image by Nash Baker courtesy of Lawndale Art Center
Mosquito control and water source for winged species.
Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.
Plathemis Whitetail Skimmer
Mosquito control and water source for winged species.
Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.
Symbiosis - Pollack
When I study the areas of the work that visibly support the most wildlife in Symbiosis I often think of the the most notable works of Pollock. I am presently reading The Extended Mind by A.M. Paul. In the chapter on thinking in natural spaces she wrote. - “Nature changed Pollocks thinking - gently tempering his raging in-tensity- and it also changed his art. In New York, Pollock worked at an easel, painting intricate, involved designs. In Springs, where he worked in a converted barn full of light and views of nature, he began spreading his canvases on the floor and pouring or flinging paint from above. Art critics view this period of Pollocks life as the high point of his career, the years when he produced "drip painting" masterpieces like Shimmering Substance (1946) and Autumn Rhythm” the extended Mind by A.M. Paul. I often see Pollockness in “Symbiosis”. This images especially reminds me of his Autumn Rhythm. In “symbiosis” it is winter shelter. This scarlet sage was damaged after the freeze.
Symbiosis - dead plants
The February freeze left its mark in the garden. Above ground, the Scarlet salvia, Salvia coccinea, was left in the form of crispy brown twigs and leaves. Below ground, the roots were protected by the moisture and living organisms in the soil. The beauty of a perennial is the roots are weather tough and will sprout new life this spring.
In our present culture, these dead limbs would be removed from the site immediately. They remove these dead plants when the weather is still harsh, leaving the ground bare the life that lives in and on it vulnerable. In Symbiosis, these bronze arched stems, and their bi-petaled crumpled leaves are sheltered from downpours, wind, and predators. I leave them. Their leaves and stems may not be a beautiful green, drawing energy from sunlight and water from the earth producing sugar to boost growth and oxygen released into the air. They absorb heat, warm, and protect the ground and living organisms. When March winds come, their seeds fly to new gardens and bare spots ground. When our weather warms, I will chop these dried elements to return to dust. They will become sustenance for bacteria, nematodes, fungi, and earthworms. In life and death, the plants are valuable in landscapes.
Weed Out
As geologists and environmentalists battle, “are we in the Holocene epoch or have we made our mark on Earth and entered a new geological period, the Anthropocene?”, I ponder weeds.
The term weed, in the Holocene, is a plant that sticks out in a monoculture. From a bipedal primate’s perspective, a weed isn’t like all the surrounding plants: we undervalue it—because it “looks” different. From a human who spells her name Cindee with two ee’s, I have to say I am attracted to weeds and not just because of the ees. Since my first installation in Symbiosis, on February 14, 2021, I have thought a lot about the word, verb, and the thing weed, asking myself so many questions and finding answers in this urban garden.
In nature and in Symbiosis, I observe weeds and now see them as Earth’s first responders to large or small ecological disasters. Weeds are seeds, roots, stems, leaves, berries, and blooms—organic matter. Weeds are vegetative volunteers in the ecological services division of Earth; they provide emergency services for its living organisms above and below ground. Hear me out — when the Earth’s green skin is left bare, tilled, stripped, eroded, poisoned, burned, flooded, neglected, or disturbed by natural or human occurrences, Mother Earth cherry-picks from embryos sleeping in the soil her first responders—our weeds-seeds. Like our own“compounded prescriptions,” seeds are biologically programmed for the site’s specific ecological condition—temperature, moisture, and daylight—to grow fast and spread quickly; they are speed healers. As they mature, I see emergency room physicians administering oxygen masks for underground organisms, protective bandages for the Earth’s epidermis, and poison antidotes. Their organic matter lowers the Earth’stemperatures, thereby keeping soil and its living microorganisms alive. And they provide shelter, food, and nectar for the site’s microorganisms, wildlife, and humans. These ecological first responders are full-service providers, slowing rainwater, reducing soil erosion, replenishing the aquifer, cooling the planet, sequestering carbon, and stabilizing it in the ground for those debating geological periods to come.
From a sculptural perspective, if the shape, texture, or color of a volunteer first responder “weed” does not satisfy my artistic vision, I no longer yank it out of the ground in a knee-jerk response. I stop—look—think, why was it sent in? I take a holistic approach. I weigh the service it is providing our above and below ground micro-ecosystem, the armature that supports the life of the sculpture. I then consider what human adjustments I might implement to holistically balance these roles nature’s first responders are providing to achieve my artistic vision, supporting my sculpture. I consider the needs of other species from the bacteria, fungi, nematodes, and insects to the small mammals, birds, and humans whose life work supports my work. I know that the small systems have to be right for the global systems to run smoothly and I see that too much is at risk to resort to pesticides. I create ways that weeds’ delicately shaped blooms can work in my living land art.
From a practical standpoint, weeds are convenient, cost-effective tools in my human-made nature scape, a catalyst for environmental change, Symbiosis. So, while intellectuals debate the ages, I get out of weeds way, pull over to the right and let the weeds do their job.
In Wikipedia, weed is “of unknown origin.” Ironically, weeds are of unknown origins in most landscapes. So I break down the word weed into three parts.
We – all of us, me, you and I.
ee – In the English language, double e’s are a tool to
denote one connected.
ed – denotes verb, performs an action.
Holocene or Anthropocene? In this age of uncertainty, if humans “weed out” weeding, can all species win the battle? — I wonder…
Additional Weed Readings
WEEDS Control Without Poisons, by Charles Walters.
WHEN WEEDS TALK, by Jay, L. McCaman — includes charts with the functions of each species.
I purchased my copies on Acres USA.
Wood-sorrel exhibits nyctinasty, likely helping the plant conserve energy. It forms a taproot and is upright when young, but as it grows, its long, multibranched stems eventually flop over and trail out along the ground for as much as two feet, extending rootlets from nodes along the stem. This root is beneficial in breaking up the clay. Sorrels contain oxalates, a naturally occurring molecules that bind with calcium. If your soil needs calcium, keep the wood-sorrel.
Youngia japonica a member of the aster family and related to the dandelions. Dandelions Taraxacum officinale shows up when soil is low in calcium and compacted. The local bees, butterflies, birds, and I enjoy the blooms while the dandelion roots break up the clay. Their leaves are loaded with antioxidants and used by herbalists for many health issues.
I believe the above plant to be Cudweed. Cudweed is host for the American painted lady butterfly.
Why we shouldn’t rag on ragweed? The seeds of ragweed are rich in fatty oils. Fats are not only Ebut also is for fattening up birds and small mammals such as Eastern Cottontail, Meadow Vole, grasshoppers which eat the leaves, Dark-eyed Junco, Brown-headed Cowbird, Northern Bobwhite, Purple Finch, Mourning Dove, American Goldfinch, and the Red-bellied Woodpeckers to get them through the lean winter months.
It is an ancient grain for humans and ragweed is a valuable food source for the caterpillars of many butterflies and moths including the striking wavy-lined emerald and the uniquely adapted bird dropping moths. The seeds of ragweed are rich in fatty oils. Birds and small mammals readily consume ragweed seeds to help fatten up for the lean months to come.
I will use this post to document my experiences with weeds.
Documenting the art of creating living soil. SOILED — Tighty-Whities 2021
SOILED — Tighty-Whities 2021
Photograph by N. Baker
How do you document art that lives beneath our feet? Creating art beneath the Earth’s surface I am finding new ways to document the work and it's movement. This photograph is the result. Let me explain. To test soil for fungi that recycle wood and live on dead material soil, scientists buried cotton fabric. In Symbiosis, to document the Saprophytic fungi, I planted new, washed men's medium cotton briefs. This photograph demonstrates the results. In 2022 I will recreate the piece and grow the tighty-whities in a vertical column. This change will document that living soil, the diversity of microbes is built from the top down. In contrast, when my father farmed in the 50s and 60s, the farm bureau that advised him told him to invest in a new plow to dig deeper to access the richest soil.
The purpose of my work is to change how we see landscape. It isn’t just about creating beautiful gardens. Landscape can store carbon and soak up rainwater to cool the planet. It is the cheapest and fastest way to get our planet back on track.
Digging up the briefs I immediately knew I had made a mistake. I left them In the garden’s soil too long. Still, I dug them out with tender care. The petroleum-based elastic band was entwined with a plant root. The root took the elastic leg 6” deeper into the earth than I planted it. I left the elastic and the root as I found them. Laid them on a board and took them immediately to Nash’s photography studio to document the work.
First, I delicately untangled the elastic. The cotton had completely decayed. The elastic was not biodegradable.
Seeing that the briefs were still intact minus the cotton and plus the root I started reassembling the briefs and the added appendage.
In art many times you have to listen to the materials.