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Scaling up the drawing I also wanted to incorporate another layer of interest in the piece - the ruminant's digestive system.
Before the digestive system and with shorter legs.
In order to add this intestinal circuit his abdomen and hump had to get larger to allow for the walking paths on either side of it. The wider girth made his legs look like stumps so I lengthened his legs.
After the digestive system and leg adjustments.
Partnering with communities, schools, governments, and organizations across the country, the National Wildlife Federation is leading the charge for conservation.
Through their tireless commitment to protecting and restoring habitats, they have managed to breathe new life into endangered species like eagles, deer, elk, bighorn sheep, and whales.
I am deeply proud to have my work featured in the prestigious fall edition of the National Wildlife Federation magazine. It is a true honor to be recognized alongside such incredible conservation efforts.
I wrestled with this question. There was not anything in either of Kurt Vonnegut’s books that inspired me. I do feel he wrote about what he knows and my work should be true to my own heart. A list of the obvious came to my mind- butterfly, chrysalis, beatle, seed, flower, IU letters…….
After a full day at the Eskenazie Museum on IU’s campus I was intrigued by this piece.
The museum label read-
According to traditional Bamana beliefs, an energy or force called nyama animates the universe. Objects such as this boli are made to harness that energy and use it for the benefit of the community. The thick, crusty surface is the result of offerings such as millet, other vegetal matter, beer, and chicken or goat blood, all of which are applied to attract nyama and serve as physical evidence of its presence. A boli does not represent a particular creature.
It is kind of perfect., should I make another bison? Can I make a Boli bison labyrinth?
I can see it.
Here are the steps I took
More to come tomorrow.
During the first week of my residency at IU when I wasn’t exploring the city, University, art, museums, ecology, architecture, and landscapes I was experimenting with labyrinth designs.
Some sketches of three different types of kabyrintgs.
This design starts with a simple cross. I need to keep this simple.
Turning the cross/square labyrinth upside down I decided to attempted a seed labyrinth. I think a design less feminine will be better.
I am still at IU busy working out the details of an installation. I start each morning reading/researching as I enjoy my coffee. I found this article alarming and inspiring. Climate Change Is Speeding Toward Catastrophe. The NextDecade Is Crucial, U.N. Panel Says.
Working out an idea for a future work.
1.5 - sketch for TOAST
Myy work is about the ecological solutions in urban landscapes. What solutions can I unearth in food, toast, char? - time to ponder and ruminate. Stay tuned.
"If you hit a wrong note, it's the next note that you play that determines if it's good or bad." — Miles Davis
In humanity's quest to harmonize natural processes with industrialization and tame the beast of extreme climate, I consider problem-solving approaches from my artistic practice and the artistic world.
As a master of improvisation Davis embraced musical mistakes as valuable chances for growth—an approach we can apply to all aspects of life. How we respond to so-called errors ultimately shapes the final outcome. Humans have the unique ability to transform something "wrong" into something "right."
How does this apply to our environmental issues? Consider that as a species homosapien is a young species. Having thumbs instead of hooves our brains have evolved to create, and invent, to problem solve to make us not mammalian beasts but human.
Mountain Moving
On exhibition in the GRUNWALD GALLERY of ART IU.
The artist Melanie Cooper Pennington teaches Sculpture at Indiana University.
One of homosapien’s greatest inventions is industrialization. We are now clearly seeing and feeling the impact of industrialization on our ecosystems. The most important question humanity has to answer is — will industrialization be a “bad” note?
By adopting Miles’ mindset, we can discover new and innovative ways to address climate change and find harmony between nature and industry. As an eco-artist I consider problem solving perspectives that I use in my creative practice to visualize and transcend conventional thinking to create a better world.
I am engaged in an artist in residency program at Indiana University direct by the Arts and Humanities Department. The university recently launched an Environmental Resilience Institute, as well as a new A&H laboratory dedicated to Environmental Futures. They created a research platform to allow arts and humanities scholars at every level of education—to connect.
My first visit at IU was with Melanie Coooer Pennington. Melanie, creates mammalian sculptures to investigate the borders between the human/animal body and its psychological states. Melanie’s work provides an emotional visual to the power of thumbs by replacing them with hooves. Thumbs changed everything.
I saw Melanie’s Mountain Moving, thought provoking sculpture the day I started writing this post about Miles Davis and his creative process.
I believe through art and culture, we can move the industrial mountains facing humanity — our next note can create a masterpiece.
It is Labor Day weekend, so I have time to relax and experience the IU campus landscape.
Natural landscapes on college campuses are rare finds. Dunn’s Woods is a veritable gem of Indiana University’s “Woodland Campus.” The iconic Sample Gates are a portrayal to the cycle of life and rebirth in the urban woods/ college campus.
This rare and sacred space unveils the harmonious dance between sun-kissed leaves, rustling branches, and fertile soil. The emerald foliage, gently illuminated by the celestial glow, gracefully surrenders from sky to earth, transforming into nourishing sustenance for woodland creatures and retaining rains, dew and moisture.
Sun’s energy is transferred to Earth in the shape of sun crisp leaves, the main ingredient of Earth’s soil sponge and the planet’s digestive system.
Peck + Scratch Installation
Eight chickens and two roosters were installed in Symbiosis, April 1, 2023, from 11:00-5:00
There's more than eggs when it comes to urban chickens. Peck and Scratch is a throwback to when every family had a symbiotic relationship with these quirky feathered friends. It was common knowledge that chickens are miraculous energy transformers; they effortlessly clean up weeds and bugs from living soil while providing families with a more sustainable and cost-effective alternative to chemical pesticides and herbicides. Plus, their waste is invaluable - it replenishes the soil with much-needed nutrients for plants to thrive. In addition, the protein-packed eggs they lay contain all the amino acids necessary for promoting brain health for early childhood development.
By offering a cozy environment, refreshing water, and a lush habitat, we're showing gratitude towards our curious and joyful friends and providing them a safe home away from potential harm. Instead of supporting factory farms, our chickens deserve to thrive in an ecosystem filled with living soil and all the essential components they need to lead happy, healthy lives.
It's time to think outside the (takeout) box and invest in the power of urban chickens.
As a social sculpture artist, I'm passionate about how our civilization interacts with the land. Despite our advances in technology, something just isn't right. I'm always searching for inspiration to inspire nurturing abundance of life in our landscapes. However, our current landscape practices, with overly groomed flowerless shrubs and chemical inputs, are far from desirable. Recently, I stumbled upon a book called "When Violence Is The Answer" lying in the street, dirty, torn, and rain-soaked. Although the word "violence" is harsh, the analogy of violent treatment of humans to our current landscape practices is thought-provoking and valid. The artistic possibilities are limitless on this journey of ecological awareness and expression. Should I incorporate it into a sculpture or read it?
“The Baby Whisperer” 30” X 44” watercolor monotype Horses are truly a marvel of sensitivity and emotion. My daughter-in-law recently visited a stable where she used to ride, and while my son shoveled manure for their garden, she had a beautiful moment with one of the mares. Even though she had never ridden that particular horse, it became clear that the horse had been affected by its owner’s recent pregnancy. This experience reminded me that wildlife deserves much more credit than we often give them.
This observation also underlines how crucial it is to build connections with all creatures in order to restore and maintain a healthy ecosystem. I want to express my gratitude to Griffin and Alex for providing a stunning photo that inspired me to reflect on these profound ideas. They continue to motivate me each and every day.
A few weeks later I created two more pieces. One for my daughter-in-law's parents and one for my son.
Baby Whisperer I
Watercolor monotype 30” X44”
Baby Whisperer I ghost print
Watercolor monotype 30” X44”
Baby Whisperer II
Watercolor monotype 30” X44”
Baby Whisperer II ghost print
Watercolor monotype 30” X44”
“Carbon by the Yard” was a temporary relief in the shape of the Carbon element symbol, “C”. This simple gesture brought attention to the fact that gas lawnmowers emit eleven times the emissions of a new car.
Carbon by The Yard
In 2022, I transformed “Carbon by the Yard” piece into “CARBONsink ” using solarization and regeneration instead of herbicides to transform the turfgrass into biology. I then seeded it with wildflowers. The new piece soaks up rainwater, stores carbon and supports pollinators.
It is important to note that the EPA estimated that non-native turfgrass monocrops use one-third of all public water. In the US, this translates to 9 billion gallons of water daily.
These two social sculptures highlight how our colonial landscape decisions impact our carbon footprints.
CARBONsink 6/8/2023
DIY- check out the steps to install your own CARBONsink.
Soak the ground.
Use the power of water in conducting heat into the plot. Proper hydration will pull heat from the surface deeper into the soil, enhancing the effectiveness of solarization.
Cover the soaked turf with two layers of cardboard. This will smother the turf grass and use the suns energy to solarize it.
Soak the cardboard layer
Layer 4”- 6” leaf mold compost. I use Nature’s Way Resources and Heirlooms.
Spread the compost evenly .
Soak the compost , and level it for sprinkling the seeds.
Sprinkle seeds generously.
The seeds come from Native American Seeds.
Make sure the seeds make good solid contact with the ground. Press them in.
April 2023
June 8,2023
July 29, 2023
Some butterfly species are “threatened with extinction,” she said. If butterflies disappear, birds will no longer be able to feed on caterpillars, and so on, affecting entire food chains, “so, missing those tiny species that nobody cares about can cause actually a really big impact.” . - Annabelle Timset, The Washington Post
The grapeleaf skeletonizer (Harrisina americana) on a Vitis vulpina (with common names frost grape, winter grape, fox grape, and wild grape.)
If you see an abundance of caterpillars on a grape leaves what is your first thought? In recent times the influence of commercials would have us reaching for a pesticide. Today through a systems theory lens I see an important character in a living system.
Originally Rumblings was going to be a wall of wild bee portraits, 50/10,000. It is time to start thinking about the next step.
Since I started these in 2019 my knowledge has expanded. It is no longer enough to exhibit the bees as portraits. They are an integral part of a bigger system. In incorporating systems thinking I will arrange the pieces into a 11’ X 25’ work on paper composition, an abstract eco-landscape that holistically balances urban and natural systems.
It will be a composition of twenty-eight 30” X 44” watercolor monotypes from my Rumblings* body of work. The pieces will be installed in a tight grid to reference urban development. Centered in each 30” X 44” piece is an abstract portrait of a wild pollinator.
The work will be completed in my studio when the defined space dimensions are finalized. At that time, I will select the portrait pieces and organize them in a systematic manner that works best for the size and shape of the proposed space. I will then transform the individual portraits into the monumental composition of an urban ecosystem that balances manmade and natural systems. To do this, I will add abstracted shapes representing biological systems that pollinators depend on into the blank spaces of the individual works. These marks will be extremely light and delicate, watercolor and pastel. They will be leaf and petal-like silhouettes of birds, vines, blooms, grasses, roots, water, and hooves. These shapes will weave in and out chaotically, connecting the portraits in the urban structured grid and transforming them into an ecologically balanced urban landscape composition.
RUMBLINGS* WORKS 2019 — present
Done! My gloves are proof. For weeks, my schedule was jam-packed with proposals and large-scale projects that needed my attention. Amidst all the chaos, I was also starting a brand new sculpture for the Mayor's Office of Cultural Affairs' Earth Day Celebration. I thrive when I can hyper-focus, but this time I almost let something slip through the cracks. "Earth Moves" was in danger of being incomplete by the deadline. With less than a week left to finish, I knew I had no choice but to push myself harder than ever before. I woke up at 5:00 am every day and worked tirelessly until 4:00 pm, without taking a lunch break. I felt every muscle in my arms and shoulders ache, but the feeling of being fully present and working towards something important was truly exhilarating. I couldn't disappoint Necole Irvin and let "Earth Moves" fall short of its potential. After countless hours of welding and crafting, today the sculpture was finally installed on the 3rd floor of the Julia Ideson Library. The end result is a, call for action work of art made from welded steel, lath, indigenous clay, grass, and glass beads. It was a true labor of love that I poured every ounce of myself into. #earthday @lanolalady #mayorsofficeofculturalaffairs #houstonmayor #cindeeklementart #work #gloves #drive
It is a heart warming privilege to craft something from the heart for two special souls my son Griffin and our precious daughter in law Alex both who have deep ties to nature.
Around each giant sunflower bloom lies bountiful tiny creatures and details designed specifically for their new born’s imagination. Being able share my joy as these parents-to-be anticipate the birth of their little one makes me feel truly honored!
"Baby klement’s Ecosystem"
watercolor and pastel monotype
30" X 44"
A Field mice enjoying a snack of American beauty berry
Gulf Fritillary caterpillar in the “J” stage of metamorphosis.
Monarch caterpillar, aquatic milkweed, Monarch chrysalis, Purple coneflower, wasp, dragonfly
On a personal note- Griffin and Alex have not picked a name so I think of our future granddaughter as Sunflower.
Spring of 2022, on Cafe (Call for entry), I saw a call for the Cabinet Oak Project. The call was to donate work to support the restoration of the Texas White House and start an artist residency program.
The call is a good fit for my work. It perfectly connects my past works, Heritage and Gust, with my present eco-art work and social sculpture. LBJ wore the same Stetson Open Road I used in both pieces and I support the mission of the fundraiser. Interestingly, LBJ often wore his Stetson with the brim flipped up. It is an unusual way to wear a hat and reflects his unique personal and political legacy.
After receiving the acceptance and with the stump in my possession, I studied the history leading to Johnson’s presidency, the state of the country, and his presidential legacy. Contemplation is the result of that research.
The rest of this post follows my process of creating Contemplation.
Contemplation
29.5” X 18” X 14”
Bronze, The Cabinet Oak stump, concrete, paint
Contemplation humbly records the imagined solitary moments of Lyndon B. Johnson. The Cabinet Oak stump, carved with deep thoughts, is paired with his hat and cigar, reflecting flaws and imperfections, bringing to life the knowledge, passion, and determination that shaped 'The Great Society.' A reminder that nature can inspire great acts.
My proposal-
My practice is inspired by researching natural systems in Texas'ecological history that build soil health, absorb water and sequester carbon.
My work reimagines urban landscapes, proposing holistic restoration of ecological balance — awakening urban consciousness to our kinship with living systems and restoring what is lost. Through sculpture and activism, my work incorporates time and movement. Adapting these processes, including organic and living materials, I create works to inspire urban land conservation and therefore extend our time on this planet. I believe that widespread environmental change begins with envisioning (and making visible) the wisdom inherent in the natural world.
I envision taking a rotting stump full of wormholes and marked with evidence of the ecosystem the ancient tree limb once supported as representative of our Texas natural history. I willrest on it as a symbolic witness of the many discussions, arguments, and enlightenment under the great oak. This symbol is a well-worn, cast bronze Stetson Open Road hat, often worn by Lyndon B. Johnson. I have worked in cast bronze hats since 2013. Heritage is in the Houston City Collection. In 2020 I completed Gust, which is on my website. I would be honored to be included and willing to donate 100% of my work to this cause. Depending on the wood, I may cast the stump and hat together.
It is hard to pick the perfect stump to reflect the man, his unique policies, ability to get things done and the ecological history.
I picked a stump with a likely spot that LBJ might have rested his hat on under the shade of the big oak tree.
An employee of the LBJ Ranch Park painted the ends of all the stumps white to prevent insects from nesting in them.
They have not heard that we have entered the Anthropocene and insects are significantly declining and need rotting wood for habitat.
The park could consider implementing a program to provide a habitat for insects. It might be an excellent opportunity here.
.
White paint gone -
When cast in bronze, the new hat will reflect the wear and tear of running a ranch in Texas and the mental stress of running a country in the ’60s. The stump is not what I had hoped it would be. The piece needs more. Knowing many men smoke cigars when they go to their ranches and that President Johnson smoked an occasional cigar, I decided to add detail a precariously placed half smoked on a cigar. It will still need more and there is time to figure it out.
I apply wax to the entire surface so the hat will not absorb the slurry that will build the shell. I use a heat gun to milt of the wax to builds up too much and I shape it to show wear.
The bronze cast cigars and hat are ready for chasing. I cast a few cigars so I would have choices.
Metal chasing done. The bronze was so heavy it made the stump tip over. I cut the opposite side under the stump to balance the bronze. It is missing something……..
How can I bring this sculpture to life while capturing the essence of the man, the political climate, and his bond with nature, while still remaining authentic to my artistic style? He was one of our more accomplished Presidents, passing the first bills that address issues we are still struggling with today. I need more research into his policies. That is the detail I need to make the piece meaningful.
I envision Johnson holding meetings beneath the Old Oak, arriving early to ponder and whittle down his ideas into actionable plans, navigating through the complexities of government. I can almost see him, alone in the shade, puffs of smoke escaping his lips carving his best ideas into the heart of the Oak, contemplating every move.
The wood looks too fresh. In order to give it an aged look I watered down an almost empty can of house paint and washed it over the delicate bark.
Next up the patina.
It took fierce passion to pass bills to combat poverty, rejuvenate the environment, and embrace diversity - all while rekindling civil rights and nurturing the arts. The more I work on this piece, the more I love it.
I love research based art. It was a good fit right?
Since the beginning of my artistic journey, I have consistently explored elements of time and movement within both two-dimensional and three-dimensional works. With "Hairy Clover," an element in Symbiosis this exploration takes on another layer of complexity - exploring how the water cycle creates motion that stores carbon, ultimately building the planet's energy.
Marsilea species are an extraordinary group of ferns, displaying a fascinating phenomenon known as nyctinasty - the daily movement of leaf orientation. During daylight hours they reach out to capture sunrays and then at night fold inwards into vertical positions due to pulvinus joints located towards the base of each stalk which adjust based on water flow into motor cells. This adaptation ensures that these plants remain attuned with their environment by regulating transpiration through stomata opening and closing cycles - remarkable!
I have read that this Texas native is endangered in many states. :(
Marsilea vestita, southern water fern
8” X 8”
Ink
In 2020, I was asked by Lawndale to propose a sculpture for the sculpture garden. Instead of proposing one of my steel or bronze sculptures, I proposed a living sculpture titled Symbiosis. I have since endeavored to witness and record/document its growth and relationships through photography. These photographs will be my reference materials for more poetic documentation. Simultaneously I have sought out historical and contemporary ways of immortalizing natural history. My search led me to explore websites, antique stores, and estate sales, looking for how naturalists, explorers, and artists have documented Earth’s wildlife and plant life’s relationships throughout history. This research has led to the discovery of two exquisite artistic collections from 1705 and 1903 that sparked inspiration within: Maria Sibylla Merian's book Metamorphosis Insectorum (1705) as well as Theodore Jasper’s American Ornithologists' Union (1903). Both are incredibly valuable works that promise to help me find my wings and bring Symbiosis memories into full bloom.
For the next seven months, I will diligently document through photography the unique relationships as they develop in Symbiosis. When 2023 draws to a close, my contract with Lawndale runs out. Then, I will start the final chapter of the work. This project has become something special that needs to be immortalized in artworks showing their symbiotic relationships. With watercolor monotypes as my medium of choice and abstract expressionism becoming part of me along the process - these works are primed to tell stories of how humanity can reconnect with natural systems in urban landscapes.
Theodore Jasper’s American Ornithologists' Union (1903)
Theodore Jasper’s American Ornithologists' Union (1903)
Maria Sibylla Merian's book Metamorphosis Insectorum (1705)
Goldenrod is more than just a weed- it’s the ethereal string section in natures visual symphony capturing the eye with its undulating dance.
From late summer to early fall, these radiant yellow spikes flourishe in roadside ditches and fields. As winter moves in their color fades to dark shadows against winters gray sky.
The sturdy stalks provide shelter from icy winds so precious birds can rest through cold days ahead as Goldenrods' undulation brings joy throughout all seasons instead!
I'm still struck by goldenrod's graceful dance on even the slightest breeze. It truly is a remarkable sight that gives me much joy throughout all seasons.
The vines are sprouting and climbing.
I have decided to make the feet in bronze, the wooden blocks are for them. I think one more day of welding.
