Lawndale Art Center — Symbiosis environmental art activism project announced

Lawndale Art Center a staple on my radar as a possible venue for an environmental art exhibition. The sculpture garden, primed to be relandscaped in a manner that could communicate any number of environmental issues in my head.

The Lawndale Art Center Sculpture garden before the 2019 re-landscape.

The Lawndale Art Center Sculpture garden before the 2019 re-landscape.

I have had a few casual discussions with Stephanie about these ideas in the past, however other opportunities came my way, and frankly, I dropped the ball.

During the first COVID 19 quarantine, Lawndale Art Center reached out to me regarding their sculpture garden. They were interested to know if I would assist them with some weeding in their newly landscaped sculpture garden, I often volunteer there. When I heard the words, “newly landscaped sculpture garden,” my heart fell to the ground. I had blown it, I missed the best art venue opportunity to create a piece that looks at urban landscape as a found object. I was crushed, disappointed and angry at myself. I decided to focus on my Endangered Knowledge: The Soul of Humus, a piece I am creating for Sculpture Month Houston. In turning Lawndale down I sent them a copy of the proposal I made to SMH. A few days later I remember thinking to myself, “well you blew that opportunity, you will never get a show at Lawndale now.” A few weeks after that— they called me back and asked me to meet them at the sculpture garden. Masked I met with Stephanie and Emily and they asked me to do a site-specific environmental piece in the newly relandscaped garden. It was the last thing I expected—A dream come true was not in my mind of possible COVID19 realities. We also discussed their need for some happiness in the garden. The garden does not have any beneficials planted. Sympathetic to their need for some visual happiness I offered to plant a few flowers.

By this time it is unbearable—Houston—July—Hot.

What can you plant in July and have it not fry, if anything? I am not an experienced gardener I am an artist/activist and a citizen environmentalist—but my friend and past President of the Harris County Master Gardeners, artist, and curator is a very knowledgable gardener. A super busy Renassaince man, Will Isbell kindly offered to meet me on a Friday evening at the garden to see if there was anything I could plant that would not die in this July heat. There was not, but we did have a great talk.

We both saw the existing garden in the same way a missed opportunity for an environmental artist. And then it hit me. I suggested that I propose to Lawndale that the two of us do a project that takes the existing new traditional landscaped garden and use it as a found object to create a piece to activate change in Houston’s landscape. Will did not hesitate.

The question was how do I get them on board. They have already spent good money and the garden by any standards is beautifully done. One thing everyone knows about Lawndale, it is an art space for the voices of artists breaking boundaries and unearthing contemporary knowledge, nothing is too daring for Lawndale. They are the space in Houston to open minds. They were encouraging and interested in this new idea and wanted me to continue working on a concept for a solo environmental piece as well the piece with Will.

I am still num with these two opportunities and excited with the potential to instill hope and heal the environment.

Lawndale announced the project Will and I are doing together last week. Below is the proposal for the work. I wrote it in early July, as I read the opening paragraph today, with California on fire, and Houston flooding again I am taken back by how much the world has changed since I wrote it.— and not in a good way.

Lawndale Sculpture Garden Proposal

Cindee Travis Klement and William Isbell

What is to be gained in the year 2020, the year of perfect vision? In our largest cities, a tiny virus is killing our most vulnerable, crippling our strongest economies, forcing our families into food lines, and providing kindling for social reform protests. In the natural world tucked within our largest cities, this same tiny virus has improved the air that we breathe, returned fireflies to our summer nights, and allowed wildlife to inhabit our neighborhoods. The connection between the land, plants, mankind, and wildlife in urban environments has never been more evident.

What is to be gained in the COVID 19 moment of enlightenment: our eyes have opened to the state of our living systems, and we have discovered that unimaginable change is possible. We have seen that we cannot wait for the tests to tell us if we are sick. Without design, we have found an unprecedented moment, we have gained an opportunity to change.

SYMBIOSIS

As visual artists and art activists, we will connect soil health and the health of our city. We will create a living piece of site-specific art activism that will reimagine the urban landscape and answer the question — how do we holistically restore an ecological balance that can coexist in Houston with nature/ wildlife through sculpture and community involvement. We see the Mary E. Bawden Sculpture Garden's terrain with its manicured, status quo landscape as our found object. With ordinary tools, organic matter, with the help of the community, we will sculpt it into the armor that historically protected Houston’s geological epidermis and gave life to its keystone species — the Coastal Prairie ecosystem. The title of this found object sculpture is Symbiosis. Over time Symbiosis we will morph into not only a landscape but also a soundscape that changes kinetically with the seasons.

Lawndale’s Mary E. Bawden Sculpture Garden’s Symbiosis will be a catalyst for change. In addition, it will be functional as a contemporary art exhibition space, a piece of functional activist art as well as a healthy ecosystem/habitat: a sculpture garden that heals and honors the history of the land.

Physical Description of Piece

Once the parameters of the project more are specifically defined we will insert the specific plants, their ecological roll in the

design and define the work.

Environmental Impact

Soil scientists around the globe agree that solutions to global warming, soil erosion, water runoff, drought/flooding, loss of wildlife habitats, and species extinction are rooted in the treatment of our soil — the skin that covers our planet, which includes our residential and small business landscapes.

Restoring the native prairie vegetation increases soil absorption of water and slows floodwaters on land, decreasing water runoff. For every 1% increase per acre of biological organic material, the soil can hold an additional 20,000 gallons of water. Given Houston’s extreme building practices and concrete hardscaping, reimagining the landscapes within Houston's 600 square miles of real estate can significantly impact the region's flooding. In addition, the roots of vegetation in a coastal prairie can extend from eight to fourteen feet deep; these roots sequester and store carbon like an upside-down rainforest, cleaning our air.

Value of Location

Change can happen at lightning speed when innovation is coupled with imitation.

The current state of Lawndale's sculpture garden provides the perfect opportunity to break the mindless conformity that dominates Houston's urban gardens/yards. The sculpture garden has the feel of a perfectly manicured, traditional front yard, making its size and plant selections relatable to the general public.

With the Houston Arboretum transformations, Katy Prairie Conservancy, Buffalo Bayou, and the new Memorial Park renovation, Houstonians have awakened to the importance of native Coastal Prairie landscaping; however, those sites are enormous tracts of land. It isn't easy to visualize those landscapes outside the parks. This permanent and living metamorphosis of Lawndale’s Symbiosis will provide the 2020 vision of transformation by imitation for yards throughout Houston. It will shift mindsets by prompting Houstonians to question Houston’s urban landscaping and imagine a holistic Houston that protects the environment by balancing human, natural and economic systems.

Value for Lawndale Art Center

An art institution that looks at its community holistically to include not just a monoculture of humans but also beneficial plants, animals, and micro-organisms will be groundbreaking. Symbiosis will cultivate a medley of life that historically has defined the place, has impacted its economy and attracted its people. Lawndale’s Symbiosis will leverage this endangered knowledge with a living site-specific art installation that provides the artistic vision that changes hearts and minds. It will connect the history of the land to contemporary art. Using additive and subtractive sculpting techniques and nature the Symbiosis of the Mary E. Bawden sculpture garden will become a living love letter from our past to our future.

Ecological impact of Houston

With 2.3 million people living on a footprint of 600 square miles, close to the Gulf of Mexico, located along the migratory bird pathway, Houston is an urban wildlife sanctuary.
Changing Houston's ecology will profoundly impact our oceans, human life, wildlife, and microbial environmental health. Let’s not miss this unprecedented opportunity and heal the skin of the planet and our people.

Installation Process

The beauty of this piece is to have it be a catalyst for inspiring homeowners and businesses to imitate the change and heal their landscapes too. We will Involve the community to take on an active role in the transformation. Installation of the piece will engage and educate the community in ways to be defined after specifics of the piece are worked out.

Lawndale after one of our early Symbiosis meetings.

Lawndale after one of our early Symbiosis meetings.

Beautiful new fence and Jasmine and crepe Myrtles.

Beautiful new fence and Jasmine and crepe Myrtles.

Olive trees, African Iris, Dwarf Yupon Holly, Gardenias, Asian Jasmine, Crepe Myrtles -6 very popular landscape elements across Houston.

Olive trees, African Iris, Dwarf Yupon Holly, Gardenias, Asian Jasmine, Crepe Myrtles -6 very popular landscape elements across Houston.

Will’s and my found object — Lawndale Art Center, Mary E. Bawden Sculpture Garden

Will’s and my found object — Lawndale Art Center, Mary E. Bawden Sculpture Garden

World of Hum and Rumblings experiment

I have often wondered how my monotypes would look with a kinetic showdown piece. This is the first print I have tried with the kinetic sculpture. I think it is worth exploring.

This is a screenshot of a message I received on Instagram In the above post. I am please to make an Apis Dorsata and help spread the word regarding the bee problem in India -Apis Dorsata - ghost #2  watercolor monotype print 30” X44” detail of a 458…

This is a screenshot of a message I received on Instagram In the above post. I am please to make an Apis Dorsata and help spread the word regarding the bee problem in India -

Apis Dorsata - ghost #2 watercolor monotype print 30” X44” detail of a 458 sq.ft work that addresses the plight of native bees worldwide. ”rock bee” its common name is responsible for every third bite of food in India.

Apis Dorsata - Rock bee. 30” X 44” watercolor monotype

Apis Dorsata - Rock bee. 30” X 44” watercolor monotype

Apis Dorsata - Rock bee. Ghost30” X 44” watercolor monotype

Apis Dorsata - Rock bee. Ghost

30” X 44” watercolor monotype

Apis Dorsata - Rock bee. Ghost 230” X 44” watercolor monotype

Apis Dorsata - Rock bee. Ghost 2

30” X 44” watercolor monotype

Rumblings - Xylocopa micans

A male southern carpenter bee- This bee was sleeping on my Salvia the morning of July 4th. The male wild bees do not live in nests. When they emerge they fly out looking for females to breed with. When the females return to their nest to sleep the males curl up to an petal.

Xylocopa micans I

Xylocopa micans I

Xylocopa micans II

Xylocopa micans II

Xylocopa micans II ghost

Xylocopa micans II ghost

Image from my video

Image from my video

Rumblings Monotypes without a printer.

Sometime in 2019 or late 2018 I discovered the USGS photographic library of wild bees. I was overwhelmed at the number of species and their individual beauty. They are jewels of the insect world. These facts combined with the reality that most well educated people believe that there is just one bee species - the honey bee. There are 20,000 species. How a creature who is responsible for our food could be misunderstood to this existent is baffling. Scientist just started realizing the error in their studies last summer. Committing to telling the story of the plight of the most important being on the planet is a worthy story. I have always felt the need to support underdogs.

Below us the artist statement for the project as I incusion it today. Artist statements remain fluid as I work on big projects.

RUMBLINGSA rumbling in the distance is nature's way to alert living creatures to their environment. Rumblings; monumentally draws attention to the 20,000 unknown species of threatened wild solitary bees. The bees that can not bee industrialized.  The watercolor ink carefully manipulated on the fifty interconnected monotypes to reflect the synergistic, aqueous effect of; the unexplored bee species superior magnetic attraction of golden dust, the movement of the anonymous Keystone species dedication to pollinate, and their fragility due to the applied chemicals that flood industrial agriculture. With Rumblings, there is knowledge and knowledge is power; it is a resounding call to all for action. 

The COVID 19 quarantine in March was a huge buzz kill to this series. These are all monotyoes. I use the plexiglass surface to create my water effect that I then press into the paper. I am very attached to this method as the best way to communicate this work for a few reasons. 1. It is a process I created and as far as I know no one else creates monotyoes with this type of mark making., 2. The watery look suggest the use if pesticides that are impacting their extension and lastly the tiny details that make up the bee is suggestive of pollen dust. I have been creating this pieces in MFAH beautiful Glassell studio school printmaking studio. With COVID that us not an option for me.

Since March, I have stitched bees and tried to be open-minded to another process to complete the series. I finally decided to see if I could hand press a 30” X 44” print in my studio.

Here I am applying the ink to the plexiglass. On the wall is a photo of Bombus Dahlbomii, the largest humble bee in the world at 2” long and endangered if it us not already extinct. The photographs are stunning. The photographs are taken if dead bee…

Here I am applying the ink to the plexiglass. On the wall is a photo of Bombus Dahlbomii, the largest humble bee in the world at 2” long and endangered if it us not already extinct. The photographs are stunning. The photographs are taken if dead bees. In ny pieces, I try to put movement and energy back into the buzz pollinator.

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Here I have just pressed the plexiglass with the watercolor ink bee image onto the wet paper. And surprise surprise surprise.

Here I have just pressed the plexiglass with the watercolor ink bee image onto the wet paper. And surprise surprise surprise.

Bombus Dahlbomii IVI have made three other attempts to print this monsterous fluffy ginger and not been happy with the results.

Bombus Dahlbomii IV

I have made three other attempts to print this monsterous fluffy ginger and not been happy with the results.

Bombus Dahlbomii IV Ghost.

Bombus Dahlbomii IV Ghost.

The prior attempt are below. Getting a mono-colored fluffy bee with out muddying the ink was tricky.

Bombus Dahlbomii Day I

Bombus Dahlbomii Day I

Bombus Dahlbomii Day I ghost

Bombus Dahlbomii Day I ghost

Bombus Dahlbomii Day II

Bombus Dahlbomii Day II

Bombus Dahlbomii Day II ghost

Bombus Dahlbomii Day II ghost

Bombus Dahlbomii Day III

Bombus Dahlbomii Day III

Bombus Dahlbomii Day I'll ghost

Bombus Dahlbomii Day I'll ghost

I am hoping the Bombus Dahlbomii day IV pieces cut the mustard. I am feeling hopeful and extremely excited that I can create monotypes without a press Is this non-verbal size.

Why soil?

“The soil is the creative material of most of the needs of life. Creation starts with a handful of dust.” - Dr. W. A. Albrecht ph. D.

That is a powerful thought. How important is soil to our health? For me it is clear.

And it is not dirt, it is not clay, it is humus living soil.

This quote is deeply tied to all of my current work, in The Endangered Knowledge piece that I am in the early stages of welding soil is the material that will become the protective layer of the keystone species, in Subterraneous Secrets soils energy is stabilized and captured through root systems, in Mute Testimony, it records its history, in Gust the life it provides is Endangered. In the photography of life in my cement pond, it establishes natural rhythms and compliments the other living systems. The pond is a complete ecosystem; it is free of pesticides and herbicides. In this type of ecosystem, even the blooms in their last phase of life are beautiful as the tiny microorganisms convert them back into minerals that build soil health. #inmycementpond In this image, you can not see the humus, but you can see the magic in the life it brings when we allow it to thrive in a natural state.

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Endangered knowledge: The Soul of Humus #17 Cowbirds

I just read an intesting article; how Cowbirds are hedging their bets when choosing surrogate birds to hatch and raise their young. Another instance that supports the theory that diversity is the ticket when it comes to the survival of a species.

Coincidently I picked up the bronze Cowbirds yesterday. They are ready for me to recreate the texture where they were damaged during the spruing process. Once that is complete I will deal with their patina. I should wait and decide on their finish once the abstract bison is further developed. That said I am excited to see how the materials will look in a polished finish. Below are closeups of each bird - just for the record.

The finishes are very powdery looking and flat because they were just sandblasted. When I decide on the patiba the textures will really show up.

I took a risk when I decided on the manner in which I would create the birds. The Cowbirds are constructed in a primitive manner. And they look extra primitive laying on the faux bois chair. Context impacts the way we see. I feel hopeful the organic and rough construction will work on the abstract beast they will be attached to. Roughly constructed they support the story, polished perfectly detailed birds would not relay their connection to the geography and mammals. I realize I have not taken the safe root and hope I didn’t need to hedge my by as the Cowbirds did theirs.

The big bird side 1

The big bird side 1

Opposite side.On this image you can see a smooth surface from where the sprue was cur off. One spots the I will retexture.

Opposite side.

On this image you can see a smooth surface from where the sprue was cur off. One spots the I will retexture.

From the top

From the top

Bird 2

Bird 2

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Adjustments.jpeg
Bird 3

Bird 3

Adjustments.jpeg
Adjustments.jpeg
Derail shot of bird 3 - you can see the seeds and grass stems.

Derail shot of bird 3 - you can see the seeds and grass stems.

Bird 4

Bird 4

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As I recall this one gas some bluebonbet seeds in it's back feathers.

As I recall this one gas some bluebonbet seeds in it's back feathers.

Bird 5

Bird 5

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Texture gives me good goosebumps.

Texture gives me good goosebumps.

Subterraneous Secret II

Subterraneous Secret is part of my Endangered Knowledge work. For several years, I have been researching grass-fed food production, attending soil conferences, and visiting regenerative ranches. Research in these fields shows how to fight desertification and reverse climate change through regenerative agriculture practices. Interestingly, this natural history of living soil, how it evolved with roots, fungus, plants, food, and animals, carbon and their essential roles within microbial communities in human health, is not common knowledge. 

Subterranean Secrets IIbronze

Subterranean Secrets II

bronze