Artspace 111 report the the artist that Hilde selected 59 artist out of 1300. Man! I feel lucky to be included.
Sewing bee- Boundary Waters canoe area wilderness
Our son, daughter-in-law and grand dog just moved to Minneapolis. They are very adventuresome and planned a car trip with/for us to the boundary waters of their new state to hike and canoe. My daughter-in-law Alex is very supportive and helpful with my art, especially as it relates to the environment. She is the project manager at nRhythm and works closely with the Organic Consumers Association, Regeneration Canada, Regeneration International, and the Savory Institute, to name a few. Also, Griffin recently completed his MBA and is continuing his environmental work through industry. They have both been to several climate change meetings and know their way around that world. I knew Alex would be excited to help draw (or in this case stitch) attention to the plight of the bee and the impact glyphosate is making on the bees' intestinal flora.
Once we landed in Minneapolis we had a 4-hour-plus drive to our cabin. I suggested to Alex we have a driving sewing bee. She was all in. This time I supplied Madewell lined linen caps.
Map of the Boundary Waters north of Minneapolis
the Madewell linen cap is a nice neutral color and has a leather adjustable strap.
I like this cap because the inside of the cap is lined and that makes it easy to hide the unsightly underside of the stitching.
Above: Alex is stitching away with me as my son and husband caught up in the drive to the Boundary Waters. We discussed the Rusty Patch bumble bee, which is now on the endangered list, being one of the most important pollinators of the Northeast and northern Midwest US.
my cap - bee eyes, head and tongue
Above- I am adding the bee thorax. This is the section the bee the wings and legs are anchored on.
The best pollinators are extremely fuzzy. I want my bee to be an excellent pollinator so I am layering lots of randomly placed stitches in black and several different yellows.
Above- More layers - it appears my thorax is too big for my head and eyes. I will fix that later.
Below is some bee information we stumbled on at The End of The Trail Nature Museum .
Here I am working on the wings and tiny legs. Stitching in a car on a curvy bumpy road is sketchy.
I have decided I want this bee to be the Rusty Patch bumble bee so I am adding a bit of orange/rust on the back of its abdomen.
Alex’s bee was looking great I am hoping she will post a picture when she finishes.
Below are some images from the rest of the trip.
Griffin, Alex and Grito canoeing at Clearwater lake.
The four of us after climbing to the top of the cliff across the lake from our cabin.
Alex, Grito and Griffin Klement
My soul mate checking out Clearwater lake.
A river stop to test the possibility of one more fishing opportunity on our drive back.
Above- strawberry plant
I would like to come back when the wild strawberry plants have fruit. Strawberries are self pollinating, their flowers are hermaphroditic. Each strawberry flower contains the male and the female pistil. That said without pollinators they produce 50% less fruit than with pollinators. strawberries need bees too.
Above- wild onions
Honey bees and bumble bees both visit onion blooms.
and of course we made S’more memories. The trip would have been perfect if our daughter could have joined us.
We will miss these three.
Sewing bee - stitch like nobody is watching
I am bad (or maybe it is a good thing) about hyper focusing on a subject. The subject of the moment is the plight of the bumble bee amidst the use of man made chemicals. Taking a break from my studio and catching up with my dearest friends. We had a beach based sewing 🐝.
Knowing my friends would not enjoy a beach weekend of me hyper focusing and preaching to them about how we need to do what we can to protect the bees intestinal flora from glysophate a sewing bee was a super fun solution. We stitched and caught up for hours on end breaking only to play canasta and sip a beverage or two. I see these ladies only once a year so there is a lot to catch up on. My friends are all super supportive of my art and they are up on the latest problems for the bees intestinal flora.
I provided pashmina scarves (in everyone’s favorite colors) and coordinating threads. We stitched cactus and bees that pollinate them. We are all from El Paso so cactus was a natural for us.
Bag to keep our work in, (we all have bags from years past) embroidery thread, a few ball point sewing needles, tiny scissors, pencil or disappearing ink pen, embroidery hoops, and images of bees and cactus.
We were getting away from the pressures of everyday life so the idea was stitch like nobody is watching, no judging. No stitch is a bad stitch, and the beauty is in the imperfections. No one wants a scarf that looks machine made.
Below are images of my pashmina bee/cactus scarf as the work progressed. I will let my friends post their own work and hopefully spread a little 🐝♥️ to their other friends.
saguaro cactus
Prickly pear cactus
ocotillo cactus
yucca cactus
mark making with thread
barrel cactus
this guy ended up rather large.
scarf w stitching
finished? I am not sure but the trip is.
Looking at this photo I must give a tip for wearing a scarf and taking photos- pull scarf up around your neck - 🤪 aging is 👎🏻 On your neck but it comes with knowledge and that is 👍.
If anyone would like to host a sewing bee and talk about ways to save the bees give me a shout. I am happy to send you images of bees to stitch and help out in anyway I can.
Artspace111: 6th Annual Regional Juried Exhibition
As an artist, I know how important it is to get your work into exhibitions. With the Texas art scene being extremely competitive, having work accepted into a beautifully juried exhibit is an honor and privilege to be appreciated. It also takes a fair amount of luck, time and it can be costly. That said I am extremely happy that I recently got lucky, “Portrait of My Cousin” was accepted into the regional Juried exhibition at Artspace 111 in Ft. Worth. The exhibit was Juried by Hilde Nelson, the Curatorial Assistant for Contemporary Art at the Dallas Museum of Art. When there is an exhibition I am interested in before I apply I always research the juror. Hilde sounds like a very interesting curator. Here is her description as described in the call. “Her work primarily concerns contemporary art at the intersection of memory, belonging, and political visibility. She has contributed to publications and exhibitions for solo presentations of Günther Förg and Jonas Wood, as well as the recent exhibition America Will Be!: Surveying the Contemporary Landscape, an installation of the museum’s permanent contemporary collection.”
I hope to get to meet her.
PORTRAIT OF MY COUSIN
48” X 28” X 28”
steel, hydro stone, wire cloth, wire mesh, and baling wire
photo by Nash Baker
Portrait of My Cousin was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured time and movement as he played his violin. I applied the same concept of capturing time and movement in photography to abstract sculpture. The piece is physically very light and hangs from a piece of monofilament connected by a swivel from an acrylic hanger. With one light source the piece cast shadows onto the wall. The air movement in the room causes the sculpture to slowly turn changing the viewer’s perspective. The turning movement causes the 3D sculpture and 2D shadows to disappear into each other and reappear at a different perspective. This creates the abstraction of time, movement and sound energy as the Concert Master plays. The gentle movement can be as hypnotic as a beautifully executed sonata.
It is extremely generous of Artspace 111 to take the time and trouble to host the Annual Juried regional exhibition. :)
Pollinators live in the ground
We all see bees, hornets, and wasps in nests, but most bees and many pollinators live in the ground. That is another reason that it just makes good sense to be very selective with what additives you put on your lawn, garden or crops. I had no idea bees lived in the ground until I started my Impact body of work. Yesterday on my walk I saw this wasp fluttering around in the grass. I hope the homeowner uses inputs that will not hurt the wasp intestinal flora. Wasps are also pollinators but they are not as effective as fuzzy bumble bees.
Glyphosate #12 (working title) kinetic sculpture -
Editing bee parts and adding botanical elements.
Glyphosate #10 (working title) kinetic sculpture - another floral add
Glyphosate #7 (working title) kinetic sculpture - adding some details
In order to help the large abstract shapes read as botanical or floral shapes I have added some smaller botanical shapes and vines. I think they help.
hopefully this flower is abstracted enough but not too much.
Here is another
Glyphosate #6 (working title) kinetic sculpture - hydro stone
Regarding the title today I am loving “impact” as a title, I will discuss more on that in another post.
On this day I made abstract botanical inspired shapes out of a variety of materials. Then I whipped up some hydro stone and put a coat on the largest shape. The next day I started arranging the pieces into a kinetic composition.
botanical inspired small pieces.
the large piece covered in hydro stone
Above I am starting to connect the pieces.
Glyphosate #5 (working title) kinetic sculpture - flower and 2 bees
I have not added the legs and wings to the 2nd bee. All the bees do not need legs and wings????????
When I add the hydro stone it will be easier to discriminate between the bees and the flowers.
Below are two different compositions using the flower and the two bees.
Glyphosate #4 (working title) kinetic sculpture - a flower
checking out shapes that hopefully read as floral.
Glyphosate (working title) mobile #1 - new body of work.
This summer I will be focused on building a body of work that addresses the impact that pesticides have on the bumble bees and honey bees.
“Why conserve
rusty patched bumble bees?
As pollinators, rusty patched bumble bees contribute to our food security and the healthy functioning of our ecosystems. Bumble bees are keystone species in most ecosystems, necessary not only for native wildflower reproduction, but also for creating seeds and fruits that feed wildlife as diverse as songbirds and grizzly bears.
Bumble bees are among the most important pollinators of crops such as blueberries, cranberries, and clover and almost the only insect pollinators of tomatoes. Bumble bees are more effective pollinators than honey bees for some crops because of their ability to “buzz pollinate.” The economic value of pollination services provided by native insects (mostly bees) is estimated at $3 billion per year in the United States.”
https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html
Below is a still image of a 4D/mobile piece I started last week.
A dead bee without legs and very big broken wings.
Here is a photo of the shadow. The sculpture is photobombing on the right.
Glyphosate (working title) mobile #2 + legs
shadow and sculpture
Glyphosate mobile - New work -
I might call this collapse and disorder.
I started a new shadow/mobile to be part of my Glyphosate series. Last week I started the wings.
Above I am started the wings with some leftover pieces from “Bringing Home The Bacon” held together with new wire.
a wing and its shadow
Before I left for the day I threw together a body to slap on the wings and see what the shadows look like.
I am considering the title “collapse and disorder” for this piece.
I will probably add some hexagon shapes to the sculpture. Which made me wonder why are honeycombs hexagon in shape. Guess what I found?
Roots #5 after the pour- patina
breaking out the handle
I coved the piece in liver of sulfur and now it is time to add the green moss.
adding the moss green patina
one of the three new pieces added to strengthen the support and spread the load weight.
I thought I was ready to plan the faux bois handle, but while thinking through the process, it became evident that the root pieces supporting the structure are too small. I am concerned that under the weight of the concrete, they will bend. My solution is to add new pieces that are thicker to spread out the load.
I thought that it would be simple to add the patina to the new support pieces - wrong! It looks like I charred the new pieces. When things go wrong, it can be so frustrating.
Sandblasted and ready for Patina application #2.
The patina recipe I am using.
A tip from David Delgado at Legacy fine art Foundry - After the birch wood Casey have some ferric ready and add a wash of ferric before the cupric nitrate mixture. This will help keep it green and not cupric blue.
birchwood Casey ✅
cupric nitrate
Just in time for earth day
Heritage- impressions
In the fall of 2018 I started this piece to add to my Heritage series of sculptures. As a teen, I shaped hats in my father's western wear store and I began to understand that old hats are reflections of their owners, that they keep a bit of the spirit of the person who wore them. When I start a piece I am often thinking about a specific individual and a challenge they're facing. While working on this piece I had a conversation with a friend about his career. This friend is very very passionate about his profession and has an admirable work ethic. His work situation has been frustrating for several years. There was not a way he could remedy the situation. In the end he turned challenging circumstances into a new opportunity. He took the leap and carved a new path.
Initially, when I broke the piece out of the shell I was disappointed that there were so many spots that did not pour. The texture is exactly what I wanted, well worn and full of passion and character.
A little frustrated but keeping an open mind, I set it on my utility room counter. I like to set pieces I am working on there so I can glance at them quickly as I go about my household tasks. This allows me to think and rethink my next step with the piece.
I walked by it and glanced over quickly and it hit me, those patches that did not pour could resemble the new path that my friend carved. Is it possible this piece took on bit of the spirit of my friend and his circumstances?
The next step with this piece is to do the metal chasing. Once the metal work is done I need to make a decision regarding the cool spots. Do I want to patch the cool spots or leave it as is.
I will have to ponder that.
Below is a list of the other things that I was thinking about as I shaped this piece.
Turning challenging circumstances into opportunities.
The human ability to start over.
understanding the hardship and struggles of another people.
Resilience and having a dream and perusing that dream.
Molding and changing a dream until we reach our dreams.
lifes struggles
dedication and passion
a connection to the earth
compassion that drives us
courage to carve your own path
quiet strength
laugh lines
hope for a better life through hard work
Heritage- a new piece
In the fall of 2018 I started this piece to add to my Heritage series of sculptures. As a teen, I shaped hats in my father's western wear store and I began to understand that old hats are reflections of their owners, that they keep a bit of the spirit of the person who wore them. When I start a piece I am often thinking about a specific individual and a challenge they're facing. While working on this piece I had a conversation with a friend about his career. This friend is very very passionate about his profession and has an admirable work ethic. His work situation has been frustrating for several years. There was not a way he could remedy the situation. In the end he turned challenging circumstances into a new opportunity. He took the leap and carved a new path.
Initially, when I broke the piece out of the shell I was disappointed that there were so many spots that did not pour. The texture is exactly what I wanted, well worn and full of passion and character.
A little frustrated but keeping an open mind, I set it on my utility room counter. I like to set pieces I am working on there so I can glance at them quickly as I go about my household tasks. This allows me to think and rethink my next step with the piece.
I walked by it and glanced over quickly and it hit me, those patches that did not pour could resemble the new path that my friend carved. Is it possible this piece took on bit of the spirit of my friend and his circumstances?
The next step with this piece is to do the metal chasing. Once the metal work is done I need to make a decision regarding the cool spots. Do I want to patch the cool spots or leave it as is.
I will have to ponder that.
It is still sitting in my utility room. I do love the shadows. ????????????
Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” The inspiration?
He is one big pig, the beloved family pet that had to be hoisted upstairs to save him from drowning in the flood waters of Harvey. The idea of saving a pig was inspired by a YouTube video posted by a young family in Conroe, Texas. I hope you see in the figure not only the strength it takes to lift up a frightened squirming pig but also the determination that the figure has not to let the family’s favorite pet parish. The pig twist and turns while straining his back legs straight out trying to reach the ground.
photo by Nash Baker
Bringing home the bacon
66” X 42” 60”
Steel, stainless steel lath, plaster, hydro stone, wire mesh, screen and cloth, and baling wire.
the next pig post - why a pig?
Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” why a pig?
Why a pig? We humans have a lot in common with pigs. We're both omnivorous mammals that gain weight easily and are susceptible to the flu. We share 98% of the same DNA.
Photo graph by Nash Baker
66” X 42” 60”
Pigs are somewhat domestic (if you don’t believe me, check out @esterthewonderpig on Instagram). In addition they are on rural, commercial, and regenerative hog farms. They are incredibly smart and very clean animals.
2019 is the year of the pig. Pigs symbolize prosperity, wealth and abundance. Having a fattened up pig brings good luck. The Pig is thought to bring luck to farmers as it brings in a good crop.
The pig is very powerful and brings all good things. They are a very laid back animal they do not readily attack or anger.
They have been known to overindulge and can weigh an average of around 700 lbs. They are also often adored characters in nursery rhymes, children’s stories and tv shows as well as a variety of sitcoms. Miss Piggy, Porky Pig, Piglet, Timon and Pumbaa, Petunia Pig, The three little pigs, This little piggy went to the Market, Old Major, and Babe. I could go on and on.
A pig checks a lot of boxes that I feel a lot of people can relate to.
From a personal stand point, my brothers had a couple of pigs on our farm in Dell City. I was very young and can barely remember them. I do remember something about my oldest brother’s, Bob Travis Jr.’s, pig drowning. I am not sure how. It was not a flood because Dell City is in the middle of the desert. When we were teenagers and living in the city, my brother, Dean Travis, was riding his motorcycle in the desert checking his beehives and found a piglet lost in the desert. The piglet had gotten his head stuck in a paint can. I can still remember Dean pulling into the driveway on his motorcycle with the poor squealing piglet tucked under his arm with its head still stuck in the can. He lived in our backyard that summer.
In the early 2000s, we lived in New Orleans, Louisiana. There is a nice size Vietnamese population in New Orleans and a fair amount of Vietnamese pot bellied pigs. A family that went to my children’s school had a miniature Vietnamese pot bellied pig. The mom used to walk him to school on a leash when she picked her kids up at 2:45. My daughter, Sage, did everything in her power to convince me to buy her one. We already had two dogs, 2 birds, several frogs, turtles, fish and snakes. She finally quit asking when we learned they could not bend their knees to climb steps. Our home was on a small uptown lot with lots and lots of stairs. The pig would have to stay outside and we would want it to be part of our family.
If anyone has a great pig family pet, urban or rural, please share stories and pictures. I would love to hear and see them.
Most importantly I hope this piece can bring a little good luck and good fortune to the people who are still suffering the wrath of Harvey.
“You Make Us Stronger I IIIII IIII IIIIII..........
In February, my brother, Dean Travis turned 65. In November, Linda Razloznik, my sister-in-law, wanted to purchase “You Make Me Stronger” for him for his birthday. Unfortunately, it was already sold. Linda and their kids, daughters, son in-law, and grandchildren wanted a gift to demonstrate to him their appreciation for his wisdom, support, and advice. He has been a source of strength in our family since I can remember. Linda commissioned the below piece as a testament to their gratitude. I was particularly pleased to be able to take part in such a special gift as he has also been a great big brother. He first stepped up when I was 3 years old. I had decided to run away and live with the chickens on our farm. I headed out through the cotton field barefoot. I did not get far when the undersides of my feet were completely covered in west Texas cockaburs. He carried me home. A year later, swimming in a friend’s pool, he pulled me out of the swimming pool by my ponytail when my life preserver came off. I was not too appreciative at the time, I boy punched him for saving me. Four years older than I was, he always included my in treehouse building, fox hole digging, or just swimming in the horse trough pretending it was a submarine. In my early twenties, when going through a divorce, I sometimes needed his advice in the middle of the night. He always answered. Linda was right; “You make us stronger”. I hope it was a Happy birthday - bro
