Faux bois Wedding gift ❤️❤️#13

Last Thursday while in Coronavirus 19 quarantine/social distancing I poured a top coat for the upper branches. I actually mixed all the ingredients over a year ago and then got caught up in making the pieces for my Hurricane Harvey Heroes exhibition 51.88” -Art of Resilience. The bucket of dry mix sat by the cement mixer untouched.

The piece will hydrate for 5 days. If it dries too quickly the concrete will crack. I (actually we, Curtis helped me) build a cube out of pvc. I covered it in heavy sheets of plastic that I cut and sewed to fit the cube. I then installed two construction zippers to allow me to get in and check the humidity. I put a humidifier in the cube with the bench, the humidifier keeps the concrete very moist.

Today I started to prepare the dry ingredients so that I can mix the concrete tomorrow morning.

I prepared 30 lbs. of dry ingredients, 10 pounds of fly ash and 20 lbs. of white concrete. And then I panicked - is the piece in white concrete or is it in grey? With the fly ash mixed with the concrete and the piece being wet, I can not determine what color it is. Yikes! this is a problem. I decided to mix a second bucket of dry ingredients. Tomorrow I will be ready for anything.

Vote

SUFFRAGE - March 3, 1913 

Riding aside historically represents oppression of women's rights. Suffragette Inez Milholland rode astride in the 1913 ride/march on Washington. Inez was not only protesting for the right to vote, own property, to sue, but to also to ride astride. 

This is my first piece of work that addresses the women’s movement. It first resonated with me purely from an aesthetic point of view, as I knew the aged leather would reproduce beautifully in bronze. What I did not realize, however, was that this sculpture would represent more than a stereotypical Texas western symbol. In my women’s movement body of art it represents the strength of Victorian women and the beginning of the women’s movement

MARCH 3, 1913 - Woman Suffrage Procession -Inez Milholland

10" X 20" X 30" bronze and distressed gold leaf 2014

photo by Will Michels

Family fossil patinas

Ready set torch

One for Griffin and Alex, one for Sage and Cameron one to $$$$

Each one us individually signed

I applied a darker patina on the chipped edge.

Bee fossils- inspiration

Studying our past is an incredible learning tool. With that in mind, I found the below article about the oldest bee fossil.

https://www.livescience.com/amp/4255-oldest-bee-fossil-creates-buzz.html

https://tmm.utexas.edu/sites/default/files/Amber%20Activity%202019.pdf

Coincidentally I just made a mold of a fossil for personal reasons. Reading this article is inspiring some new ideas that will involve the fossil mold and bees.

Copy of SITE Gallery- Sculpture Month Houston - Installing the work#2

Things are now going smoothly maybe too smoothly. All the work I did this summer is paying off.

 

SITE Gallery- Sculpture Month Houston - Installing the work - my pregame plan

With lots of time spent preparing to install my work, installing it went by quickly.

During the days prior to the installation, I imagined trying multiple compositions of the pre-assembled sections, spending lots of time looking at it, adjusting it, and tweaking it and then adding smaller elements to tie the work together... and repeating the same process over and over until I was satisfied it was finished. That was my pre-game mental plan.

Once the support structure was in place, secure, and painted, it was time to install the work. First, I hung the two pieces I knew would be part of this work. I then looked at the way the shadows were falling on the concave surface of the wall and hung the two end pieces. It was then late in the day, and I decided to call it a day and decide what the next step was with fresh eyes in the morning.

The next day I showed up early in the day ready to sit, look and make changes that would be best for the work on the concave wall of a silo. I was excited to see the curator, Volker Eisele, in the parking lot when I arrived. I invited him to come take a look at my progress. 

Smiling he said, "You are done, it is finished." I was really happy that he was pleased, really happy. I was also surprised. Finishing this early was not my game plan. Yikes! It isn’t easy for me to mentally change my game plan. I think Volker could see this in my face, and as he walked away, he said, "You know my name is on this too, it is good." I completely understood and reminded myself how lucky I was that he liked it.

A good problem.🙂

ps. I now have the equivalent of another silo full of work in my studio………. bursting at the seems. Anyone need a keystone animal environmental installation?

Packing the hanging pieces for transporting to the silos.

Last week I spent everyday packing and boxing the pieces I made this summer. I needed boxes they could hang in. Regular wardrobe boxes are not wide enough, so I made my own wardrobe style boxes to transport the sculpture pieces. I took two 30” X 30” X 30” boxes, stacked them and taped them to make them 78” tall.

Then I wrapped each element of each piece in thin plastic dry cleaning bags and kitchen zip lock bags. I don’t want any thing getting tangled. Each little section is in its own plastic cocoon.

Each small element bagged separately making bouquet of bee cocoons

Making my own wardrobe style boxes.

My pieces hang from the top of the boxes. I needed something to support the top of the box. Southland hardware yard sticks were the cheapest thing I could find. I think they will work.

My sculpture wardrobe boxes have doors.

The pieces in bags make awesome amnion shadows

7 boxes ready to go.

SITE Gallery Houston

Behind and attached to the Silos at Sawyer Yards

The lobby of the SITE Gallery Houston with the mechanicals of the grain silo in place. Just the coolest

Green marks the spot

Sculpture Month Houston

In May I started seeking a space to exhibit new environmental, 4D kinetic sculptures. I hoped to use this new work as a start to an art installation inspiring conversations about topics I am very passionate about; the unexpected consequences of forcing natural processes into an industrial model and the complex relationships between humans, plants, and animals. 

The stars aligned in July when Sculpture Month Houston’s founder and curator, Volker Eisele, invited me to be one of the 19 artists asked to create a site-specific sculpture in the historic Success Rice Grain Silos behind the Sawyer yard’s artist studios. In the 50th anniversary year of man landing on the moon, this year’s exhibit title is Outta Space from the 2012 Van Halen album A Different Kind of Truth. Outta Space will combine two curatorial themes: one features work focused on environmental degradation issues and the other focuses on interpretations and explorations of Alternative Worlds as envisioned in the fantasies of the artists. 

I have passionately committed myself to this installation every day since July. My passion comes from spending my early years on a farm in west Texas, from my concerns regarding industrialized food and its effect on our health, from my love for historic buildings and, most importantly, from my desire to make an impact on the return of our most important keystone species. 

As a site specific installation artist my aspiration is to create a piece that is unique to the silo’s space and true to my work. My silo is a circular space constructed from cinder blocks, 18’ in diameter and spans 20’ in height. It has, in the center of the space a 10’ tall funnel suspended from the ceiling. There are a few old, large light fixtures, conduit runs vertical and perpendicular on the walls and there are three entrances to the space. I have three weeks to install the work that I have assembled to date. My mantra as an artist is “if I am not nervous to take on a new project then I am not stretching myself”. I am slightly anxious, yet happy to embrace the butterflies and honored to have my name listed among this year’s SMH artists.

In celebration of the opening there will be food trucks, a bar and music provided by Chapel In The Sky with projections by Michael Walrond - SHDWSOFDUST. 

OUTTA SPACE

Public Opening for the Exhibition 

Saturday, October 12, 6-9 pm

SITE Gallery Houston, 

1502 Sawyer St. Houston, TX 77007, 

(The multi-story building behind the artist studios facility).

https://glasstire.com/2016/11/04/the-problems-and-rewards-of-houstons-silos/

https://glasstire.com/2017/10/30/a-conversation-about-art-and-the-silos-on-sawyer/

7 days left

7 days left to rip and wrangle rusted wire cloth, then delicately stitch the wire fragments into biospheres of frail and vulnerable abstract wild bees and organic shapes. Then coat hydro stone and cast shadows, to kinetically unveil the unintended consequences of forcing natural processes into an industrial model. Then pack, transport, unpack, install for 21 days, and open........ find more locations to install......... rinse and repeat.

Tomato cage sculpture material

I ran to Southland hardware to purchase more wire cloth for my installation and spied some tomato cages. Wondering if they could add to my palette of materials I took home a few to play with.

Tomato cages

Squish, squash, twist, turn, fold, pull, cut repeat

Throw on a rip of charged screen for garnish

Play some more.

I ran out of time today but I feel like it might have some potential.

Artspace111 6th Annual Regional Juried Exhibition

Artspace 111 report the the artist that Hilde selected 59 artist out of 1300. Man! I feel lucky to be included. 

Sewing bee- Boundary Waters canoe area wilderness

Our son, daughter-in-law and grand dog just moved to Minneapolis. They are very adventuresome and planned a car trip with/for us to the boundary waters of their new state to hike and canoe. My daughter-in-law Alex is very supportive and helpful with my art, especially as it relates to the environment. She is the project manager at nRhythm and works closely with the Organic Consumers Association, Regeneration Canada, Regeneration International, and the Savory Institute, to name a few. Also, Griffin recently completed his MBA and is continuing his environmental work through industry. They have both been to several climate change meetings and know their way around that world. I knew Alex would be excited to help draw (or in this case stitch) attention to the plight of the bee and the impact glyphosate is making on the bees' intestinal flora.
Once we landed in Minneapolis we had a 4-hour-plus drive to our cabin. I suggested to Alex we have a driving sewing bee. She was all in. This time I supplied Madewell lined linen caps.

Map of the Boundary Waters north of Minneapolis  

the Madewell linen cap is a nice neutral color and has a leather adjustable strap. 

I like this cap because the inside of the cap is lined and that makes it easy to hide the unsightly underside of the stitching.

Above: Alex is stitching away with me as my son and husband caught up in the drive to the Boundary Waters. We discussed the Rusty Patch bumble bee, which is now on the endangered list, being one of the most important pollinators of the Northeast and northern Midwest US.

my cap - bee eyes, head and tongue 

Above- I am adding the bee thorax. This is the section the bee the wings and legs are anchored on. 

The best pollinators are extremely fuzzy. I want my bee to be an excellent pollinator so I am layering lots of randomly placed stitches in black and several different yellows. 

Above- More layers - it appears my thorax is too big for my head and eyes. I will fix that later. 

Below is some bee information we stumbled on at The End of The Trail Nature Museum . 

Here I am working on the wings and tiny legs. Stitching in a car on a curvy bumpy road is sketchy. 

I have decided I want this bee to be the Rusty Patch bumble bee so I am adding a  bit of orange/rust on the back of its abdomen. 

 https://www.mprnews.org/story/2019/05/31/bombus-affinis-meet-the-rusty-patched-bumblebee-new-state-bee-minnesota

Alex’s bee was looking great I am hoping she will post a picture when she finishes.  

Below are some images from the rest of the trip.  

Griffin, Alex and Grito canoeing at Clearwater lake.  

The four of us after climbing to the top of the cliff across the lake from our cabin.  

Alex, Grito and Griffin Klement 

My soul mate checking out Clearwater lake. 

A river stop to test the possibility of one more fishing opportunity on our drive back.  

Above- strawberry plant

I would like to come back when the wild strawberry plants have fruit. Strawberries are self pollinating, their flowers are hermaphroditic. Each strawberry flower contains the male and the female pistil. That said without pollinators they produce 50% less fruit than with pollinators.  strawberries need bees too. 

Above- wild onions

Honey bees and bumble bees both visit onion blooms. 

and of course we made S’more memories.  The trip would have been perfect if our daughter could have joined us. 

We will miss these three. 

Glyphosate #12 (working title) kinetic sculpture -

Editing bee parts and adding botanical elements. 

Glyphosate #7 (working title) kinetic sculpture - adding some details

In order to help the large abstract shapes read as botanical or floral shapes I have added some smaller botanical shapes and vines. I think they help. 

hopefully this flower is abstracted enough but not too much. 

Here is another  

Glyphosate #6 (working title) kinetic sculpture - hydro stone

Regarding the title today I am loving “impact” as a title, I will discuss more on that in another post.

On this day I made abstract botanical inspired  shapes out of a variety of materials. Then I whipped up some hydro stone and put a coat on the largest shape. The next day I started arranging the pieces into a kinetic composition. 

botanical inspired small pieces. 

the large piece covered in hydro stone 

Above I am starting to connect the pieces.  

Glyphosate #5 (working title) kinetic sculpture - flower and 2 bees

I have not added the legs and wings to the 2nd bee. All the bees do not need legs and wings???????? 

When I add the hydro stone it will be easier to discriminate between the bees and the flowers.  

Below are two different compositions using the flower and the two bees. 

Glyphosate #4 (working title) kinetic sculpture - a flower

checking out shapes that hopefully read as floral. 

Glyphosate (working title) mobile #1 - new body of work.

This summer I will be focused on building a body of work that addresses the impact that pesticides have on the bumble bees and honey bees.

“Why conserve

rusty patched bumble bees?

As pollinators, rusty patched bumble bees contribute to our food security and the healthy functioning of our ecosystems. Bumble bees are keystone species in most ecosystems, necessary not only for native wildflower reproduction, but also for creating seeds and fruits that feed wildlife as diverse as songbirds and grizzly bears.

Bumble bees are among the most important pollinators of crops such as blueberries, cranberries, and clover and almost the only insect pollinators of tomatoes. Bumble bees are more effective pollinators than honey bees for some crops because of their ability to “buzz pollinate.” The economic value of pollination services provided by native insects (mostly bees) is estimated at $3 billion per year in the United States.”

 https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html 

 Below is a still image  of a 4D/mobile piece I started last week.

A dead bee without legs and very big broken wings. 

Here is a photo of the shadow.  The sculpture is photobombing on the right. 

Glyphosate (working title) mobile #2 + legs

shadow and sculpture