SITE Gallery- Sculpture Month Houston - Building the support system

Finally, I feel like I can make some progress. Step one is to make a structure that I can hang my sculptures from. The gallery owners are trying to preserve the space in its original condition, and ask the artists to deface the silo as little as possible when installing our work. Normally I use acrylic hangers that I designed to hold the pieces. Each bracket takes four anchors. I feel like that is too much destruction to the silo. Instead, I decide to buy some black 14 gauge wire fencing, 20 feet X 36”. The silo funnel has metal bands tack welded to it. The middle metal band is 31” from the wall. I cut the fencing in 31” pieces. I cut one end in a concave shape and the other end convex. The convex end will rest on top of the metal band and the concave end will be supported by two screws in the cinderblock wall. This is 19‘ high, and I feel pretty good that my screw holes will only be minimally defacing the silo.

Close up of support system

Close up of support system

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The moment I got off the scissor lift and looked up at my support system, I realized I had made a big mistake. I should have painted them white. The black stood out too much on the white walls. I could not sleep that night trying to decide if I should repaint them... It was not easy, but I spent the next half day painting the system 19’ in the air white.

I think it was worth it, the support system is much less intrusive.

I think it was worth it, the support system is much less intrusive.

I hung from the support system 8 fishing tackle swivels with 25 lb filament attached to each swivel. Four of the swivels are 36” apart 18” from the wall. At these distances the pieces will not touch each other or the wall. Everything should move independently. These are for the big pieces. The other swivels are for smaller pieces and are spaced randomly. I am guesstimating where I want these. Tomorrow I will start hanging work.

7 days left

7 days left to rip and wrangle rusted wire cloth, then delicately stitch the wire fragments into biospheres of frail and vulnerable abstract wild bees and organic shapes. Then coat hydro stone and cast shadows, to kinetically unveil the unintended consequences of forcing natural processes into an industrial model. Then pack, transport, unpack, install for 21 days, and open........ find more locations to install......... rinse and repeat.

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One for the home team-conservationist win, we thought.

“12 neociotinoid pesticides are pulled from the market”- Muenster Enterprise

I can home Wednesday night a few weeks ago and found a newspaper clipping sitting at my place on our kitchen island. The clipping is from the Muenster Enterprise, a weekly newspaper from my husband’s hometown Muenster, Texas. Curtis reads it every week to keep up with his many cousins. He saved me the article because it reports great news for bee lovers. 

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Besides 12 neonicotinoids being pulled off the shelves the EPA is now required to analyze the impact of the entire class of neonicotinoids on endangered species.   

This morning in my notices I read very disappointing news about the EPA.Even after loosing lawsuits the EPA finds ways to authorize use of chemicals that harm bees. See the below link.

https://secure.everyaction.com/vPOTL2gZnky8MGnqDAJEbA2

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 Glysophate  

Artspace111: 6th Annual Regional Juried Exhibition

 As an artist, I know how important it is to get your work into exhibitions. With the Texas art scene being extremely competitive, having work accepted into a beautifully juried exhibit is an honor and privilege to be appreciated. It also takes a fair amount of luck, time and it can be costly. That said I am extremely happy that I recently got lucky, “Portrait of My Cousin” was accepted into the regional Juried exhibition at Artspace 111 in Ft. Worth. The exhibit was Juried by Hilde Nelson, the Curatorial Assistant for Contemporary Art at the Dallas Museum of Art. When there is an exhibition I am interested in before I apply I always research the juror. Hilde sounds like a very interesting curator. Here is her description as described in the call.  “Her work primarily concerns contemporary art at the intersection of memory, belonging, and political visibility. She has contributed to publications and exhibitions for solo presentations of Günther Förg and Jonas Wood, as well as the recent exhibition America Will Be!: Surveying the Contemporary Landscape, an installation of the museum’s permanent contemporary collection.”

I hope to get to meet her. 

 

 PORTRAIT OF MY COUSIN48” X 28” X 28”steel, hydro stone, wire cloth, wire mesh, and baling wirephoto by Nash Baker

 PORTRAIT OF MY COUSIN

48” X 28” X 28”

steel, hydro stone, wire cloth, wire mesh, and baling wire

photo by Nash Baker

Portrait of My Cousin was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured time and movement as he played his violin. I applied the same concept of capturing time and movement in photography to abstract sculpture. The piece is physically very light and hangs from a piece of monofilament connected by a swivel from an acrylic hanger. With one light source the piece cast shadows onto the wall. The air movement in the room causes the sculpture to slowly turn changing the viewer’s perspective. The turning movement causes the 3D sculpture and 2D shadows to disappear into each other and reappear at a different perspective. This creates the abstraction of time, movement and sound energy as the Concert Master plays. The gentle movement can be as hypnotic as a beautifully executed sonata.

It is extremely generous of Artspace 111 to take the  time and trouble to host the Annual Juried regional exhibition.  :) 

Pollinators live in the ground

We all see bees, hornets, and wasps in nests, but most bees and many pollinators live in the ground. That is another reason that it just makes good sense to be very selective with what additives you put on your lawn, garden or crops. I had no idea bees lived in the ground until I started my Impact body of work. Yesterday on my walk I saw this wasp fluttering around in the grass. I hope the homeowner uses inputs that will not hurt the wasp intestinal flora. Wasps are also pollinators but they are not as effective as fuzzy bumble bees. 

Glyphosate #14 (working title) kinetic sculpture - the falling

I made some major adjustments today to help communicate the fall/possible extinction of the bee. 

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photographed with the shadows 

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Photographed with the lights on, without the shadows.  

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I also added a pile of dead bee and plant parts under the piece.  

 

 

The project: I am starting to rough out the artist statement. 

“Impact” is a new body of work composed of lenticulars, kinetic sculptures and sculptures. “Impact” forewarns the use of  pesticides such as Glyphosate have on the bee population. “The herbicide glyphosate is expected to be innocuous to animals, including bees, because it targets an enzyme only found in plants and microorganisms. However, bees rely on a specialized gut microbiota that benefits growth and provides defense against pathogens.” -  https://www.pnas.org/content/115/41/10305

The Rusty patch bee was added to the endangered species list a few months ago. 

  #bees #savethebees #womansculptor #womanartist #environmentalart Anyone need an environmental art installation?  #bee ##beesculptures #wirebees #wiresculpture #gesturesculpture #environmentalart #encironmentartist #womanartist #womansculptor #contemporaryart #contemporarysculpture #texasart #houstonart #abstractart #artinstallation #savethebees #environmentalartproposal

#artinstallationproposal #shadows #environmentalartinstallationproposal

#artproposals the ac was pumping today