Artspace111: 6th Annual Regional Juried Exhibition

 As an artist, I know how important it is to get your work into exhibitions. With the Texas art scene being extremely competitive, having work accepted into a beautifully juried exhibit is an honor and privilege to be appreciated. It also takes a fair amount of luck, time and it can be costly. That said I am extremely happy that I recently got lucky, “Portrait of My Cousin” was accepted into the regional Juried exhibition at Artspace 111 in Ft. Worth. The exhibit was Juried by Hilde Nelson, the Curatorial Assistant for Contemporary Art at the Dallas Museum of Art. When there is an exhibition I am interested in before I apply I always research the juror. Hilde sounds like a very interesting curator. Here is her description as described in the call.  “Her work primarily concerns contemporary art at the intersection of memory, belonging, and political visibility. She has contributed to publications and exhibitions for solo presentations of Günther Förg and Jonas Wood, as well as the recent exhibition America Will Be!: Surveying the Contemporary Landscape, an installation of the museum’s permanent contemporary collection.”

I hope to get to meet her. 

 

 PORTRAIT OF MY COUSIN48” X 28” X 28”steel, hydro stone, wire cloth, wire mesh, and baling wirephoto by Nash Baker

 PORTRAIT OF MY COUSIN

48” X 28” X 28”

steel, hydro stone, wire cloth, wire mesh, and baling wire

photo by Nash Baker

Portrait of My Cousin was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured time and movement as he played his violin. I applied the same concept of capturing time and movement in photography to abstract sculpture. The piece is physically very light and hangs from a piece of monofilament connected by a swivel from an acrylic hanger. With one light source the piece cast shadows onto the wall. The air movement in the room causes the sculpture to slowly turn changing the viewer’s perspective. The turning movement causes the 3D sculpture and 2D shadows to disappear into each other and reappear at a different perspective. This creates the abstraction of time, movement and sound energy as the Concert Master plays. The gentle movement can be as hypnotic as a beautifully executed sonata.

It is extremely generous of Artspace 111 to take the  time and trouble to host the Annual Juried regional exhibition.  :) 

Pollinators live in the ground

We all see bees, hornets, and wasps in nests, but most bees and many pollinators live in the ground. That is another reason that it just makes good sense to be very selective with what additives you put on your lawn, garden or crops. I had no idea bees lived in the ground until I started my Impact body of work. Yesterday on my walk I saw this wasp fluttering around in the grass. I hope the homeowner uses inputs that will not hurt the wasp intestinal flora. Wasps are also pollinators but they are not as effective as fuzzy bumble bees. 

Glyphosate #7 (working title) kinetic sculpture - adding some details

In order to help the large abstract shapes read as botanical or floral shapes I have added some smaller botanical shapes and vines. I think they help. 

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hopefully this flower is abstracted enough but not too much. 

 

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Here is another  

Glyphosate #6 (working title) kinetic sculpture - hydro stone

Regarding the title today I am loving “impact” as a title, I will discuss more on that in another post.

 

On this day I made abstract botanical inspired  shapes out of a variety of materials. Then I whipped up some hydro stone and put a coat on the largest shape. The next day I started arranging the pieces into a kinetic composition. 

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botanical inspired small pieces. 

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the large piece covered in hydro stone 

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Above I am starting to connect the pieces.  

Glyphosate #5 (working title) kinetic sculpture - flower and 2 bees

I have not added the legs and wings to the 2nd bee. All the bees do not need legs and wings???????? 

When I add the hydro stone it will be easier to discriminate between the bees and the flowers.  

Below are two different compositions using the flower and the two bees. 

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Glyphosate (working title) mobile #1 - new body of work.

This summer I will be focused on building a body of work that addresses the impact that pesticides have on the bumble bees and honey bees.

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“Why conserve

rusty patched bumble bees?

As pollinators, rusty patched bumble bees contribute to our food security and the healthy functioning of our ecosystems. Bumble bees are keystone species in most ecosystems, necessary not only for native wildflower reproduction, but also for creating seeds and fruits that feed wildlife as diverse as songbirds and grizzly bears.

Bumble bees are among the most important pollinators of crops such as blueberries, cranberries, and clover and almost the only insect pollinators of tomatoes. Bumble bees are more effective pollinators than honey bees for some crops because of their ability to “buzz pollinate.” The economic value of pollination services provided by native insects (mostly bees) is estimated at $3 billion per year in the United States.”

 

 https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html 

 

 Below is a still image  of a 4D/mobile piece I started last week.

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A dead bee without legs and very big broken wings. 

 

Here is a photo of the shadow.  The sculpture is photobombing on the right. 

 

  

Glyphosate lenticular- trying to get it right

 I printed a lenticular from my three mono-prints of a dead bee. I decided to loop the images. That was a mistake when it comes to creating imagery that speaks to extinction. There is no loop and no second chance. With that in mind, I am trying for proof #2 with out a loop of image number 2.

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I think this will work 🐝 

Glyphosate mobile - New work -

I might call this collapse and disorder.

I started a new shadow/mobile to be part of my Glyphosate series. Last week I started the wings.   

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Above I am started the wings with some leftover pieces from “Bringing Home The Bacon”  held together with new wire. 

 

a wing and its shadow 

a wing and its shadow 

Before I left for the day I threw together a body to slap on the wings and see what the shadows look like.  

I am considering the title “collapse and disorder” for this piece.

 

 

I will probably add some hexagon shapes to the sculpture. Which made me wonder why are honeycombs hexagon in shape. Guess what I found?  

Roots #5 after the pour- patina

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breaking out the handle 

I coved the piece in liver of sulfur and now it is time to add the green moss.  

I coved the piece in liver of sulfur and now it is time to add the green moss.  

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adding the moss green patina 

one of the three new pieces added to strengthen the support and spread the load weight. 

one of the three new pieces added to strengthen the support and spread the load weight. 


I thought I was ready to plan the faux bois handle, but while thinking through the process, it became evident that the root pieces supporting the structure are too small. I am concerned that under the weight of the concrete, they will bend. My solution is to add new pieces that are thicker to spread out the load.

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I thought that it would be simple to add the patina to the new support pieces - wrong! It looks like I charred the new pieces. When things go wrong, it can be so frustrating.  

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Sandblasted and ready for Patina application #2.  

The patina recipe I am using.  

The patina recipe I am using.  

A tip from David Delgado at Legacy fine art Foundry -  After the  birch wood Casey have some ferric ready and add a wash of ferric before the cupric nitrate mixture. This will help keep it green and not cupric blue. 

 

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birchwood Casey ✅

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cupric nitrate 

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Just in time for earth day

Heritage- a new piece

In the fall of 2018 I started this piece to add to my Heritage series of sculptures.  As a teen, I shaped hats in my father's western wear store and I began to understand that old hats are reflections of their owners, that they keep a bit of the spirit of the person who wore them. When I start a piece I am often thinking about a specific individual and a  challenge they're facing. While working on this piece I had a conversation with a friend about his career. This friend is very very passionate about his profession and has an admirable work ethic. His work situation has been frustrating for several years. There was not a way he could remedy the situation. In the end he turned  challenging circumstances into a new opportunity. He took the leap and carved a new path.

Initially, when I broke the piece out of the shell I was disappointed that there were so many spots that did not pour. The texture is exactly what I wanted, well worn and full of passion and character.

A little frustrated but keeping an open mind, I set it on my utility room counter. I like to set pieces I am working on there so I can glance at them quickly as I go about my household tasks. This allows me to think and rethink my next step with the piece.

I walked by it and glanced over quickly and it hit me, those patches that did not pour could resemble the new path that my friend carved. Is it possible this piece took on bit of the spirit of my friend and his circumstances?

The next step with this piece is to do the metal chasing. Once the metal work is done I need to make a decision regarding the cool spots. Do I want to patch the cool spots or leave it as is.

I will have to ponder that.

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It is still sitting in my utility room. I do love the shadows. ????????????  

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” The inspiration?

He is one big pig, the beloved family pet that had to be hoisted upstairs to save him from drowning in the flood waters of Harvey. The idea of saving a pig was inspired by a YouTube video posted by a young family in Conroe, Texas. I hope you see in the figure not only the strength it takes to lift up a frightened squirming pig but also the determination that the figure has not to let the family’s favorite pet parish. The pig twist and turns  while straining his back legs straight out trying to reach the ground. 

photo by Nash Baker 

Bringing home the bacon

Bringing home the bacon

66” X 42” 60”

Steel, stainless steel lath, plaster, hydro stone, wire mesh, screen and cloth, and baling wire. 

the next pig post -  why a pig?

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” why a pig?

Why a pig?  We humans have a lot in common with pigs. We're both omnivorous mammals that gain weight easily and are susceptible to the flu. We share 98% of the same DNA.

Photo graph by Nash Baker  66” X 42” 60”

Photo graph by Nash Baker 

66” X 42” 60”

Pigs are somewhat domestic (if you don’t believe me, check out @esterthewonderpig on Instagram).  In addition they are on rural, commercial, and regenerative hog farms. They are incredibly smart and very clean animals.

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2019 is the year of the pig. Pigs symbolize prosperity, wealth and abundance. Having a fattened up pig brings good luck. The Pig is thought to bring luck to farmers as it brings in a good crop.

The pig is very powerful and brings all good things.  They are a very laid back animal they do not readily attack or anger.

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They have been known to overindulge and can weigh  an average of around 700 lbs. They are also often adored characters in nursery rhymes, children’s stories and tv shows as well as a variety of sitcoms. Miss Piggy, Porky Pig, Piglet, Timon and Pumbaa, Petunia Pig, The three little pigs, This little piggy went to the Market, Old Major, and Babe. I could go on and on. 

A pig checks a lot of boxes that I feel a lot of people can relate to.

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From a personal stand point, my brothers had a couple of pigs on our farm in Dell City. I was very young and can barely remember them. I do remember something about my oldest brother’s, Bob Travis Jr.’s, pig drowning. I am not sure how. It was not a flood because Dell City is in the middle of the desert. When we were teenagers and living in the city, my brother, Dean Travis, was riding his motorcycle in the desert checking his beehives and found a piglet lost in the desert. The piglet had gotten his head stuck in a paint can. I can still remember Dean pulling into the driveway on his motorcycle with the poor squealing piglet tucked under his arm with its head still stuck in the can. He lived in our backyard that summer.

 

In the early 2000s, we lived in New Orleans, Louisiana. There is a nice size Vietnamese population in New Orleans and a fair amount of Vietnamese pot bellied pigs. A family that went to my children’s school had a miniature Vietnamese pot bellied pig. The mom used to walk him to school on a leash when she picked her kids up at 2:45. My daughter, Sage, did everything in her power to convince  me to buy her one. We already had two dogs, 2 birds, several frogs, turtles, fish and snakes. She finally quit asking when we learned they could not bend their knees to climb steps. Our home was on a small uptown lot with lots and lots of stairs. The pig would have to stay outside and we would want it to be part of our family. 

If anyone has a great pig family pet, urban or rural, please share stories and pictures. I would love to hear and see them.

Most importantly I hope this piece can bring a little good luck and good fortune to the people who are still suffering the wrath of Harvey. 

 


Hurricane Harvey Heroes- LIVEstock- “chica”

Happiness is finding your favorite goat Chica before the flood. 

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This piece was not inspired by a social media posting. I do feel it is a story worth telling. 

Many thanks to my beloved niece Josette Travis for inspiring this piece.  Thank you so much for helping me with this and being such a great Mom to all the kids. (Does anybody get that joke- all the kids). 

Below are images of Josette and some of Josette and Eric’s kids. 

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Josette feeding one of Chicas babies

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Josette and Chica modeling a goat rescue for me. Photo by Eric travis.   

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4- kids - Danika and Emma feeding 2 baby goats  

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Josette 😍 and kid

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Chica chillin’  

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The Billy goat and my grand niece Danika . I love his beard. 

 

 

“You Make Us Stronger I IIIII IIII IIIIII..........

In February, my brother, Dean Travis turned 65. In November, Linda Razloznik, my sister-in-law, wanted to purchase “You Make Me Stronger” for him for his birthday. Unfortunately, it was already sold. Linda and their kids, daughters, son in-law, and grandchildren wanted a gift to demonstrate to him their appreciation for his wisdom, support, and advice. He has been a source of strength in our family since I can remember. Linda commissioned the below piece as a testament to their gratitude. I was particularly pleased to be able to take part in such a special gift as he has also been a great big brother. He first stepped up when I was 3 years old. I had decided to run away and live with the chickens on our farm. I headed out through the cotton field barefoot. I did not get far when the undersides of my feet were completely covered in west Texas cockaburs. He carried me home. A year later, swimming in a friend’s pool, he pulled me out of the swimming pool by my ponytail when my life preserver came off. I was not too appreciative at the time, I boy punched him for saving me. Four years older than I was, he always included my in treehouse building, fox hole digging, or just swimming in the horse trough pretending it was a submarine. In my early twenties, when going through a divorce, I sometimes needed his advice in the middle of the night. He always answered. Linda was right; “You make us stronger”. I hope it was a Happy birthday - bro

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