the pig face
view of facing the nose
Side view
covering the bridge of the nose and forehead
Back of the head
The mouth
Your Custom Text Here
the pig face
view of facing the nose
Side view
covering the bridge of the nose and forehead
Back of the head
The mouth
🤔
The man’s hands and the pigs belly.
progress-
Hands and hoofs
hands
Hoofs
Today’s progress-
Feet and legs
What a relief, I was able to get the piece in my car and to the sheet metal fabricators. .
With this cold weather it is nice to get out of the garage and working inside my studio.
I will take down all the drawings, I want them to be very pressed for the exhibit and I need a clean wall to use as a backdrop as I work on the next stage of the sculpture . In order to press them I bought two pieces of sheet rock to press them under. I also stack my bronze hats on them for extra weight.
I unclamped the armature from the dolly to load it into my car and........... Houston, we have a problem! The base has warped from the heat of weld on the feet. The base is a basic potato chip. Fixing this is beyond my welding capabilities. This is a job for Blumenthal Sheet Metal. I think if they can weld basically a 2” wide frame around the edge, that would level the edge. It would still bubble in the middle, but that will not matter. I just need an edge that rests on the floor.
I will find out interesting he morning. 🤞
I added the man’s thrown back chin, a suggestion of his head shape, and reinforced his wrist and hands. I also added the pig’s tail, reinforced his hoofs, and a added a suggestion of some very big ears.
from the front
Left side
The back side
Hands, hands, hands= frustration
I thought I had a really good plan of attack: draw out a hand the size I want, measure how big each bone should be, cut the bones, and tack them together. Once they are tacked together, bend them into position. This is where the frustration began. Some of the tacks would either not bend or some would break, and I would then have to reweld them. I did finally get them all together. I was mentally exhausted, so I decided to attach them permanently to the arms tomorrow when I am more refreshed.
I did just tack them just to see how they look.
I hope I like them tomorrow.
FYI - I put really big welds on the knuckles because I like knarly fingers with big knuckles. If you deal with livestock, you probably have some pretty banged up fingers. :)
Digits barely tacked together
Left hand gripping Mr. Pig
Right hand gripping Mr. Pig
Both hands
The grip
I am getting close to completing the armature.
My day started with an empty tank. I was ready to roll and I had to run refill my argon tank. :(
really irritating
I can’t wait until tomorrow to do the hands. :)
The tension is starting to build.
For this piece to work I have to be able to show the strain or tension between the man and the pig.
The pig is huge and would have been extremely heavy to pick up. And pigs are not comfortable being carried, he would have been squirming like crazy to pull away from the rescuer.
I added the man’s head outline first. I want his head to thrust back to add to the tension between the man and the pig. Then I added the largest part of the pig's stomach. I need to know where the biggest part is in order to figure out where the man’s arms and hands are going to be gripping the pig. The man's hands will be just above the larges part of the pig gripping it tightly.
Front view
You can now start seeing the tension created with the pull of the man’s head and his arms vs the pigs legs.
Note to self on the head- make the armature on the small side, I can always add plaster to make it larger.
From the back
I still need- pig ears, tail, and to finish the pig’s legs and abdomen. The man needs his head, hands and more definition or volume on the arms.
INSPIRATION-
I am always looking for inspiration to use when sculpting. I follow @mcteams3842 who photographs Navy Seals in training. When I saw the image below I thought of the energy needed to of lift a big pig. I took a screen shot and saved it to my file of photos I look at when working on the piece. I would love to have the rescuer’s head this far back ....... I will have to experiment with it.
I highly recommend @mcteam3842 for amazing photography.
I am thinking of putting a cap on him and loved the brim on the below Navy Seals cap. instagram is a treasure chest of inspiration.
Chest, hoofs and dewclaws
Upper chest connected
Hoof and dewclaw
Hoof and dew claw
Hoof and dew claw
A selection of my Hurricane Harvey Heroes monotypes and one of the Humanities pieces are now exhibited in the Houston Flood Museum.
https://houstonfloodmuseum.org/hurricane-harvey-heroes-and-humanity/
Today I made and attached the 2-4th legs and 3 hoofs.
View from the front
Right side view
The legs are only attached by 1 piece of pencil rebar at this point. Once I know exactly what position I want them in I will attach them at 2-3 more locations.
Pig nose
Building up the nose tip.
Aerial view
Nose and snout
side view
back view
Front view- pig nose, snout, back and 1 back leg, clipped to rescuer
Side view of rescuer and part of the pig.
Today I adjusted the shoulder width, started the chest and connected the back extensions at the top.
View from the front
View from the back
I might need to trim up his chest tomorrow. Grrrrrr
I started the upper torso.
I always make the shoulders too broad and then have to adjust them. I will do that tomorrow.
Today I spent a lot of time cutting off and rewelding. The upper leg/booty was too big. After four hours it now has a trimmer.
I am trying to decide if I need to reinforce the lower half of the body or move on. Once I reinforce the joints it is a lot more difficult to make changes. If I move on without reinforcing the welding joints, the piece could fall apart. That is my dilemma.
Connecting the legs and reinforcing them.
Building the hips and connecting the legs
Side view
I create triangles to give the piece stability and strength.
Left side view with triangles
View from the back
view of the right side
Using scraps to create triangles to strengthen the ankles.
Looking back, I can now see the hips are not right and are exaggerating the movement. I will have the movement exaggerated when the piece is finished, but for the armature, I will have to tone it down.