The tension is starting to build.
For this piece to work I have to be able to show the strain or tension between the man and the pig.
The pig is huge and would have been extremely heavy to pick up. And pigs are not comfortable being carried, he would have been squirming like crazy to pull away from the rescuer.
I added the man’s head outline first. I want his head to thrust back to add to the tension between the man and the pig. Then I added the largest part of the pig's stomach. I need to know where the biggest part is in order to figure out where the man’s arms and hands are going to be gripping the pig. The man's hands will be just above the larges part of the pig gripping it tightly.
Front view
You can now start seeing the tension created with the pull of the man’s head and his arms vs the pigs legs.
Note to self on the head- make the armature on the small side, I can always add plaster to make it larger.
From the back
I still need- pig ears, tail, and to finish the pig’s legs and abdomen. The man needs his head, hands and more definition or volume on the arms.
INSPIRATION-
I am always looking for inspiration to use when sculpting. I follow @mcteams3842 who photographs Navy Seals in training. When I saw the image below I thought of the energy needed to of lift a big pig. I took a screen shot and saved it to my file of photos I look at when working on the piece. I would love to have the rescuer’s head this far back ....... I will have to experiment with it.
I highly recommend @mcteam3842 for amazing photography.
I am thinking of putting a cap on him and loved the brim on the below Navy Seals cap. instagram is a treasure chest of inspiration.
