Back in October I received a phone call from Jeff Schultz of Houston Responds. Jeff was holding a conference the following week for local churches. He was trying to recruit volunteers to help those who still need help getting their lives back after Hurricane Harvey. He needed images for his Bible study booklet. I was thrilled to help out. I never received a copy of the booklet, but here are a few screen shot from the email he sent me.
Hurricane Harvey - sculpture day 1 “bringing home the bacon”
My first thought was to make a sculpture to be exhibited with the drawings of a man rescuing a woman and a baby. I loved how obvious it is in this drawing that they are strangers. He is carrying her but with his body language he could be carrying a sack of potatoes. His energy is focused inward, perhaps he is worried about his own family. She is the same, she is affectionate with the baby but she is not snuggling into her rescuer. There is not a history between the rescuer and the girl.
“The guy in the Astros cap”
After some consideration, I have decided to make the sculpture a livestock piece. I changed my mind because I feel the livestock pieces need to be very large to properly convey the extraordinary feats some people went to in order to save their livestock. I also like the fact that it is unexpected to make the sculpture of a pig rescue. I can always make a sculpture from the other drawing later.
“Bringing home the bacon”
“Glyphosate” Airing the devestating impact that pesticides have on pollinators
I am expanding my regenerative agriculture/sustainable living work. This additional work will air the devastating impact that pesticides have on pollinators. I have decided that, to portray the reported impact of pesticides on this basic ingredient for life, the artistic language for communicating this message will be scale, placement, technique, and media.
Scale- My paper is 44” T X 30” W. The pollinators size will be magnified approximately twenty times.
(Should I go bigger?)
Placement- The bee will be on its back, and dead at the bottom of the page.
Media- I will use watercolor as it immolates the water properties of pesticides.
Technique-I will attempt to apply the media so that It speaks of the pesticide spray, pollen dust and disintegration. Getting the perfect technique down is one of trial and error. Below are trials I-VI.
Attempt #1
#2 getting better.
#3 is the ghost of #2
On day two I have decided to try adding more colors in the black and maybe blast it with a spray bottle of water and then print it.
11/20/2018
Day 2
Glysophate #4
I added color more color but it is not showing up as I would like. The wings are much better.
glysophate #5
I added more color and.......in this photo you can’t see it. In person it is Subtle. I kind of like it.
I sprayed my plate with water after the last print and now I wait for it to dry. It is in puddles, it may never dry.
Glysophate #6
It has occurred to me that, working with individual bees, I am not addressing the colony collapse and disorder that will result. Should I? Do I need to?
Any thoughts to share?
“You Make Me Stronger” - the old maul
“You Make Me Stronger” 12” X 5.75” X 2.25” bronze
photo by Nash Baker
At the end of every semester at Glassell, we clean out all the disheveled cabinets and drawers. We throw away broken tools and parts and reorganize the rest. A few years ago, while cleaning out the hammer and chisel drawer, I came across a worn out sledge hammer. Through the worn garish red paint the satiny steel skin of the mallet was unblemished, it had gotten better with age. Its handle on the other hand had not weathered as well. It resembled more of the rugged surface of old drift wood than a powerful hand tool. Its life had been extended several times with layers of duct tape that were now thread bare. I could only imagine over the years how many passionate sculptors had partnered with this handle and mallet to create their dreams; how many artist used it to mold their creations. I loved it for the history it held in the splintered grains of wood of its handle and the silent strength of its barely-red steel mallet. It’s days of hard labor are over. I bought the school a shiny new blue and yellow sledge hammer with a rubber handle and took the old red maul home to rest. Uncertain of its exact future, it rested on my den coffee table for the better of a year. Guests always comment on what a cool tool it was. It sparked unsolicited stories of hard work, of past labors and stubborn relatives. This summer, I decided to make a mold of the old maul. Each casting will tell a different story. This first casting is “You Make Me Stronger,” an ode to great partnerships as in the one with the artist, the handle, and the mallet.
Peace pigeon project #17 - Pareidolia
In the fall of 2016 I decided to experiment with sculpture materials. I challenged myself to sculpt a new sculpture a week, each week in a different material. As my subject, I chose the German beak crested trumpeter with leg muffs pigeon because he allows me to express a lot of movement and energy. I have many drawings and a bronze sculpture of the German beak trumpeter. From a sculpturing point of view, his feathery feet keep him balanced without a pedestal allowing for lots of the expression of energy and emotion.
It turns out that the bird known in the US as a German beak trumpeter pigeon is the same bird that Picasso drew as the peace dove. Everyone knows His famous "peace doves". This particular pigeon was given to him by Henri Matisse. It is described as a Milanese pigeon. Possibly it was from Milan, but you can tell by the fancy feathers on his feet that it is a German beak-crested trumpeter with leg muffs. In German and French, the term pigeon and dove are interchangeable.
I am no longer committed to sculpt a peace pigeon a week but I don’t hesitate if a material or found object jumps out at me to turn it into a sculpture.
The very last beak break.
Harvey Heroes- LIVEstock - “bringing home the bacon”
I stared a new section in my Hurricane Harvey series of Harvey Heroes. These will all be LIVEstock rescues.
I made the first one today,
“Bring home the bacon.”
44” X 30” watercolor monotype
This is my first large monotype.
I have always wanted to go larger, but the temporary location of the Glassell School of Art did not have a big press. The pieces in this part of the series will all be 44” X 30” The Glassell printmaking studio has fabulous light, is super clean, and I love working in it. Alexander Squier, the head of the department and instructor makes sure everyone keeps it spick and span. This is the fourth time I have taken the class, print making is addicting and you need a press to feed your addiction. Plus Alexander is great.
Here is the ghost print. Something happened to the ghost. I am not sure what caused the mark that runs through the middle. When it dries I will try to fix it.
Before fixing-
The ghost - “bringing home the bacon”
Fixed
My work space in the Glassell printmaking studio
Me fake working for a photo op.
March 3, 2013 - Woman Suffrage Procession -Inez Milholland- title of work update
MArch 3, 2013 - Woman Suffrage Procession -Inez Milholland
10" X 20" X 30" bronze and distressed gold leaf 2014
Now that I have three pieces in my women’s movement body of work I have decide to alter the title and artist statement of this piece.
March 3, 2013 - Woman Suffrage Procession -Inez Milholland
Riding aside historically represents oppression of women's rights. Suffragette Inez Milholland rode astride in the 1913 ride/march on Washington. Inez was not only protesting for the right to vote, own property, to sue, but also to ride astride.
This is my first piece of work that addresses the women’s movement. It first resonated with me purely from an aesthetic point of view, as I knew the aged leather would reproduce beautifully in bronze. What I did not realize, however, was that this sculpture would represent more than a stereotypical Texas western symbol. In my women’s movement body of art it represents the strength of Victorian women and the beginning of the women’s movement, the March 3, 1913 suffrage parade in Washington.
For more information in the 1913 women’s movement see the links below.
Sapling #7 - lath, 1st coat and second coat.
My daughter special requested this piece. She asked if I could make her a sapling. My response was I could try, but the pencil size steel limits how thin I can make the tree limbs. Long story short, the sapling grew old fast. After the first coat the sapling limbs we're no longer sapling thin.
Covered in lath
Keeping an eye on my mix
The first coat - the bronze leaves are covered in green plastic to protect them.
First, I paint on the bonding liquid.
The piece is now ready for coat number 2.
Coat number 2 ✅
Here is the image edited super light in order to show the texture.
More details
Detail of upper branches
A little more concrete need under the bird.
Detail of trunk
The lower trunk and base.
The abundance of knots is evidence that this tree is the host of many insects and good bacteria. Bees and other insects use trees for nesting and receive antiviral properties from the fungus and bacteria that grow on the tree.
Hurricane Harvey Project - confronted with humanity- Harvey Heroes - Solving installation problems
Have I done enough? Which should I edit? Include the cot, don’t include the cot???? How should I compose them as a group?
Performance art - getting out of my comfort zone is playing with fire.
The Glade Arts Foundation had a Halloween event, for which they booked a local graffiti artist to create a piece during the event. At the last moment, he had a conflict. I was asked if I knew anyone that could fill in, I couldn’t find any takers They needed an artist to create art during the event that would be fitting of Halloween. I am a sucker for anyone in need and offered to come up with something. I wrestled with a few ideas that I thought would be fun to watch - ink bubbles or lemon juice and fire. I went with fire. When my son was 8 years old, we threw him a magician birthday party. I wrote the invitations with invisible ink, (lemon juice) with instructions to apply fire to the invitation to make the words appear like magic. With that experience over twenty years ago in mind, I showed up at the Glade Arts Foundation with my torch, lighter, graphite stick, charcoal, and stick of white pastel and jumped.
Below are the results that landed:
The portrait was the finale and about 48”wide. The others were my experimental play. I always try new materials on images I am familiar with.
These were the prizes for the best costumes. The winners requested that I sign the front.
It was really fun to interact with the guest and to be a link in the human chain of life.
Roots #4 building the Shell.
The handle for the tool
The cup is cut off and I have lots of holes drilled in the sprues to blow out the organic matter.
Hurricane Harvey Project - confronted with humanity #12- adding 1 light element
Art based on a natural disaster can weigh on one’s emotions. With that in mind, and the fact that I would like the viewer to have a positive inner feeling after looking at my work, I am playing with adding a shaking dog to the body of work. I want the dog to be generic so that everyone can see their dog in it and I would like the dog’s energy to leave the viewer with a smile.
Below are my first attempts. I hope one works.
Roots #2 rooting out the best concept
I have very strong views on the connection between agriculture and health. I prefer to only eat organic grass-fed beef. I prefer to not eat any gmo products and I feel best when only eating sprouted grains. I want to know where my food comes from and how it is produced. Agriculture has a huge impact on our personal health as well as on our environment. Roots play a large role in regenerative and sustainable agriculture.
The first root - The root is fabulous all by it’s self.
The trunk is not so fabulous.
Off with the trunk-
Failure #1- Experimenting with ideas- this idea emphasizes the important of roots in sustaining life. - too obvious
Failure #2- Another experiment- “burden” I grabbed this marble sculpture I did a few years ago. I have always wanted to burden it with something on his back.
I like the thought, I think it either needs more more more roots or a Sprout coming out of the root.
The root would be bronze.
Stay tuned to see how I will use the roots.
Hurricane Harvey Project - confronted with humanity #9 - “They carried my wheel chair”
The heroes keep coming
“that wheelchair was so heavy”
Watercolor monotype
“They Carrie my wheelchair”
the ghost print
Hurricane Harvey Project - confronted with humanity #8 “She would never leave him”
Una mas
“She would never leave him”
the ghost
30” X 22”
1 wire a kiss, tango, waltz, jitter bug, and the rumba.
Flipping around this broken scrap of pig wire and you get so many gestural images.
kiss
tango
waltz
jitter bug
rumba
Cranes- through the window
A year ago, I made two works on paper; “Cranes Through the Window I and II”. The inspiration came when I stopped at a red light. Peering through the fogged and rain drenched car window, drops trickled down into tiny rivers, carving new landscapes in the glass. Beyond the miniature rivulets, dark and dusky clouds loomed in the shadows while others stood out in rays of hope. Through the puffs of gray, rooftops were stacked, and construction cranes delicately cross stitched in saffron and goldenrod garnished their capstones.
cranes through the window I
30” X 22”
cranes through the window II
30” X 22”
When asked if I had any cranescapes that were not monumental in size, I realized I had not posted these two pieces.
Hurricane Harvey Project - confronted with humanity #7 “those teenagers pushed our truck”
Another Heroes piece-
Those teenagers
30” X 22” water color monotype
the ghost
When my worlds collide my heart sings.
“tutu you gave come a l o n g way baby.”
Three things that I love are sculpture, dance and tennis. And if that is not enough, one of my sports heroes, after having her first baby, is in a tutu at the US Open tennis Tournament. My heart is singing and bubbling over.
I may have to make a bronze Serena in a found object tutu. It won’t be the first tutu I have ever made. 🤗 And it won’t be the first sculpture I have done that was inspired by Serena.
Below is a little back story on “the little Dance”
“Edgar Degas created a sensation when he presented his Little Dancersculpture at the Impressionist exhibition in Paris in 1881. His intention was to portray a young girl who dreamed of having an “illustrious life” in ballet, but who also kept “her identity as a girl from the streets of Paris.”
The public, accustomed to sculptures that showcased idealized women in marble, was outraged that Degas’s work depicted such a common subject—a young dancer drawn from everyday life and whose attitude reflected nothing goddess-like or heroic. Moreover, instead of chiseling her nobly in marble, he had rendered her in beeswax and found objects. In the face of rampant public disapproval, Degas removed the sculpture from display and stored it in a closet, where it resided in anonymity for the next four decades until financier Paul Mellon acquired the original wax sculpture in 1956 and gifted it to the National Gallery of Art in 1985.” -
smithsonian.com
November 4, 2014
Read more: https://www.smithsonianmag.com/smithsonian-institution/true-story-little-ballerina-who-influenced-degas-little-dancer-180953201/#6te5BSIJRy3wVyYX.99
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Read more: https://www.smithsonianmag.com/smithsonian-institution/true-story-little-ballerina-who-influenced-degas-little-dancer-180953201/#6te5BSIJRy3wVyYX.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
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Roots- Thank you Soul Cycle
These two dead plants were in pots outside of Soul Cycle. The roots were exposed and beautiful. This summer every week I would ask the staff if I could have them for my art. Every week I received the same response, that they would have to get approval from the locations manager to remove the dead plants. They are mine now. 😊 thank you, everyone at Soul Cycle for not getting irritated with my constant persuit of these roots.
My interest in roots has to do with my interest in regenerative agricultural. I will explain in the next roots blog post
