Recording natural history - ”Mute Testimony”

Mute Testimony.3” X 6” X 4”bronzephot by Nash Baker

Mute Testimony.

3” X 6” X 4”

bronze

phot by Nash Baker

A fossil is our planet’s recorded history, the memoir of a life in a place, time, ecology, and evidence of global warming. It is Endangered Knowledge.

Many processes in art and the natural world lead to fossilization, including casting or mold making. I crafted a mold of a fossil that one of my children found at my son Griffin’s 8th birthday party in El Paso, Texas. It was a fossil hunting party at Cerro de Cristo Rey. (The intersection of two countries and three states, a special place.) A prehistoric relic, now a family treasure, I thought it would be meaningful to make a mold and cast it in bronze for each of my two children, a reminder of their childhood. A mold-of-a-mold a fossil-of-a-fossil. I found the redundancy poetic.

My son is now 31 years old. I have probably walked by the fossil once a day since Griffin was eight years old and did not think twice about it. Casting, it has forced me to think about the form and its value as an object of art. Evidence of aquatic life resurrected from the middle of the Chihuahuan desert— This poetic symbol of desertification will find meaningful ways to wander across disciplines into future environmental works.

Hearing, “this desert was once an ocean.” did not use to phase me. Thinking about the mineral remnant of a sea creature surfacing in one of the driest terrains in the US gives me pause; it makes me consider how we can live our urban lives and preserve natural systems.

I cast three additional fossils to share with others who are interested in natural history; two are finished in a natural patina and one in a contemporary finish — polished stainless steel.

Traces of ancient life tell story of early diversity in marine ecosystems

Stainless Steel finish changes everything 🤔 more to come

Stainless Steel finish changes everything 🤔 more to come

Gorilla Art - native Wild flower bomb

Earlier in the year I sent the below letter to my City council representative. She is very supportive and agreed to review the Cities landscape ordinance and bring it up to date to reflect our current environmental situation as it pertains to native bees. The bees that are endangered, the honey bee is not endangered. I anticipate that with the health scare our city is facing our bees have been put on the back burner. Since the bees can’t wait for the c virus to die down, I decided I need to act. . Below is my letter. If you agree with me we need to all become gorilla artist and install texas wildflower seeds in every vacant spot we can. See my below post for how to be a gorilla artist and save the Native bees. If you want something done do it yourself. I still have hopes our city will reimagine our urban landscape and save the bees. #bees #houston #cindeeklementart #gorillaart Scientists predict that without pollinators, human life can only continue for four years. In 2017, the U.S. Fish and Wildlife Service listed the Rusty Patch Bumble Bee on the endangered species list. The campaign to list a species as endangered is lengthy and complicated. With this system it is difficult to gauge how many species are actually endangered. Bees are responsible for pollinating 75% of the world's flowering plants; they are crucial for the production of most fruits, nuts, and berries – that our agriculture depends on pollination by bees. Rural areas are highly impacted by the unanticipated consequences of our industrial agriculture’s dependence on chemicals that weaken bee’s immune systems. Urban bee populations can be more diverse than in rural areas. Researchers are finding in cities such as Chicago, Berlin, Berkley, and Melbourne that have reimagined their parks, neighborhoods, city centers, vacant lots, street medians, and rooftops planted with native flowers, grasses, and fruit, and vegetables support healthy, vibrant wild native bee populations. There are four thousand native bee species. They pollinate over three hundred times more effectively than honey bees. For example, A single female Leafcutter Bee visits 100,000 plus blossoms per day whereas a honey

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Mix native wild flower or grasses seeds with soil. I am using a handful of compost from my bin.

Mix native wild flower or grasses seeds with soil. I am using a handful of compost from my bin.

Wrap it up so you can carry it and not get your hand muddy.

Wrap it up so you can carry it and not get your hand muddy.

Find a place to throw it that will not be mowed. I picked behind this chain link fence, in the parking lot of my art studio.

Find a place to throw it that will not be mowed. I picked behind this chain link fence, in the parking lot of my art studio.

Here she lays.

Here she lays.

A closer look at - native wild flower seed bomb.

A closer look at - native wild flower seed bomb.

Three weeks later.

Three weeks later.

There are so many weeds sprouting up it is hard to see my seed bomb. But I see it. It does not have any blooms yet but my fingers are closed it will.

Since we are in quarantine I decided at this time to not make a bunch of bombs to share with others. I would love to share but I am erroring in the side of caution. i put the rest of my wild flower seeds in my flower beds that I needed more plants.

Why are some people ready, why do some people know the moment?

People ask me all the time where  do I get my ideas. And I too am fascinated by where creativity comes from. I do not believe it can be taught and for most part it is not easy to describe as creativity, it is one of the great mysteries of the brain. However the Eudora Welty quote in Glasstire this morning beautifully states how I often find inspiration, or how inspiration often finds me.

 “The title That Day underscores the viewer’s sense of being there beside the photographer and the way in which the captured moment remains ever fresh in the image, some of which were made as early as 1979. That was the year when Dallas-based Wilson began assisting Richard Avedon with his own six-year photography project, In The American West. Describing Avedon’s portraiture process in her 2004 book, Avedon At Work In The American West, Wilson noted that he would wait for what Eudora Welty called “a story teller’s truth… the moment in which people reveal themselves. You have to be ready, in yourself; you have to know the moment when you see it.” “

                                                         - gene Fowler 

-http://glasstire.com/author/gene-fowler/



 

I guess the question should be why are some people

ready, why do some people know the moment?

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a moment caught by a "gust"