Earth Moves

Image under construction

Earth Moves

welded steel, lath, clay, grass and glass beads

2023

 Earth Moves looks at nature's regenerating or repurposing systems. It reminds us that tiny creatures like dung beetles play a big role in our ecosystem, recycling animal waste and providing nutrients for plants and organisms. They form close relationships with mammals and even some birds, making them all the more crucial to a functioning ecosystem. It's fascinating to think about how bison and other grazers once roamed the land, leaving behind their waste as a source of vital nutrients for the vegetation and other species. With a focus on reducing waste and preserving nature's repurposing systems, Earth Moves is a call to action for all of us to honor the planet and protect its delicate balance.

Fun Dung beetle facts. Dung beetles use the sun and moon as compass cues.

Caterpillars impact the entire food chain

The grapeleaf skeletonizer (Harrisina americana) on a Vitis vulpina (with common names frost grape, winter grape, fox grape, and wild grape.)

If you see an abundance of caterpillars on a grape leaves what is your first thought? In recent times the influence of commercials would have us reaching for a pesticide. Today through a systems theory lens I see an important character in a living system.

When plants collaborate-

”Problems cannot be solved with the same mindset that created them” - Albert Einstein

To change my mindset I have to change how I see. For years I have seen through a mechanistic mindset. Observing the growth of Symbiosis these past years has given me a new perspective. When I step back and consider what else might be happening, what can I see if I consider natural systems as opposed to purely industrial systems? A whole new world of thought and possibilities unfolds.

I see that nature is a master collaborator, as proven by the Rudbeckia hirta and Passiflora incarnate duo.

Planted close together, the vine quickly sought support from the stout-stemmed Susan, needy for sun, but lacking the strength to reach it alone. The black eyed Susan, not threatened, seems to welcomed the addition, together they twined and grew - now standing not two but four feet tall. Conventional thought sees the vine as overcoming the flower, but in reality, they are just two plants working together, building a structure that is maximizing photosynthesis and basking in the sun while providing protective habitat small life dwelling in the area.

A lesson for us all - Collaboration can truly conquer all. The fiery skipper seems to agree.

“Rumblings” the next step

Originally Rumblings was going to be a wall of wild bee portraits, 50/10,000. It is time to start thinking about the next step.

Since I started these in 2019 my knowledge has expanded. It is no longer enough to exhibit the bees as portraits. They are an integral part of a bigger system. In incorporating systems thinking I will arrange the pieces into a 11’ X 25’ work on paper composition, an abstract eco-landscape that holistically balances urban and natural systems.

It will be a composition of twenty-eight 30” X 44” watercolor monotypes from my Rumblings* body of work. The pieces will be installed in a tight grid to reference urban development. Centered in each 30” X 44” piece is an abstract portrait of a wild pollinator.

 

The work will be completed in my studio when the defined space dimensions are finalized. At that time, I will select the portrait pieces and organize them in a systematic manner that works best for the size and shape of the proposed space. I will then transform the individual portraits into the monumental composition of an urban ecosystem that balances manmade and natural systems. To do this, I will add abstracted shapes representing biological systems that pollinators depend on into the blank spaces of the individual works. These marks will be extremely light and delicate, watercolor and pastel. They will be leaf and petal-like silhouettes of birds, vines, blooms, grasses, roots, water, and hooves. These shapes will weave in and out chaotically, connecting the portraits in the urban structured grid and transforming them into an ecologically balanced urban landscape composition.

 

RUMBLINGS* WORKS 2019 — present

 

Earth Moves - almost didn’t

Done! My gloves are proof. For weeks, my schedule was jam-packed with proposals and large-scale projects that needed my attention. Amidst all the chaos, I was also starting a brand new sculpture for the Mayor's Office of Cultural Affairs' Earth Day Celebration. I thrive when I can hyper-focus, but this time I almost let something slip through the cracks. "Earth Moves" was in danger of being incomplete by the deadline. With less than a week left to finish, I knew I had no choice but to push myself harder than ever before. I woke up at 5:00 am every day and worked tirelessly until 4:00 pm, without taking a lunch break. I felt every muscle in my arms and shoulders ache, but the feeling of being fully present and working towards something important was truly exhilarating. I couldn't disappoint Necole Irvin and let "Earth Moves" fall short of its potential. After countless hours of welding and crafting, today the sculpture was finally installed on the 3rd floor of the Julia Ideson Library. The end result is a, call for action work of art made from welded steel, lath, indigenous clay, grass, and glass beads. It was a true labor of love that I poured every ounce of myself into. #earthday @lanolalady #mayorsofficeofculturalaffairs #houstonmayor #cindeeklementart #work #gloves #drive

Symbiosis - I took a nose dive to mimick nature’s animal impact that builds soil.

Last spring to build the bottom of the food chain the subterraneous network that provides nutrients to feed the fungus and microbes so they can provide nutrition for the plants spring growth I used a time release organic fertilizer Microlife. It is a great product. That said it is a processed product. In my family's diet we prioritize whole foods and recognize the significant health benefits over processed foods. Would it be the same for plants?

In an effort to gain some insight, yesterday I took a bold move and sourced horse stable manure for Symbiosis. Plus it is free.

The manure is free for the taking at this north Houston feed store and stable.

I dug in up close where the manure still had moisture and living microbes.

Bring your own shovel

An open bed truck would gave made for a more pleasant drive to Lawndale. I kept the windows open.

I installed this organic material according to patterns observed in free-range bison pastures - insertions made at regular intervals while pressing down each pile firmly. I used the heel of my boots to create a divet for catching rainwater. I have read the butterflies will benefit from the minerals in the dung. I think the soil, water, plant, and microbial relationships will as well.

Dung installed with heel divet for catching water.

What will be the response to this method? How will plants and microorganisms fare under these conditions compared to time-release product pellets that can too easily wash away into bayous? And are too easily available to all with the sprinkled style of even distribution. Fingers crossed—I'm anxious to find out what's ahead!

I have watched the installation and have not seen any evidence of life. It occurs to me that the horses that live in these stable might not be living their best life. They are not grazing in open pastures. I am guessing they spend most of their days in a dark stall. I believe the manure I installed was full of antibiotics.

This is a sad realization. Further research in this area has inspired a new piece. Earth Moves. More on that later.

Expecting a grandchild- sunflower

It is a heart warming privilege to craft something from the heart for two special souls my son Griffin and our precious daughter in law Alex both who have deep ties to nature.

Around each giant sunflower bloom lies bountiful tiny creatures and details designed specifically for their new born’s imagination. Being able share my joy as these parents-to-be anticipate the birth of their little one makes me feel truly honored!

"Baby klement’s Ecosystem"

watercolor and pastel monotype

30" X 44"

Field mouse and American beautyberry

A Field mice enjoying a snack of American beauty berry

Gulf Fritillary caterpillar in the “J” stage of metamorphosis.

Monarch caterpillar, aquatic milkweed, Monarch chrysalis, Purple coneflower, wasp, dragonfly

On a personal note- Griffin and Alex have not picked a name so I think of our future granddaughter as Sunflower.

Cabinet Oak Project- Contemplation from start to finish

Spring of 2022, on Cafe (Call for entry), I saw a call for the Cabinet Oak Project. The call was to donate work to support the restoration of the Texas White House and start an artist residency program.

The call is a good fit for my work. It perfectly connects my past works, Heritage and Gust, with my present eco-art work and social sculpture. LBJ wore the same Stetson Open Road I used in both pieces and I support the mission of the fundraiser. Interestingly, LBJ often wore his Stetson with the brim flipped up. It is an unusual way to wear a hat and reflects his unique personal and political legacy.

After receiving the acceptance and with the stump in my possession, I studied the history leading to Johnson’s presidency, the state of the country, and his presidential legacy. Contemplation is the result of that research.

The rest of this post follows my process of creating Contemplation.

Contemplation

29.5” X 18” X 14”

Bronze, The Cabinet Oak stump, concrete, paint

Contemplation humbly records the imagined solitary moments of Lyndon B. Johnson. The Cabinet Oak stump, carved with deep thoughts, is paired with his hat and cigar, reflecting flaws and imperfections, bringing to life the knowledge, passion, and determination that shaped 'The Great Society.' A reminder that nature can inspire great acts.

My proposal-

My practice is inspired by researching natural systems in Texas'ecological history that build soil health, absorb water and sequester carbon.

My work reimagines urban landscapes, proposing holistic restoration of ecological balance — awakening urban consciousness to our kinship with living systems and restoring what is lost. Through sculpture and activism, my work incorporates time and movement. Adapting these processes, including organic and living materials, I create works to inspire urban land conservation and therefore extend our time on this planet. I believe that widespread environmental change begins with envisioning (and making visible) the wisdom inherent in the natural world.

I envision taking a rotting stump full of wormholes and marked with evidence of the ecosystem the ancient tree limb once supported as representative of our Texas natural history. I willrest on it as a symbolic witness of the many discussions, arguments, and enlightenment under the great oak. This symbol is a well-worn, cast bronze Stetson Open Road hat, often worn by Lyndon B. Johnson. I have worked in cast bronze hats since 2013. Heritage is in the Houston City Collection. In 2020 I completed Gust, which is on my website. I would be honored to be included and willing to donate 100% of my work to this cause. Depending on the wood, I may cast the stump and hat together.

It is hard to pick the perfect stump to reflect the man, his unique policies, ability to get things done and the ecological history.

I picked a stump with a likely spot that LBJ might have rested his hat on under the shade of the big oak tree.

An employee of the LBJ Ranch Park painted the ends of all the stumps white to prevent insects from nesting in them.

They have not heard that we have entered the Anthropocene and insects are significantly declining and need rotting wood for habitat.

The park could consider implementing a program to provide a habitat for insects. It might be an excellent opportunity here.

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White paint gone -

When cast in bronze, the new hat will reflect the wear and tear of running a ranch in Texas and the mental stress of running a country in the ’60s. The stump is not what I had hoped it would be. The piece needs more. Knowing many men smoke cigars when they go to their ranches and that President Johnson smoked an occasional cigar, I decided to add detail a precariously placed half smoked on a cigar. It will still need more and there is time to figure it out.

I apply wax to the entire surface so the hat will not absorb the slurry that will build the shell. I use a heat gun to milt of the wax to builds up too much and I shape it to show wear.

The bronze cast cigars and hat are ready for chasing. I cast a few cigars so I would have choices.

Metal chasing done. The bronze was so heavy it made the stump tip over. I cut the opposite side under the stump to balance the bronze. It is missing something……..

How can I bring this sculpture to life while capturing the essence of the man, the political climate, and his bond with nature, while still remaining authentic to my artistic style? He was one of our more accomplished Presidents, passing the first bills that address issues we are still struggling with today. I need more research into his policies. That is the detail I need to make the piece meaningful.

I envision Johnson holding meetings beneath the Old Oak, arriving early to ponder and whittle down his ideas into actionable plans, navigating through the complexities of government. I can almost see him, alone in the shade, puffs of smoke escaping his lips carving his best ideas into the heart of the Oak, contemplating every move.

The wood looks too fresh. In order to give it an aged look I watered down an almost empty can of house paint and washed it over the delicate bark.

Next up the patina.

It took fierce passion to pass bills to combat poverty, rejuvenate the environment, and embrace diversity - all while rekindling civil rights and nurturing the arts. The more I work on this piece, the more I love it.

I love research based art. It was a good fit right?

Rumblings - Agapostemon virescens

Agapostemon virescens lead a very unique lifestyle - living in underground communal nests, with up to 30 individual females sharing the same space. These tricolored metallic bees have an intricate defense system which consists of assigning roles; while some female bees explore and gather food, at least one always stays behind as gatekeeper! Interestingly enough, this species cleverly protects their nest from predators by making sure that they always has someone on guard duty.

During late-July to early-August, a second generation of A. virescens emerges that is both male and female. With no place in their natal nests for the males to go, they seek shelter elsewhere - hosting bee slumber parties where huddles are formed! The females take advantage of this time by sipping on flowers like New England aster, goldenrods and sneezeweed so as to survive winter without having any need build nests or lay eggs during fall season. Sadly though when temperatures drop these mated females enter hibernation while males die selflessly protecting them until spring arrives again next year.

Symbiosis - Hairy water clover incorporates time and movement

Since the beginning of my artistic journey, I have consistently explored elements of time and movement within both two-dimensional and three-dimensional works. With "Hairy Clover," an element in Symbiosis this exploration takes on another layer of complexity - exploring how the water cycle creates motion that stores carbon, ultimately building the planet's energy.

Marsilea species are an extraordinary group of ferns, displaying a fascinating phenomenon known as nyctinasty - the daily movement of leaf orientation. During daylight hours they reach out to capture sunrays and then at night fold inwards into vertical positions due to pulvinus joints located towards the base of each stalk which adjust based on water flow into motor cells. This adaptation ensures that these plants remain attuned with their environment by regulating transpiration through stomata opening and closing cycles - remarkable!

I have read that this Texas native is endangered in many states. :(

Marsilea vestita, southern water fern

8” X 8”

Ink

Symbiosis - the research for documenting the work.

In 2020, I was asked by Lawndale to propose a sculpture for the sculpture garden. Instead of proposing one of my steel or bronze sculptures, I proposed a living sculpture titled Symbiosis. I have since endeavored to witness and record/document its growth and relationships through photography. These photographs will be my reference materials for more poetic documentation. Simultaneously I have sought out historical and contemporary ways of immortalizing natural history. My search led me to explore websites, antique stores, and estate sales, looking for how naturalists, explorers, and artists have documented Earth’s wildlife and plant life’s relationships throughout history. This research has led to the discovery of two exquisite artistic collections from 1705 and 1903 that sparked inspiration within: Maria Sibylla Merian's book Metamorphosis Insectorum (1705) as well as Theodore Jasper’s American Ornithologists' Union (1903). Both are incredibly valuable works that promise to help me find my wings and bring Symbiosis memories into full bloom.

For the next seven months, I will diligently document through photography the unique relationships as they develop in Symbiosis. When 2023 draws to a close, my contract with Lawndale runs out. Then, I will start the final chapter of the work. This project has become something special that needs to be immortalized in artworks showing their symbiotic relationships. With watercolor monotypes as my medium of choice and abstract expressionism becoming part of me along the process - these works are primed to tell stories of how humanity can reconnect with natural systems in urban landscapes.

Theodore Jasper’s American Ornithologists' Union (1903)

Theodore Jasper’s American Ornithologists' Union (1903)

Maria Sibylla Merian's book Metamorphosis Insectorum (1705)

What cave paintings from 25,000 years ago can teach us about regeneration.

This morning I read Mysterious marks on Ice Age cave art may have been a form of record keeping in science News.

The marks left in a cave 25,000 years ago illustrate the wisdom of early hunter-gatherers. Even then, these people were knowledgeable about their environment and respectful of nature's cycles; understanding that taking too much from one place could lead to decline. Nowadays, we can look back at this example as an invitation for modern civilization to take up sustainable living practices—regenerating our resources instead of simply consuming them without thought or consequence.

I spend a lot of time thinking about the question, how do we mimic regeneration in our cities? We have to ask, What can we learn from Earth’s earliest environmentalists? A lot.

Symbiosis- Goldenrod Winter’s String Section

Goldenrod is more than just a weed- it’s the ethereal string section in natures visual symphony capturing the eye with its undulating dance.

From late summer to early fall, these radiant yellow spikes flourishe in roadside ditches and fields. As winter moves in their color fades to dark shadows against winters gray sky.

The sturdy stalks provide shelter from icy winds so precious birds can rest through cold days ahead as Goldenrods' undulation brings joy throughout all seasons instead!

I'm still struck by goldenrod's graceful dance on even the slightest breeze. It truly is a remarkable sight that gives me much joy throughout all seasons.

I look for the things right in the world.

In order to foster a fruitful union between us and the environment, we must recognize our successes. Having an optimistic outlook can yield unexpected benefits; if you seek success, it will find its way into your life. This article from Nautilus is particularly inspiring for several reasons - giving us even more hope for a better tomorrow!

The Mystery of the Healthy Coral Reef

A reef off the coast of Honduras should be a disaster. Instead it’s thriving.

  • BY JULI BERWALD

  • January 18, 2023

…..”So far, that is. Dan Exton notes that the implications of finding the reef stretch well beyond Tela Bay. “It can’t be the only one out there that’s like it,” he says. Exton suspects that scientists searching for healthy coral might have looked in the wrong places as seas shift to warmer, more polluted conditions.

“If you were to look at other turbid, cloudy, impacted bays around the Caribbean, you may well find other healthy reefs,” says Exton.

”We get so bogged down in coral reef science by the idea that, in 50 years’ time, corals won’t exist anymore,” Exton continues. “I think there’s a lot more hope for reefs than we give them credit for sometimes. For me, my personal hope comes from Tela Bay.”

Untitled

Watercolor monotype 30” X 44”

Call of The Crane

“When we hear his call we hear no mere bird. We hear the trumpet in the orchestra of evolution. He is the symbol of our untamable past, of that incredible sweep of millennia which underlies and conditions the daily affairs of birds and men.”

– Aldo Leopold on the call of the sandhill crane

During my Christmas day stroll with family and Tobi, I came across a crumbling old stump harboring an exquisite feathered creature. The majestic bird looked to be either a Whooping Crane or Sandhill crane - the two largest birds of North America.

While North America has many struggling ecosystems, it's so important that we remember the stories of hope and recovery too. The Sandhill crane is one such story - once endangered, their numbers have rebounded thanks to determined humans working to save them. Getting to know these creatures better can only inspire more hope for future environmental recoveries. I'm looking forward to learning more about the whooping cranes on my trip south this February with Curtis. If you know any other inspiring stories of environmental recovery please share them with me?

As found on Christmas day with it's natural patina.

In my garage studio after giving the bark a little wash to highlight the movement in the wood.

Detail

Cuenod Wedding gift -day #4

Tobi is not crazy about welding days. She knows she is not allowed to watch so she goes inside, leaving me to work alone. 🥲

I started the work day with a sit and comfort test and had to make some adjustments to the back branch.

Then I cut off the pieces that were not working for me and then added some curves to the legs. Her balance is unique to her and I am intrigued with her asymmetrical balance.

She has a mountain-ish landscape vibe. Am I right?

The finished surface will be gnarly, knotty and wormhole rich.

Symbiosis: Why I am not anti-freeze


Humans naturally mourn the economic and surface loss of colorful flowers and green plants from a freeze. It is easy to become wrapped up in the superficial aspects. With systems thinking central to my eco-art practice, I wonder if there is an ecological purpose for a freeze. It has been a month since the freeze giving me time to watch and wonder. I have looked beyond the skin-deep perspective and discovered something beautiful about how a freeze gives life.

A week after the freeze, the same space is transformed into the earth tones of a 1980’s residential den.

This freeze occurred at the end of the second year since the Symbiosis installation. It was my first freeze with native plants and opened a floodgate of realizations and thoughts about freezes.

A freeze in the tropics looks and acts differently than in the northern US, but how are freezes in the tropics different than those in the Northern states? How does slimy organic matter from a freeze in the tropics impact its soil complexity? A freeze in a coastal prairie garden that has shade from a two-story building is not like a freeze in a sunny open field. Is there a relationship between the freeze and the drought, is there a relationship between seasons? For the past month, these are the questions I have taken with me when I visit Symbiosis and research on line.

What initially appears to be a destructive event can be the seed necessary for regrowth. Prairie plants are particularly delicate in these intense freezes as frozen water expands and rips apart cell walls, destroying their armature. When the thaw period eventually comes, and the water drains away, all that remains is a slimy puddle of cell slime.

A small corner of Symbiosis before the December 2022 freeze.

These slimy puddles and decaying plants quickly milt into the soil, building its complexity and enabling it to store carbon, cooling the planet and soaking up water. When it breaks down, it provides food for microorganisms in the soil. A freeze is a quick and intense way to quickly build a large amount of living soil in the subtropics. This is a refreshing reminder of how our actions have real-world impacts. I am leaving the dead organic material to break down naturally. I am mindful of the inherent beauty of all seasons, all colors of ground cover, and the event's natural power and energy potential. Understanding and honoring freezes can improve Earth’s health for future generations. It is the fastest, most economical way to build a large quantity of soil. When it comes to soil carbon as an asset, a freeze is an economic plus.

I am not anti-freeze - instead, I'm pro-freeze!

Almost two weeks after the freeze and the new growth is noticeable. . The dried plants are crumbling into soil.

I still have unanswered questions and I am hopeful they will reveal themselves through Symbiosis. Until them I walk the garden every day in complete amazement the new growth rise through the decaying material as it melts in the armature of the soil.