“Score” - more violins and bows

3/7/2018

I was ready to start plastering again and a friend had set up a piece of her art in the middle of my work space in the sculpture room. No worries, I decided to work on some of the additional pieces that will be added as  the plastering progresses.  

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A few bows and a violin

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Human chain commissioned piece

“Human chain H20” it took me 6 attempts (that is X 5 pieces in a pentaptych) to get the colors perfect. 

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score- new base.

I changed the base. I purchased a 1/4” thick by 24” X 24” piece of steel and welded his feet to it. The steel weighs 40 lbs. the more bottom heavey he is the safer. 

In order to weld him to the base I had to take all the paper out. Tomorrow I will re stuff him. 🤪 

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Studio visit/a birthday surprise event

Theater director Lily Wollf purchased a lenticular for her husband. They are in town from Austin today and she is bringing him by my studio for a visit. Little does he know that she bought him the piece. I have it wrapped in the corner with a giant brown paper flower on it. I will serve wine and show them around and then she will give him his gift. I love being able to help with the surprise. 

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this was a lot of fun. 

International Water Media Exhibition - merit award

I think this was there 42nd International Water Media Exhibition.  

I am not sure how..........  

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Shake shake shake chocolate  IV- soap bubbles walnut oil and coffee 

30” X 22” 

I am not sure how, but somehow my piece 'Shake Shake Shake IV” was selected by the juror Ian Stewart for one of the merit awards. The opening was very crowded and it was hard to see all the work, but the pieces I saw between all the faces were stunning. I will have to go back to study them.

FYI: my chocolate pieces were inspired by Karen Brandt’s dog Hank. I hope Hank is feeling OK. She commissioned me to draw him shaking a few years back. I think I did five or six, and she picked her favorite.

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Score - the finish ???????

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I have thought and thought and thought about how about the specific application of Concrete and wire on the piece. Last week I did a small piece to experiment with the materials. For simplicity sake I used plaster instead of white Concrete and every type of wire in my arsenal.

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I am considering this application. It has a thin layer of plaster over the lath. Next I added the wire that creates the volume, movement and energy of the figure. Some of the wire is covered in the concrete. 

The wire I used on the tail feathers and wings I plan on using to create the sound made by the violin. 

 

detail of the wire used for the tail feathers that look like the sounds made by the violin

detail of the wire used for the tail feathers that look like the sounds made by the violin

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welded wire-

another example of the wire from the experiment that I like for my sound from the violin. 

Gust- porcelain

4 more. I now have a total of 12. By May I plan on having 16. I need to get cracking. 

Score - #23 safety safety safety

The last thing I need is to have the sculpture fall on me while I am working on applying the concrete. Those  violin playing fingers would surely put a hole in my skull. 

 

First I have started stuffing the legs of the armature with paper. The paper will keep  the concrete from falling through the lath to the floor.

The lower part of the legs will be mostly solid for balance. The rest of the body will not be solid

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Detail of the armature stuffed with newspaper. 

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I have, (actually my husband Curtis helped) me attach the sculpture to a piece of plywood and attached the plywood to an 800 lb dolly. I have a piece of plastic over the dolly to keep the concrete off the plywood. The dolly will allow me to gently move it if I need to while applying the concrete and will make it very difficult to tip over.

half stuffed and secured to the 800 lb. dolly that is covered in plastic. . 

half stuffed and secured to the 800 lb. dolly that is covered in plastic. . 

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Detail of the open chest area that I am using to get the paper inside the piece.  

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End of the day- it is99% ready to for me to apply the Concrete. 

Mas pruning

I pruned his shoulders back again. I would like to have plenty of space to create arm movement and the energy created by the music  with the baling wire and wire cloth. 

 

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Cutting down the shoulders for a second time. 

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Pruning his left shoulder 

 

I have also decided to cut the armature on the left side of his face leaving room to create volum and movement with the wire. 

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And a little facial reconstruction.  

 

There was a piece of armature that the violin bumped on his chest, I cut it so I can have more room to maneuver the violin.

 

chest cut apart 

chest cut apart 

I will live with it over night and see if I need to prune a little more in the morning.