Finishing "friendsergy"

Using a pneumatic with a metal brush then 3m polishing wheels.  

Using a pneumatic with a metal brush then 3m polishing wheels.  

 It is very hard to keep bronze highly polished so I have decided to add a gold leaf. The gold leaf will highlight the texture that gives the pieces life.  

Adding patchy goldleaf  so that spots of the dark bronze will show through. This added texture will add to motion and energy of the piece. 

Adding patchy goldleaf  so that spots of the dark bronze will show through. This added texture will add to motion and energy of the piece. 

Detail

Detail

Serendipity- patina

I used a wire brush attached to my pneumatic tool and shined her up.

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Almost finished  

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I purchased some 3m polishing disc that fit my pneumatic and continue polishing. 

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High gloss 

High gloss 

The final stage is to seal the patina, photograph her and document her deminsions and lastly determine the  title of piece.  I need suggestions- 

i am considering "holla holla", "raise the roof", "katinka katinka na na na" 

Headstands - ready for patina

The first headstand  

The first headstand  

Headstand #2 - piggy tails 

Headstand #2 - piggy tails 

Headstand #3 - pony tail  

Headstand #3 - pony tail  

I am considering a high gloss finish or my standard white. And I am debating whether I should put them on a concrete blanket similar to the happy dog bed but much thinner. Decisions decisions ............  

headstands and serendipity - molds

Once the sculptures are cast in bronze and chased I take mine to Legacy fine art foundry and have them make me molds of the pieces. I could do this my self but it is very time and space consuming. First they make a silicone mold then they reinforce the silicone with a mother mold which is plaster. 

The 3 headstands and serendipity molds held together with giant rubberbands. 

The 3 headstands and serendipity molds held together with giant rubberbands. 

The first headstand mold opened. The dimples are registers to make sure the two sides are properly lined up. This mold includes the sprue system that would be used to get the bronze into the piece.  

The first headstand mold opened. The dimples are registers to make sure the two sides are properly lined up. This mold includes the sprue system that would be used to get the bronze into the piece.  

Head stand #3

Head stand #3

Head stand #3

Head stand #3

Serendipity

Serendipity

I will keep these in a safe cool place in order to make reproductions of my originals. 

Devin Borden Gallery- Paul kittelson show

I try not to miss  Paul's shows because they always make me feel good. His ability to find beauty in simple everyday objects and materials is beyond clever. Below are a few of my favorites.

 

For better pictures of Paul's work here is a link to his website www.paulkittelson.com

This is aluminum siding and concrete

This is aluminum siding and concrete

 Fellow artist Daniel Calderon and a student of Paul's commented that the above piece references aging or life. With this comment in mind I re- looked at the piece. Now when I see this beautiful work I am reminded how important it is to stay grounded. With a stable footing the twist and turns, and the ups and down  life offers will not throw you off balance but will be what distinguishes ones life as exceptional.  There really is a beauty to a life well lived.  This will be a delightful sculpture for someone's contemporary collection. 

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Of course I loved this piece: wood grain with a hint of disco ball some of my favorite ingredients. 

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I do have a weakness for works on paper and the natural curve of this piece makes it a work on paper and sculpture. 

 

The opening was very crowded and it was hard to get good photos. Please post any photos you have on our sculpturehouston Facebook page.

My Art/Sculptor bucket list

 I just added to my art bucket list-  to have a sculpture in an underwater museum. 

I went for a run this am and heard  Jason deCaires Taylor:  An underwater art museum - teeming with life, Ted talk on my podcast app. I immediately came home and sat at my computer to see the talk with the visuals.  Links to the pod cast and the actual Ted talk video are below as well as some photos I took as I watched the video. 

 

 https://www.ted.com/talks/jason_decaires_taylor_an_underwater_art_museum_teeming_with_life?language=en 

 https://itunes.apple.com/us/podcast/tedtalks-audio/id160904630?mt=2#episodeGuid=eng.audio.talk.ted.com%3A2395

ph neutral cement ✅

 texture✅

 nature✅

definitely sustainable living✅ 

It is a shame our Texas coast is not crystal clear for snorkeling. We could probably still use some art/coral under our waters. Maybe there is a way to make it visible with special lighting????? Where there is a will there is a way. 

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Picasso's sculpture @ MOMA

My son sent me this article from The Washington Post- In a MOMA retrospective, Picasso’s sculpture is still full of surprises - The Washington Post

https://apple.news/Aav06bpF1SdyTIuouEj4pIQ

Screen shot of the article  

Screen shot of the article  

The link at the end of the article takes you to the MOMA site and a link to take the tour. I saw it on my phone. It would only take a little arm twisting to get me to go see it before it closes. 

Fairy tale chair patina

I finished this chair in 2012. I put a dark patina on it so it would fade over time like you see old wood in nature.  I walked by it this morning and feel pleased to see the outer edges fading nicely with and the cracks staying dark. Ten more years and it might be ready to sell. 😳 old faux Bois is the best faux Bois. 

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Metal work

Serendipity's fingers needed a little work.  

After I cut off the sprues her fingers   were not as long as I wanted them.  (Thank you David Medina for for help with this). 

After I cut off the sprues her fingers   were not as long as I wanted them.  (Thank you David Medina for for help with this). 

Then they were too long and I had to grind them down.  

Then they were too long and I had to grind them down.  

Fingers are finished.  

Fingers are finished.  

Then they were just right.  

If these fingers could talk the stories they could tell. 

If these fingers could talk the stories they could tell. 

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Here she has been sand blasted and is ready for her patina.  

Here she has been sand blasted and is ready for her patina.  

I am thinking of a high polish bronze  

 

Insightful I and II by American artist Patrick Palmer.

Are these big heads and soulful eyes cool or what? 

I came home from  Art Basel early to make Patrick Palmer's open studio Saturday night. My intention was to get one of Patrick's heads to commemorate Curtis' 2016 retirement instead I purchased these two for me.  Patrick will have another open studio December 12th at silver street studios. 

Insightful I and II

Insightful I and II