Symbiosis- fluffy bluestem

Through art, I am finding new ways to see Houston’s urban landscapes. The bushy bluestem is a coastal prairie native and a volunteer at Lawndale art center, the location of my 2021 site-specific sculpture installation.

For creating movement and living soil, bushy bluestem is a fabulous material to consider. At this point, I do not know if it will make the cut of materials for the sculpture; however, it does have some attractive characteristics as a material for living soil, and aesthetically I think it is beautiful. The spikelets of silky feathers curl out of a sphere of fine hairs. It is tall and graceful, peering five feet off the ground. In my mind, I can see a cluster of them suited in costumes of golden cotton candy swaying across the stage of coastal prairie under the spotlight of our earth's closest star. Their rhythm succumbs to the breeze that sweeps off the coast. They create the perfect; kitchen of seeds for birds and small mammals, cozy nesting materials for birds, winter food for prairie chickens, field sparrows, and juncos. I can hear a symphony of songbirds serenading the morning as butterflies flit, and flingle and native bees start their day. With close inspection and a little luck, you may even discover a Skipper or Satyr larvae starting a new life amongst their stems. #symbiosis #cindeeklementart #livingsoil #sitespecificart #texasart #bushybluestem #houstonart #texassculpture #contemporaryart #nativebees #bees #wildlife #livingsoil

Changing how we see urban landscapes in Houston.

Changing how we see urban landscapes in Houston.

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Grasslands vs. trees

When it comes to the environment in the 21st century grasslands beat trees when it comes to carbon sequestration. Our planet is a living breathing organism, impacted by our actions, always changing. I believe It is important that we constantly observe and evaluate how it changes as humans developed and expand across it.

Trees are a thing of beauty but they store carbon above ground in their trunks and limbs.when they catch on fire the trunks and limbs release their carbon into the atmosphere. Grasslands storing carbon underground release little carbon when they catch on fire. In addition the grasslands are a giant sponge soaking up water that prevents dryness and fires.

With the forest fires we have suffered world wide it is time to plant more grasslands and turn these areas suffer ending from droughts into giant sponges for soaking up water and carbon. When the ground is moist then we can can start adding back trees.

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Drying coastal prairie native grass in my studio.

Drying coastal prairie native grass in my studio.

Talking roots.

How roots talk to each other. My focus is coastal prairie roots, but I expect roots of grass communicate as tree roots communicate. We gave only begun to learn from roots.

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SUBTERRANEOUS SECRETS IV

36” X 8” X 8”

bronze

photo by @nashb Baker

Since the beginning of time, the human spirits' imaginations have been magnetically allured beyond the earth's geomagnetic field, inventing robots, orbiters, landers, and rovers to explore outer space, searching for celestial organisms — fruitlessly.

Secretly between 100 million and 500 billion microbes per teaspoon are living a subterranean life underneath our feet. Living soil is the root of our existence; it is essential to life on Earth. For several years, I have researched grass-fed food production, attended soil conferences, and visited regenerative ranches. (my favorite is @roamranch) Research in these fields reveal how to fight desertification and reverse climate change through regenerative agriculture practices. Interestingly, this natural history of living soil, how it evolved with roots, fungus, plants, food, and animals, carbon and their essential roles within microbial communities in human health, is not common knowledge. Subterraneous Secrets excavates this crucial tool in storing carbon. My work finds new ways to reimagine urban landscapes and records natural history to the collective memory so that it will no longer be endangered knowledge #roamranch #cindeeklementart #bioart #conservationart #environmentalart #root #bronze #bronzesculpture #pesticidefree #texasart #texasartist #houstonart #houstonartist #houstonsculpture #nature #naturalsystems

Symbiosis building soil life.

How do you build soil health without having the luxury of animal impact. It is one thing to build soil health on a bison farm. The microbes in the the the bison, turkey, pig and chicken dung builds the life in the soil. In the sculpture garden at Lawndale I am going to use LEAF MOLD COMPOST. This product is produced primarily from recycled leaves, with a little grass and horse manure mixed in, a touch of fruits and vegetables. After a long slow compost it will be rich in beneficial microbes. It will help save water and promote healthy soil. I was going to wait until early spring before we replanted the garden. However, Sunday Lawndale is having it's Sunday brunch fund raiser. And this is in the day if Covid 19 so the event is outside. I noticed that the heavy rains of late have compacted several areas in the beds and washed away some soil. It will be an opportunity to to talk about living soil,

I spent time researching different types of compost and mulch. Natures Way Resources compost native plants, is locally owned and located in the Houston area. The owner is a soil scientist. I had a long conversation with him today and he really knows living soil. I can't wait to see life return to the garden.

Here you can see how the soil is wearing away without having plants/roots hold it down. You can also see how the rain hitting it had compacted the ground. When the soil becomes compacted it stops absorbing water. .

Here you can see how the soil is wearing away without having plants/roots hold it down. You can also see how the rain hitting it had compacted the ground. When the soil becomes compacted it stops absorbing water. .

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The goods

The goods

The tools

The tools

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Happy Soil Day.

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Happy National Soil Day. Notice the length of the root system of this turf grass-just a few inches. 👎

🤔

The image I posted is not soil to be celebrated.It is what I call mindless conformity 🤨AND - now for the good news- 🌱☘️🍀☘️🌿

It is an opportunity to help save our planet and that we should celebrate.

Let me explain- this is the typical ground cover that covers 99.99% of the homes in the United States. It is a mono-crop of turfgrass. Monocrops are not healthy for soil. Mother Nature needs diversity to be healthy. To go against nature, homeowners have to apply chemical inputs to keep their monocrop turf grass looking perfect. These fertilizers, fungicides, herbicides, and pesticides kill all the living matter. They also kill our insects and valuable Keystone species.

In contrast, healthy soil, especially on the coastal prairie, is a sponge for soaking up rainwater and keeping our planet cool. Houston was a coastal prairie covered in native grasses that had massive roots systems. Some extended 18’. The coastal prairie has the capability to absorb massive amounts of moisture/water. They also act as a filter to clean the water and retain water. Water held in healthy soil is how the planet cools itself. Healthy soil also sequesters carbon out of the air and puts it back into the soil. The coastal Prairie plays a large role in the global environment. Houstonians have paved, asphalted, and covered in turf grass 600 square miles that makeup Houston. Reimaging urban landscapes is an opportunity to save our planet. Turfgrass covers more acreage in the US than farmed land. 🤠 this is an easy way to comply with mother nature. I am using ny art to find ways to reimagined urban landscapes to work with mother nature Healthy soil= healthy people. Happy soil day. #cindeeklementart #artactivism #bioart #soilart #art #conservationart #soil #regenerativeart.

”We see nothing of these slow changes in progress, until the hand of time has marked the long lapse of ages”-Darwin

Darwin’s observance is no longer correct, As we continue to expand our cities we have have ramped up the hand of time, we are fast-forwarding and witnessing evolution. This can be good or it can be bad. Millions of species going extinct on our watch is not good; there is a benefit to seeing the effect of our actions. This knowledge is power, join me and decide to change the way we see urban environnents, and act accordingly. We can write our own evolutionary script. We can return to protecting natures .

Reimagining urban landscapes- how plants and animals are evolving in cities.is an eye-opener.


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World of Hum- a humdinger

Keystones in El Paso50” x 10’watercolor monotype

Keystones in El Paso

50” x 10’

watercolor monotype

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Subterranous secrets

Once I started researching roots, I was in love. They have many cool features as a group and individually. I have three bronze roots completed and a few more in the works. Many scientific labs study root characteristics for their role in food production. I am interested in these conversations and those that discuss the roots architecture. Under recognized for their amazing features roots bring many values to the table. They are a tool that sequesters carbon, transports water deep into the soil and pumps it up Into the plant. They inhibit erosion and are the heart and vascular system of the planet. And that is just a start.

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Lawndale Art Center — Symbiosis environmental art activism project announced

Lawndale Art Center a staple on my radar as a possible venue for an environmental art exhibition. The sculpture garden, primed to be relandscaped in a manner that could communicate any number of environmental issues in my head.

The Lawndale Art Center Sculpture garden before the 2019 re-landscape.

The Lawndale Art Center Sculpture garden before the 2019 re-landscape.

I have had a few casual discussions with Stephanie about these ideas in the past, however other opportunities came my way, and frankly, I dropped the ball.

During the first COVID 19 quarantine, Lawndale Art Center reached out to me regarding their sculpture garden. They were interested to know if I would assist them with some weeding in their newly landscaped sculpture garden, I often volunteer there. When I heard the words, “newly landscaped sculpture garden,” my heart fell to the ground. I had blown it, I missed the best art venue opportunity to create a piece that looks at urban landscape as a found object. I was crushed, disappointed and angry at myself. I decided to focus on my Endangered Knowledge: The Soul of Humus, a piece I am creating for Sculpture Month Houston. In turning Lawndale down I sent them a copy of the proposal I made to SMH. A few days later I remember thinking to myself, “well you blew that opportunity, you will never get a show at Lawndale now.” A few weeks after that— they called me back and asked me to meet them at the sculpture garden. Masked I met with Stephanie and Emily and they asked me to do a site-specific environmental piece in the newly relandscaped garden. It was the last thing I expected—A dream come true was not in my mind of possible COVID19 realities. We also discussed their need for some happiness in the garden. The garden does not have any beneficials planted. Sympathetic to their need for some visual happiness I offered to plant a few flowers.

By this time it is unbearable—Houston—July—Hot.

What can you plant in July and have it not fry, if anything? I am not an experienced gardener I am an artist/activist and a citizen environmentalist—but my friend and past President of the Harris County Master Gardeners, artist, and curator is a very knowledgable gardener. A super busy Renassaince man, Will Isbell kindly offered to meet me on a Friday evening at the garden to see if there was anything I could plant that would not die in this July heat. There was not, but we did have a great talk.

We both saw the existing garden in the same way a missed opportunity for an environmental artist. And then it hit me. I suggested that I propose to Lawndale that the two of us do a project that takes the existing new traditional landscaped garden and use it as a found object to create a piece to activate change in Houston’s landscape. Will did not hesitate.

The question was how do I get them on board. They have already spent good money and the garden by any standards is beautifully done. One thing everyone knows about Lawndale, it is an art space for the voices of artists breaking boundaries and unearthing contemporary knowledge, nothing is too daring for Lawndale. They are the space in Houston to open minds. They were encouraging and interested in this new idea and wanted me to continue working on a concept for a solo environmental piece as well the piece with Will.

I am still num with these two opportunities and excited with the potential to instill hope and heal the environment.

Lawndale announced the project Will and I are doing together last week. Below is the proposal for the work. I wrote it in early July, as I read the opening paragraph today, with California on fire, and Houston flooding again I am taken back by how much the world has changed since I wrote it.— and not in a good way.

Lawndale Sculpture Garden Proposal

Cindee Travis Klement and William Isbell

What is to be gained in the year 2020, the year of perfect vision? In our largest cities, a tiny virus is killing our most vulnerable, crippling our strongest economies, forcing our families into food lines, and providing kindling for social reform protests. In the natural world tucked within our largest cities, this same tiny virus has improved the air that we breathe, returned fireflies to our summer nights, and allowed wildlife to inhabit our neighborhoods. The connection between the land, plants, mankind, and wildlife in urban environments has never been more evident.

What is to be gained in the COVID 19 moment of enlightenment: our eyes have opened to the state of our living systems, and we have discovered that unimaginable change is possible. We have seen that we cannot wait for the tests to tell us if we are sick. Without design, we have found an unprecedented moment, we have gained an opportunity to change.

SYMBIOSIS

As visual artists and art activists, we will connect soil health and the health of our city. We will create a living piece of site-specific art activism that will reimagine the urban landscape and answer the question — how do we holistically restore an ecological balance that can coexist in Houston with nature/ wildlife through sculpture and community involvement. We see the Mary E. Bawden Sculpture Garden's terrain with its manicured, status quo landscape as our found object. With ordinary tools, organic matter, with the help of the community, we will sculpt it into the armor that historically protected Houston’s geological epidermis and gave life to its keystone species — the Coastal Prairie ecosystem. The title of this found object sculpture is Symbiosis. Over time Symbiosis we will morph into not only a landscape but also a soundscape that changes kinetically with the seasons.

Lawndale’s Mary E. Bawden Sculpture Garden’s Symbiosis will be a catalyst for change. In addition, it will be functional as a contemporary art exhibition space, a piece of functional activist art as well as a healthy ecosystem/habitat: a sculpture garden that heals and honors the history of the land.

Physical Description of Piece

Once the parameters of the project more are specifically defined we will insert the specific plants, their ecological roll in the

design and define the work.

Environmental Impact

Soil scientists around the globe agree that solutions to global warming, soil erosion, water runoff, drought/flooding, loss of wildlife habitats, and species extinction are rooted in the treatment of our soil — the skin that covers our planet, which includes our residential and small business landscapes.

Restoring the native prairie vegetation increases soil absorption of water and slows floodwaters on land, decreasing water runoff. For every 1% increase per acre of biological organic material, the soil can hold an additional 20,000 gallons of water. Given Houston’s extreme building practices and concrete hardscaping, reimagining the landscapes within Houston's 600 square miles of real estate can significantly impact the region's flooding. In addition, the roots of vegetation in a coastal prairie can extend from eight to fourteen feet deep; these roots sequester and store carbon like an upside-down rainforest, cleaning our air.

Value of Location

Change can happen at lightning speed when innovation is coupled with imitation.

The current state of Lawndale's sculpture garden provides the perfect opportunity to break the mindless conformity that dominates Houston's urban gardens/yards. The sculpture garden has the feel of a perfectly manicured, traditional front yard, making its size and plant selections relatable to the general public.

With the Houston Arboretum transformations, Katy Prairie Conservancy, Buffalo Bayou, and the new Memorial Park renovation, Houstonians have awakened to the importance of native Coastal Prairie landscaping; however, those sites are enormous tracts of land. It isn't easy to visualize those landscapes outside the parks. This permanent and living metamorphosis of Lawndale’s Symbiosis will provide the 2020 vision of transformation by imitation for yards throughout Houston. It will shift mindsets by prompting Houstonians to question Houston’s urban landscaping and imagine a holistic Houston that protects the environment by balancing human, natural and economic systems.

Value for Lawndale Art Center

An art institution that looks at its community holistically to include not just a monoculture of humans but also beneficial plants, animals, and micro-organisms will be groundbreaking. Symbiosis will cultivate a medley of life that historically has defined the place, has impacted its economy and attracted its people. Lawndale’s Symbiosis will leverage this endangered knowledge with a living site-specific art installation that provides the artistic vision that changes hearts and minds. It will connect the history of the land to contemporary art. Using additive and subtractive sculpting techniques and nature the Symbiosis of the Mary E. Bawden sculpture garden will become a living love letter from our past to our future.

Ecological impact of Houston

With 2.3 million people living on a footprint of 600 square miles, close to the Gulf of Mexico, located along the migratory bird pathway, Houston is an urban wildlife sanctuary.
Changing Houston's ecology will profoundly impact our oceans, human life, wildlife, and microbial environmental health. Let’s not miss this unprecedented opportunity and heal the skin of the planet and our people.

Installation Process

The beauty of this piece is to have it be a catalyst for inspiring homeowners and businesses to imitate the change and heal their landscapes too. We will Involve the community to take on an active role in the transformation. Installation of the piece will engage and educate the community in ways to be defined after specifics of the piece are worked out.

Lawndale after one of our early Symbiosis meetings.

Lawndale after one of our early Symbiosis meetings.

Beautiful new fence and Jasmine and crepe Myrtles.

Beautiful new fence and Jasmine and crepe Myrtles.

Olive trees, African Iris, Dwarf Yupon Holly, Gardenias, Asian Jasmine, Crepe Myrtles -6 very popular landscape elements across Houston.

Olive trees, African Iris, Dwarf Yupon Holly, Gardenias, Asian Jasmine, Crepe Myrtles -6 very popular landscape elements across Houston.

Will’s and my found object — Lawndale Art Center, Mary E. Bawden Sculpture Garden

Will’s and my found object — Lawndale Art Center, Mary E. Bawden Sculpture Garden

Rumblings - Xylocopa micans

A male southern carpenter bee- This bee was sleeping on my Salvia the morning of July 4th. The male wild bees do not live in nests. When they emerge they fly out looking for females to breed with. When the females return to their nest to sleep the males curl up to an petal.

Xylocopa micans I

Xylocopa micans I

Xylocopa micans II

Xylocopa micans II

Xylocopa micans II ghost

Xylocopa micans II ghost

Image from my video

Image from my video

Rumblings Monotypes without a printer.

Sometime in 2019 or late 2018 I discovered the USGS photographic library of wild bees. I was overwhelmed at the number of species and their individual beauty. They are jewels of the insect world. These facts combined with the reality that most well educated people believe that there is just one bee species - the honey bee. There are 20,000 species. How a creature who is responsible for our food could be misunderstood to this existent is baffling. Scientist just started realizing the error in their studies last summer. Committing to telling the story of the plight of the most important being on the planet is a worthy story. I have always felt the need to support underdogs.

Below us the artist statement for the project as I incusion it today. Artist statements remain fluid as I work on big projects.

RUMBLINGSA rumbling in the distance is nature's way to alert living creatures to their environment. Rumblings; monumentally draws attention to the 20,000 unknown species of threatened wild solitary bees. The bees that can not bee industrialized.  The watercolor ink carefully manipulated on the fifty interconnected monotypes to reflect the synergistic, aqueous effect of; the unexplored bee species superior magnetic attraction of golden dust, the movement of the anonymous Keystone species dedication to pollinate, and their fragility due to the applied chemicals that flood industrial agriculture. With Rumblings, there is knowledge and knowledge is power; it is a resounding call to all for action. 

The COVID 19 quarantine in March was a huge buzz kill to this series. These are all monotyoes. I use the plexiglass surface to create my water effect that I then press into the paper. I am very attached to this method as the best way to communicate this work for a few reasons. 1. It is a process I created and as far as I know no one else creates monotyoes with this type of mark making., 2. The watery look suggest the use if pesticides that are impacting their extension and lastly the tiny details that make up the bee is suggestive of pollen dust. I have been creating this pieces in MFAH beautiful Glassell studio school printmaking studio. With COVID that us not an option for me.

Since March, I have stitched bees and tried to be open-minded to another process to complete the series. I finally decided to see if I could hand press a 30” X 44” print in my studio.

Here I am applying the ink to the plexiglass. On the wall is a photo of Bombus Dahlbomii, the largest humble bee in the world at 2” long and endangered if it us not already extinct. The photographs are stunning. The photographs are taken if dead bee…

Here I am applying the ink to the plexiglass. On the wall is a photo of Bombus Dahlbomii, the largest humble bee in the world at 2” long and endangered if it us not already extinct. The photographs are stunning. The photographs are taken if dead bees. In ny pieces, I try to put movement and energy back into the buzz pollinator.

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Here I have just pressed the plexiglass with the watercolor ink bee image onto the wet paper. And surprise surprise surprise.

Here I have just pressed the plexiglass with the watercolor ink bee image onto the wet paper. And surprise surprise surprise.

Bombus Dahlbomii IVI have made three other attempts to print this monsterous fluffy ginger and not been happy with the results.

Bombus Dahlbomii IV

I have made three other attempts to print this monsterous fluffy ginger and not been happy with the results.

Bombus Dahlbomii IV Ghost.

Bombus Dahlbomii IV Ghost.

The prior attempt are below. Getting a mono-colored fluffy bee with out muddying the ink was tricky.

Bombus Dahlbomii Day I

Bombus Dahlbomii Day I

Bombus Dahlbomii Day I ghost

Bombus Dahlbomii Day I ghost

Bombus Dahlbomii Day II

Bombus Dahlbomii Day II

Bombus Dahlbomii Day II ghost

Bombus Dahlbomii Day II ghost

Bombus Dahlbomii Day III

Bombus Dahlbomii Day III

Bombus Dahlbomii Day I'll ghost

Bombus Dahlbomii Day I'll ghost

I am hoping the Bombus Dahlbomii day IV pieces cut the mustard. I am feeling hopeful and extremely excited that I can create monotypes without a press Is this non-verbal size.

Why soil?

“The soil is the creative material of most of the needs of life. Creation starts with a handful of dust.” - Dr. W. A. Albrecht ph. D.

That is a powerful thought. How important is soil to our health? For me it is clear.

And it is not dirt, it is not clay, it is humus living soil.

This quote is deeply tied to all of my current work, in The Endangered Knowledge piece that I am in the early stages of welding soil is the material that will become the protective layer of the keystone species, in Subterraneous Secrets soils energy is stabilized and captured through root systems, in Mute Testimony, it records its history, in Gust the life it provides is Endangered. In the photography of life in my cement pond, it establishes natural rhythms and compliments the other living systems. The pond is a complete ecosystem; it is free of pesticides and herbicides. In this type of ecosystem, even the blooms in their last phase of life are beautiful as the tiny microorganisms convert them back into minerals that build soil health. #inmycementpond In this image, you can not see the humus, but you can see the magic in the life it brings when we allow it to thrive in a natural state.

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Endangered knowledge: The Soul of Humus #17 Cowbirds

I just read an intesting article; how Cowbirds are hedging their bets when choosing surrogate birds to hatch and raise their young. Another instance that supports the theory that diversity is the ticket when it comes to the survival of a species.

Coincidently I picked up the bronze Cowbirds yesterday. They are ready for me to recreate the texture where they were damaged during the spruing process. Once that is complete I will deal with their patina. I should wait and decide on their finish once the abstract bison is further developed. That said I am excited to see how the materials will look in a polished finish. Below are closeups of each bird - just for the record.

The finishes are very powdery looking and flat because they were just sandblasted. When I decide on the patiba the textures will really show up.

I took a risk when I decided on the manner in which I would create the birds. The Cowbirds are constructed in a primitive manner. And they look extra primitive laying on the faux bois chair. Context impacts the way we see. I feel hopeful the organic and rough construction will work on the abstract beast they will be attached to. Roughly constructed they support the story, polished perfectly detailed birds would not relay their connection to the geography and mammals. I realize I have not taken the safe root and hope I didn’t need to hedge my by as the Cowbirds did theirs.

The big bird side 1

The big bird side 1

Opposite side.On this image you can see a smooth surface from where the sprue was cur off. One spots the I will retexture.

Opposite side.

On this image you can see a smooth surface from where the sprue was cur off. One spots the I will retexture.

From the top

From the top

Bird 2

Bird 2

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Bird 3

Bird 3

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Derail shot of bird 3 - you can see the seeds and grass stems.

Derail shot of bird 3 - you can see the seeds and grass stems.

Bird 4

Bird 4

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As I recall this one gas some bluebonbet seeds in it's back feathers.

As I recall this one gas some bluebonbet seeds in it's back feathers.

Bird 5

Bird 5

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Texture gives me good goosebumps.

Texture gives me good goosebumps.

Subterraneous Secret II

Subterraneous Secret is part of my Endangered Knowledge work. For several years, I have been researching grass-fed food production, attending soil conferences, and visiting regenerative ranches. Research in these fields shows how to fight desertification and reverse climate change through regenerative agriculture practices. Interestingly, this natural history of living soil, how it evolved with roots, fungus, plants, food, and animals, carbon and their essential roles within microbial communities in human health, is not common knowledge. 

Subterranean Secrets IIbronze

Subterranean Secrets II

bronze

Endangered Knowledge: The Soul of Humus #16

Art/computer work that has interfered with my welding but I never miss an opportunity to collect native plants. I have converted an old kayak rack into a plant drying rack. Stacking up and drying out.

Drying native grasses

Drying native grasses