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I stitched endangered species on our road trip to Roam Ranch near Fredericksburg. My supportive husband Curtis did the driving so I could stitch.
I free stitched it and you can tell. Why make it by hand if you want it perfect, right?. It does look better than my regular handwriting but that isn’t saying much.
The trip was an incredible experience; worthy of a well thought out post just on the Ranch and the stewards of the land and animals - Taylor, Katy, Cody and Julia.
“12 neociotinoid pesticides are pulled from the market”- Muenster Enterprise
I can home Wednesday night a few weeks ago and found a newspaper clipping sitting at my place on our kitchen island. The clipping is from the Muenster Enterprise, a weekly newspaper from my husband’s hometown Muenster, Texas. Curtis reads it every week to keep up with his many cousins. He saved me the article because it reports great news for bee lovers.
Besides 12 neonicotinoids being pulled off the shelves the EPA is now required to analyze the impact of the entire class of neonicotinoids on endangered species.
This morning in my notices I read very disappointing news about the EPA.Even after loosing lawsuits the EPA finds ways to authorize use of chemicals that harm bees. See the below link.
Glysophate
Artspace 111 report the the artist that Hilde selected 59 artist out of 1300. Man! I feel lucky to be included.
Our son, daughter-in-law and grand dog just moved to Minneapolis. They are very adventuresome and planned a car trip with/for us to the boundary waters of their new state to hike and canoe. My daughter-in-law Alex is very supportive and helpful with my art, especially as it relates to the environment. She is the project manager at nRhythm and works closely with the Organic Consumers Association, Regeneration Canada, Regeneration International, and the Savory Institute, to name a few. Also, Griffin recently completed his MBA and is continuing his environmental work through industry. They have both been to several climate change meetings and know their way around that world. I knew Alex would be excited to help draw (or in this case stitch) attention to the plight of the bee and the impact glyphosate is making on the bees' intestinal flora.
Once we landed in Minneapolis we had a 4-hour-plus drive to our cabin. I suggested to Alex we have a driving sewing bee. She was all in. This time I supplied Madewell lined linen caps.
Map of the Boundary Waters north of Minneapolis
the Madewell linen cap is a nice neutral color and has a leather adjustable strap.
I like this cap because the inside of the cap is lined and that makes it easy to hide the unsightly underside of the stitching.
Above: Alex is stitching away with me as my son and husband caught up in the drive to the Boundary Waters. We discussed the Rusty Patch bumble bee, which is now on the endangered list, being one of the most important pollinators of the Northeast and northern Midwest US.
my cap - bee eyes, head and tongue
Above- I am adding the bee thorax. This is the section the bee the wings and legs are anchored on.
The best pollinators are extremely fuzzy. I want my bee to be an excellent pollinator so I am layering lots of randomly placed stitches in black and several different yellows.
Above- More layers - it appears my thorax is too big for my head and eyes. I will fix that later.
Below is some bee information we stumbled on at The End of The Trail Nature Museum .
Here I am working on the wings and tiny legs. Stitching in a car on a curvy bumpy road is sketchy.
I have decided I want this bee to be the Rusty Patch bumble bee so I am adding a bit of orange/rust on the back of its abdomen.
Alex’s bee was looking great I am hoping she will post a picture when she finishes.
Below are some images from the rest of the trip.
Griffin, Alex and Grito canoeing at Clearwater lake.
The four of us after climbing to the top of the cliff across the lake from our cabin.
Alex, Grito and Griffin Klement
My soul mate checking out Clearwater lake.
A river stop to test the possibility of one more fishing opportunity on our drive back.
Above- strawberry plant
I would like to come back when the wild strawberry plants have fruit. Strawberries are self pollinating, their flowers are hermaphroditic. Each strawberry flower contains the male and the female pistil. That said without pollinators they produce 50% less fruit than with pollinators. strawberries need bees too.
Above- wild onions
Honey bees and bumble bees both visit onion blooms.
and of course we made S’more memories. The trip would have been perfect if our daughter could have joined us.
We will miss these three.
I am bad (or maybe it is a good thing) about hyper focusing on a subject. The subject of the moment is the plight of the bumble bee amidst the use of man made chemicals. Taking a break from my studio and catching up with my dearest friends. We had a beach based sewing 🐝.
Knowing my friends would not enjoy a beach weekend of me hyper focusing and preaching to them about how we need to do what we can to protect the bees intestinal flora from glysophate a sewing bee was a super fun solution. We stitched and caught up for hours on end breaking only to play canasta and sip a beverage or two. I see these ladies only once a year so there is a lot to catch up on. My friends are all super supportive of my art and they are up on the latest problems for the bees intestinal flora.
I provided pashmina scarves (in everyone’s favorite colors) and coordinating threads. We stitched cactus and bees that pollinate them. We are all from El Paso so cactus was a natural for us.
Bag to keep our work in, (we all have bags from years past) embroidery thread, a few ball point sewing needles, tiny scissors, pencil or disappearing ink pen, embroidery hoops, and images of bees and cactus.
We were getting away from the pressures of everyday life so the idea was stitch like nobody is watching, no judging. No stitch is a bad stitch, and the beauty is in the imperfections. No one wants a scarf that looks machine made.
Below are images of my pashmina bee/cactus scarf as the work progressed. I will let my friends post their own work and hopefully spread a little 🐝♥️ to their other friends.
saguaro cactus
Prickly pear cactus
ocotillo cactus
yucca cactus
mark making with thread
barrel cactus
this guy ended up rather large.
scarf w stitching
finished? I am not sure but the trip is.
Looking at this photo I must give a tip for wearing a scarf and taking photos- pull scarf up around your neck - 🤪 aging is 👎🏻 On your neck but it comes with knowledge and that is 👍.
If anyone would like to host a sewing bee and talk about ways to save the bees give me a shout. I am happy to send you images of bees to stitch and help out in anyway I can.
As an artist, I know how important it is to get your work into exhibitions. With the Texas art scene being extremely competitive, having work accepted into a beautifully juried exhibit is an honor and privilege to be appreciated. It also takes a fair amount of luck, time and it can be costly. That said I am extremely happy that I recently got lucky, “Portrait of My Cousin” was accepted into the regional Juried exhibition at Artspace 111 in Ft. Worth. The exhibit was Juried by Hilde Nelson, the Curatorial Assistant for Contemporary Art at the Dallas Museum of Art. When there is an exhibition I am interested in before I apply I always research the juror. Hilde sounds like a very interesting curator. Here is her description as described in the call. “Her work primarily concerns contemporary art at the intersection of memory, belonging, and political visibility. She has contributed to publications and exhibitions for solo presentations of Günther Förg and Jonas Wood, as well as the recent exhibition America Will Be!: Surveying the Contemporary Landscape, an installation of the museum’s permanent contemporary collection.”
I hope to get to meet her.
PORTRAIT OF MY COUSIN
48” X 28” X 28”
steel, hydro stone, wire cloth, wire mesh, and baling wire
photo by Nash Baker
Portrait of My Cousin was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured time and movement as he played his violin. I applied the same concept of capturing time and movement in photography to abstract sculpture. The piece is physically very light and hangs from a piece of monofilament connected by a swivel from an acrylic hanger. With one light source the piece cast shadows onto the wall. The air movement in the room causes the sculpture to slowly turn changing the viewer’s perspective. The turning movement causes the 3D sculpture and 2D shadows to disappear into each other and reappear at a different perspective. This creates the abstraction of time, movement and sound energy as the Concert Master plays. The gentle movement can be as hypnotic as a beautifully executed sonata.
It is extremely generous of Artspace 111 to take the time and trouble to host the Annual Juried regional exhibition. :)
Editing bee parts and adding botanical elements.
In order to help the large abstract shapes read as botanical or floral shapes I have added some smaller botanical shapes and vines. I think they help.
hopefully this flower is abstracted enough but not too much.
Here is another
checking out shapes that hopefully read as floral.
This summer I will be focused on building a body of work that addresses the impact that pesticides have on the bumble bees and honey bees.
As pollinators, rusty patched bumble bees contribute to our food security and the healthy functioning of our ecosystems. Bumble bees are keystone species in most ecosystems, necessary not only for native wildflower reproduction, but also for creating seeds and fruits that feed wildlife as diverse as songbirds and grizzly bears.
Bumble bees are among the most important pollinators of crops such as blueberries, cranberries, and clover and almost the only insect pollinators of tomatoes. Bumble bees are more effective pollinators than honey bees for some crops because of their ability to “buzz pollinate.” The economic value of pollination services provided by native insects (mostly bees) is estimated at $3 billion per year in the United States.”
https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html
Below is a still image of a 4D/mobile piece I started last week.
A dead bee without legs and very big broken wings.
Here is a photo of the shadow. The sculpture is photobombing on the right.
I printed a lenticular from my three mono-prints of a dead bee. I decided to loop the images. That was a mistake when it comes to creating imagery that speaks to extinction. There is no loop and no second chance. With that in mind, I am trying for proof #2 with out a loop of image number 2.
I think this will work 🐝
I might call this collapse and disorder.
I started a new shadow/mobile to be part of my Glyphosate series. Last week I started the wings.
Above I am started the wings with some leftover pieces from “Bringing Home The Bacon” held together with new wire.
a wing and its shadow
Before I left for the day I threw together a body to slap on the wings and see what the shadows look like.
I am considering the title “collapse and disorder” for this piece.
I will probably add some hexagon shapes to the sculpture. Which made me wonder why are honeycombs hexagon in shape. Guess what I found?
With Earth Day in mind I would like to remind gardeners to not use Roundup. The chemical Glyphosate impacts the bee’s intestinal flora causing it’s immune system to be weakened. With bees on the decline we can not compromise their immune systems.
Glyphosate 44” X 30” watercolor monotype
In my original body of work “Harvey Heroes” the installation. I paid specific attention to selecting images for inspiration from all ethnic backgrounds. During the Hurricane Harvey flood rescue, racial, political gender and religious tensions were washed away. They were not part of the conversation, we were one people. That was the silver lining of Hurricane Harvey, that was what raised our Texas spirit above the flood line. Seeing people of all backgrounds helping each other made me proud to be from Houston. In the installation piece the process I use to get the abstract fluidity marks, dilutes the diversity of skin tones. I feel this process addresses skin tones as Harvey did. The work is very abstract and does not show the details that might define a particular ethnic background, again the spirit of Harvey.
The exhibition opening was pushed back 30 days, with the extra time I decided to add a few LIVEstock pieces. There were not a lot of images from Harvey of livestock rescues on social media so I created a few of my own.
I regretted I had not made a buffalo calf rescue piece. Saving the buffalo is my thing. Not long after making the decision to make a buffalo rescue piece I saw an image posted on Instagram of a black cowboy wearing a white hat. Immediately I thought how cool it would be to have a black cowboy rescue a buffalo calf. A white hat would separate a darker skin tone from my murky floodwater background, plus my new 44” X 30” paper and plate would help show more skin tone characteristics than the 22” X 30” pieces that compose the installation.. When I told Curtis what I was planning he, immediately, reminded me of the Buffalo Soldiers. He suggested I visit the Buffalo Museum to make sure it would be acceptable during today’s sensitive times to reference Buffalo Soldiers. The people at the museum were very busy so I did not bother them. I did consulted with one of my friends, artist Romeo Robinson; he liked the idea.
This piece has multiple layers of meaning. It brings attention to the importance of tending to animals in rural environments when floods occur. It brings attention to saving the buffalo from extinction and it addresses regenerative agriculture. Most importantly, it is an opportunity to celebrate and acknowledge the brave men who served our country in the military; the Buffalo Soldiers. They were given the name Buffalo Soldiers by the Native Americans, because the Buffalo Soldiers were as tough, fierce and brown as the American buffalo. They were admirable Americans. They deserve accommodations. While at the buffalo Soldier Museum I learned that the US government has never given the Buffalo Soldiers any accommodations for their service. They fought in the Civil War and WWI, This piece celebrates heroes on a multiple of levels.
The piece below, the African-American cowboy is rescuing a buffalo calf. The white cowboy hat and white shirt separate the black skin on his face from the chaotic weather in the background.
I made one monotype and two ghost monotypes. See below.
I hope you like them.
by Sabine Casparie
It took me awhile to get a copy of the 2019 ArtHouston magazine. I could not be more grateful to Sabine Casparie for including me in her article.
Happiness is finding your favorite goat Chica before the flood.
This piece was not inspired by a social media posting. I do feel it is a story worth telling.
Many thanks to my beloved niece Josette Travis for inspiring this piece. Thank you so much for helping me with this and being such a great Mom to all the kids. (Does anybody get that joke- all the kids).
Below are images of Josette and some of Josette and Eric’s kids.
Josette feeding one of Chicas babies
Josette and Chica modeling a goat rescue for me. Photo by Eric travis.
4- kids - Danika and Emma feeding 2 baby goats
Josette 😍 and kid
Chica chillin’
The Billy goat and my grand niece Danika . I love his beard.
Day 1 and 2
Photographer Nash Baker getting the lighting just right before we take the piece of the pedestal.
I am fortunate to have a piece from my “The Road” series accepted in this year’s exhibition.
Just west of the Menil on Alabama @waterercolor society.
