Why soil?

“The soil is the creative material of most of the needs of life. Creation starts with a handful of dust.” - Dr. W. A. Albrecht ph. D.

That is a powerful thought. How important is soil to our health? For me it is clear.

And it is not dirt, it is not clay, it is humus living soil.

This quote is deeply tied to all of my current work, in The Endangered Knowledge piece that I am in the early stages of welding soil is the material that will become the protective layer of the keystone species, in Subterraneous Secrets soils energy is stabilized and captured through root systems, in Mute Testimony, it records its history, in Gust the life it provides is Endangered. In the photography of life in my cement pond, it establishes natural rhythms and compliments the other living systems. The pond is a complete ecosystem; it is free of pesticides and herbicides. In this type of ecosystem, even the blooms in their last phase of life are beautiful as the tiny microorganisms convert them back into minerals that build soil health. #inmycementpond In this image, you can not see the humus, but you can see the magic in the life it brings when we allow it to thrive in a natural state.

IMG_8015.jpeg

Endangered Knowledge: Soul of Humus #17

I started the lower jaw today. I spent the majority of the day researching the structure of the lower jaw and its movement as the bison chew.

Here is a collection of my reference material.

Here is a collection of my reference material.

Bison grab a tuft of grass with their tongue, then they pinch it off by pressing it between their tongue and their front lower teeth. They do not have top front teeth. They then swallow it whole. That is the beginning of a 24-hour digestive process.

Bison grab a tuft of grass with their tongue, then they pinch it off by pressing it between their tongue and their front lower teeth. They do not have top front teeth. They then swallow it whole. That is the beginning of a 24-hour digestive process.

I love this image, I took it last January at Roam Ranch right before the roundup. I think this is the one they call Poppy. Poppy is very curious and friendly. She is checking me out as she catches rain drops on her tongue.

I love this image, I took it last January at Roam Ranch right before the roundup. I think this is the one they call Poppy. Poppy is very curious and friendly. She is checking me out as she catches rain drops on her tongue.

You can see the lower jaw through the upper jaw here. It is slightly off to the right of the bison. I want him chewing away and want to exaggerate the movement. I will probably bend it a little more askew this weekend.

You can see the lower jaw through the upper jaw here. It is slightly off to the right of the bison. I want him chewing away and want to exaggerate the movement. I will probably bend it a little more askew this weekend.

Here the chewing lower jaw is more obvious.

Here the chewing lower jaw is more obvious.

Adjustments.jpeg
View from the rear or top down.

View from the rear or top down.

Adjustments.jpeg

Friday, I am committing to writing the Lawndale proposal- rewriting and rewriting and rewriting.

Lawndale- dream opportunity

I have shared ideas regarding environmental land art concepts with Stephanie over the past few years, and this spring Lawndale Art Center decided to allow me to see what I can do. After some time thinking about what the work should be, I verbally made a proposal recapped in the letter below. I am pumped about his opportunity, the Lawndale sculpture garden feels like a traditional front yard in anywhere USA. The sculpture garden is lovely, but this is the Coastal Prairie, and Coastal Prairie landscapes offer many environmental benefits. I am addressing many of them in Endangered Knowledge: The Soul of Humus. This Lawndale piece will provide an example of a native plant landscaped area of the same scale as their yard. People need a project they can mimic. They can see native landscaping at the Arboretum, Katy Prairie Conservancy, and Buffalo Bayou. Those sites are enormous tracts of land, and most people can not visualize those landscapes in front of their homes. The Lawndale Sculpture Garden will be instrumental in communicating what a reimagined urban native landscape can be. It will inspire change.

Emily, Stephanie, and Will,

First, I want to introduce you to Will Isbell and thank you for meeting with me regarding the Lawndale Sculpture Garden, again. Now that I have had time to think about the space in the greater picture, I am proposing that Will Isbell, work with me to create a plan that will reimagine the Lawndale Sculpture garden as a work of living land art. Will is an artist, past President of the Harris County Master Gardeners Association, oversees the Family Garden at McGovern Centennial Gardens and makes educational videos for Herman park and works at Sicardi Gallery. I have pasted for your enjoyment a link to an Educational video Cooking From Your Garden that Will created a few weeks ago. Will's knowledge, credentials, and experience as a sculptor and gallerist at Sicardi Gallery will be extremely valuable to the project from conception to funding. 

Will and I had initial discussions regarding the space last Friday evening, and we are like-minded regarding our landscape philosophies and vision for Lawndale's Sculpture Garden. As artists, we see our involvement as sculptors of a living piece of land art and environmental art activist. The long-term goal of our land art will be to take the garden from it's beautiful traditional landscaped state to a holistic living sculpture garden that works with the Coastal Prairie native landscape and, at the same time, showcases Lawndales sculpture exhibits. The living land art will be educational, functional as an exhibition space, and an environmentally healthy ecosystem/habitat. It will be groundbreaking in the art community to have a sculpture garden that showcases work in an ecologically conscious native landscape and will save Lawndale future dollars. 

The first step is to get Will and I the landscape and irrigation plans and a key to the outdoor garden closet. Will and I will then do the research to reimagine the space and give you a conceptual proposal. If you are on board with our vision, we can then work with you on creating a site plan, securing funding, installation/timing plan, and estimate the volunteers needed. We are aware that this may be a long term staged project but are hopeful that it can be realized in the short term.  

I am also looking forward to creating a piece that addresses the connection between humans, the natural world, and landscapes. Emily and I discussed that we should discuss the details of this future piece after my Sculpture Month Houston opening on October 10th. I would like to add the growth I realize as an artist from my experience creating the sculpture Month piece to my future Lawndale installation. 

I am grateful for the opportunity to work with all of you and know this is going to be an amazing experience. 

This is Will’s cooking from the garden video

https://youtu.be/tWDLXyN1jj0

 

Best,

Cindee


It will be groundbreaking to look at sculpture in a landscape unique to Houston Texas. .  

 

 

Adjustments.jpeg

Rumblings-Augochloropsis anonyma

In the past years blogging about my art practice was something I did everyday. It is how I document ny work. Then I started focusing on bees and their role in urban environments. Idecide to post a cool fact about native bees in my daily art post. Researching what fact to post bees has been like falling through the looking glass. I like to really get into whatever it is I am getting into. As a result the summer of 2019 Curtis and I binged watched bee documentaries. Sadly these are all about honey bees. I read every article that pops up on bees. I am constantly amazed at how much is unknown about this everyday insect. It has been so overwhelming I stopped posting information about the bees. I just could not pick just one cool thing to post a day.

There is very little information available about the Augochloropsis anonyma which is very frustrating. They are a sweat bee and there is a fair amount known about the sweat bees; they are a brilliant metallic blue-green color and one of the 140 members of the Halictidae family.
The earned the nickname sweat bees because they are attracted to sweat. With this information it is good to know they are not aggressive. They will only sting if you press them into your skin. If you are studying bees or garden and don’t want them to land on you wipe off the sweat and they will leave you alone. Please don’t hurt them. They are essential wild native bees.

You have probably seen one flying around wildflowers and various crops, including stone fruits, alfalfa and sunflowers but did not know you were seeing a bee. They are known as generalist and will pollinate almost anything. These bees fly under the radar, Being extremely tiny they measure only 0.125 to 0.5 inches in length they. You have to keep your eye out to notice this keystone creature.

Besides being generalist I see them as important because Augochloropsis anonyma adults have a long window of activity, and produce more than two generations of offspring a year. They are active between April and September in the northern portion of their range and year-round in its southern range. Having this long window of activity makes this species more likely to forage from a large number of different plants.

Adjustments.jpeg

Endangered Knowledge: The Soul of Humus #1a and Sculpture Month Houston

In a moment of global uncertainty, I ask myself, what materials would I use to leave a message for future civilizations? As I think of artists who painted caves, of muralists from the past, of artifacts from ancient civilizations, I am curious about how we leave a mark. My answer is tied to the natural world: much of my previous work has been about conservation issues, looking specifically at bees, at waterways, at recovery from Hurricane Harvey, at bison and now, at grass. And so, if I were to write a message to the future, I would use grass to write it, and bison to carry the message.

 

Endangered Knowledge: The Soul of Humus

 

For this year's Sculpture Month, I propose a site-specific sculpture of a bison, made from a welded steel armature, a work of land art covered in topsoil and dried native grasses. This is part of a comprehensive installation that I am currently developing, which considers the role of the American bison within Houston's specific soil ecological history. The work is titled Endangered Knowledge: The Soul of Humus.

 

It is inspired by the words of M. Thomashow, who writes, "Record natural history to the collective memory so that it is no longer endangered knowledge." For several years, I have been researching grass-fed food production, attending soil conferences, and visiting regenerative ranches. Research in these fields show how to fight desertification and reverse climate change through regenerative agriculture practices. Interestingly, this natural history of living soil, how it evolved in the Houston Coastal Prairie, and its essential part within microbial communities in human health, is not common knowledge. 

 

Description of Work

In the hide of a sculpture, I tell the narrative of soil health. My sculpture will record this endangered natural history through the dense coat of the powerful humus-built bison, that will be dripping in the armor of locally sourced dried native grasses and sedges, seeds, and pods. The male bison will be supported by a welded steel armature, covered in a stainless-steel lath. The bison's skin, made from these dried grasses, will be attached to the lath with a Houston mud composite. I propose the 11' long bison be exhibited in the center of a large grain silo, the bison in an actively grazing stance, head down in plow position, his hump rising robust and bushy out of his heavy forequarters to 6.5' tall. Lighted from inside the grain silo funnel, viewers can approach the bison and intimately inspect the diversity of the native plants implanted in its pelt.

 

Ecological History

Historically B. bison functioned as the first farm equipment. The grass seeds clinging to their burly coats were carried across the plains as they migrated north to south and back between seasons, like tractors up and down fields. Herds of tractors not green, but a rich brown harvested the plains with their appetites, each bite stimulating new root growth. The old roots withered into cavities that served as dwellings for a variety of keystone species, and became underground cisterns collecting floodwaters for drier seasons. Their coats dropped kernels and cuttings as the winds ruffled their beards and chaps, and when they took dirt baths in buffalo wallows dug with their horns. Massive roaming compostors, a single bison cow daily dumping 40 lbs. of fresh manure onto these seeds and drilling them into the earth with their spade-like hooves, sprinkling them with the perfect prescription of nitrogen, phosphorus, and potassium-rich urine and then moving in a predator safe tight herd on to the next buffet. With time the newly sowed fields sprouted new growth of blades, stems, and leaves of countless shapes, sizes, and heights. This diversity of leaves fit like puzzle pieces into dense living solar blankets, harnessing carbon from the air and returning it as sugars to feed the dynamic root microbiomes below the earth’s skin. The complicated relationship between the soil microbiome and the human intestinal microbiome is one of the most dynamic topics in biomedical research.  Flocks of birds mutualistically

living off the pests harbored on the bison followed the herds, drinking from and bathing in rainwaters that collected in the bison wallows, building their nests from clumps of bison fur. Recent studies show the fur provides a health benefit to unborn chicks. Bird and butterfly habitats were abundant when the bison roamed.

Relevance

Global warming, food security, drought/flooding, wildlife habitats, economic instability, and health – these problems are not new to humankind. The archeology of ancient civilizations has recorded connections between the longevity of civilizations and the health of their soil. The United Nations reported in 2014 that the world's topsoil would only last 60 more growing seasons. Soil scientists around the globe agree that solutions to these issues are rooted in our treatment of soil—the skin that covers our planet.

 

Message to the Future

The armor that protects the epidermis in the Gulf Coast prairie is grass. The animal whose population peaked at 30 million, is B. Bison. Combine native grasses with ruminants and the grasslands decompose into rich organic matter; for every 1% increase per acre of biological organic material, the soil can hold an additional 20,000 gallons of water. Restoring native prairie vegetation decreases water runoff and flooding, increasing soil absorption of water and slowing floodwaters on land. With extreme building practices and concrete hardscaping, reimagining the landscape of Houston's 600 square miles of real estate can make a significant impact on the region’s flooding. The prairie grasses' roots can extend from eight to fourteen feet deep: these roots sequester carbon like an upside-down rainforest. Changing our agricultural practices is an important step towards turning global warming right side up. Telling the dynamic story about these relationships between the grazing herds, the living soil, and finding ways to reimagine urban landscapes and agricultural practices in holistic and regenerative ways are the center of my current research and sculptural practice.

 

The impact of the bison on sustaining topsoil—and, therefore, life—need not be Endangered Knowledge. The role bison play within the prairie ecosystem—their ability to increase photosynthesis, reduce competition for water, and regenerate depleted, unsalvageable, lifeless prairies back to productive and bountiful, nutrient-producing land and wildlife habitats—needs to be carved into our modern systems. Recording this Endangered Knowledge into the consciousness of humankind will stimulate grassroots efforts and stop the cultivation of soil depletion and return the natural process to the treatment of the skin of our planet. A Parietal artist in 2020, I will use grass to record the Soul of Humus so that it will no longer be Endangered Knowledge.

 

Additional work

Soul of Humus will be the first piece in my Endangered Knowledge body of work. The complete body of work will eventually consist of the following sculptures: 4 pedestal-shaped sculptures of roots and soil, measuring approximately 12" X 12" X 36"; installations made from native grasses and their roots (size and number to be determined); 1-5 bronze castings of bison dung with their spade-shaped hoof prints, dung beetles, and mushrooms. I am also currently in conversation with a bison rancher to secure a bison heart to float in a glass case of formaldehyde: the bison, the largest mammal of the western continent, is the heart of our soil diversity, it is the western symbol of a healthy planet. The health and longevity of civilization, as we know it, is dependent on finding ways to mimic the natural process stampeded into the bayous of Houston. In this sculptural series, I look closely at the components of this process and the environmental interrelationships unique to the Houston area and world health. 

 

Footnote-

Bison vs Buffalo which name is correct? The common name Buffalo has been widely used, since early settlers were naming them as their European and Asian counterparts. The correct name of the last American surviving bison is B. Bison.

 

Further Reading and information –

- Allan Savory on how to fight desertification and reverse climate change

Soil as Carbon Storehouse: New Weapon in Climate Fight? - Yale E360

- A Prehistory of Houston and Southeast Texas,– D. Worrall, coming fall 2020

- Can Livestock Grazing Stop Desertification?

                   https://www.scientificamerican.com/article/can-livestock-grazing-stop-desertification/

- Dirt: The Erosion of Civilizations, by David R. Montgomery

- Soil Biology and Land Management https://www.nrcs.usda.gov/Internet/FSE_DOCUMENTS/nrcs142p2_052489.pdf

- Bison Eating Habits

- Wildlife that Depend on Bison

 

 

 

Sample Work and Visual Support Materials for Proposed Sculpture

 

Two small sculptures that are made with the same structure, process, and made with native plants-

The bison will be furrier than these small birds are and would be dripping in a thick coat of textured dried grasses.

Hay Day Peace Pigeon 201615” X 12” X 8”welded steel armature, plaster and hay

Hay Day Peace Pigeon 2016

15” X 12” X 8”

welded steel armature, plaster and hay

 

Feathery Finery Peace Pigeon 201612” X 12” X 6”steel armature, steel lath, plaster and plants

Feathery Finery Peace Pigeon 2016

12” X 12” X 6”

steel armature, steel lath, plaster and plants

Three large sculptures that are made with the same armature and process, but I have used metal instead of dried plant cuttings  on the surface for texture.

Broken 201840” X 29” X 55”Welded steel armature, stainless steel lath, concrete, wire cloths and wire

Broken 2018

40” X 29” X 55”

Welded steel armature, stainless steel lath, concrete, wire cloths and wire

Sonata in 4D 20186’6” X 5’5” X 5’steel welded armature, stainless steel lath, plaster, wire cloths and wire

Sonata in 4D 2018

6’6” X 5’5” X 5’

steel welded armature, stainless steel lath, plaster, wire cloths and wire

Bringing Home the Bacon 201966” X 42” 60”welded steel armature, stainless steel lath, hydro stoner, wire cloths and wire

Bringing Home the Bacon 2019

66” X 42” 60”

welded steel armature, stainless steel lath, hydro stoner, wire cloths and wire

There are many textures of native grasses at the Katy Prairie Conservancy and Buffalo Bayou.

If you accept my proposal, I plan on asking the Katy Prairie Conservancy and the Buffalo Bayou Partnership to allow me to source my grasses and plants from their properties.

Sample of one of the many amazing textures on the various grasses and plants in the coastal prairies.

Sample of one of the many amazing textures on the various grasses and plants in the coastal prairies.

This shows the movement I am visualizing on the coat of the Bison

This shows the movement I am visualizing on the coat of the Bison

Below are Some of the source images I will use while sculpting the bison.

 most of these I took doing research at Roam Ranch this summer, fall and winter.

This shows the position of the head I am looking for, it is grazing but you can see the face. This is a cow (female) My piece will be a burly big old male.

This shows the position of the head I am looking for, it is grazing but you can see the face. This is a cow (female) My piece will be a burly big old male.

This is a large bull but it is not very old. My sculpture will be an old male that will have scrapped up and chipped horns from fighting and digging wallows and a massive thick (and dripping with dried grasses) big beard and chaps. This side view is…

This is a large bull but it is not very old. My sculpture will be an old male that will have scrapped up and chipped horns from fighting and digging wallows and a massive thick (and dripping with dried grasses) big beard and chaps. This side view is pretty close to what I have in my head. I might have his head turned slightly to one side. That could be determined by which side of the building the silo would be on. The face will be more interesting and textured than the back side of the bison will be. My sculpture would be grazing on taller grasses. I would also raise his head for more eye contact

This is a good image of a bull’s face. Not my photo.

This is a good image of a bull’s face. Not my photo.

another view- not my image

another view- not my image

Gorilla Art - native Wild flower bomb

Earlier in the year I sent the below letter to my City council representative. She is very supportive and agreed to review the Cities landscape ordinance and bring it up to date to reflect our current environmental situation as it pertains to native bees. The bees that are endangered, the honey bee is not endangered. I anticipate that with the health scare our city is facing our bees have been put on the back burner. Since the bees can’t wait for the c virus to die down, I decided I need to act. . Below is my letter. If you agree with me we need to all become gorilla artist and install texas wildflower seeds in every vacant spot we can. See my below post for how to be a gorilla artist and save the Native bees. If you want something done do it yourself. I still have hopes our city will reimagine our urban landscape and save the bees. #bees #houston #cindeeklementart #gorillaart Scientists predict that without pollinators, human life can only continue for four years. In 2017, the U.S. Fish and Wildlife Service listed the Rusty Patch Bumble Bee on the endangered species list. The campaign to list a species as endangered is lengthy and complicated. With this system it is difficult to gauge how many species are actually endangered. Bees are responsible for pollinating 75% of the world's flowering plants; they are crucial for the production of most fruits, nuts, and berries – that our agriculture depends on pollination by bees. Rural areas are highly impacted by the unanticipated consequences of our industrial agriculture’s dependence on chemicals that weaken bee’s immune systems. Urban bee populations can be more diverse than in rural areas. Researchers are finding in cities such as Chicago, Berlin, Berkley, and Melbourne that have reimagined their parks, neighborhoods, city centers, vacant lots, street medians, and rooftops planted with native flowers, grasses, and fruit, and vegetables support healthy, vibrant wild native bee populations. There are four thousand native bee species. They pollinate over three hundred times more effectively than honey bees. For example, A single female Leafcutter Bee visits 100,000 plus blossoms per day whereas a honey

IMG_6275.jpeg
Mix native wild flower or grasses seeds with soil. I am using a handful of compost from my bin.

Mix native wild flower or grasses seeds with soil. I am using a handful of compost from my bin.

Wrap it up so you can carry it and not get your hand muddy.

Wrap it up so you can carry it and not get your hand muddy.

Find a place to throw it that will not be mowed. I picked behind this chain link fence, in the parking lot of my art studio.

Find a place to throw it that will not be mowed. I picked behind this chain link fence, in the parking lot of my art studio.

Here she lays.

Here she lays.

A closer look at - native wild flower seed bomb.

A closer look at - native wild flower seed bomb.

Three weeks later.

Three weeks later.

There are so many weeds sprouting up it is hard to see my seed bomb. But I see it. It does not have any blooms yet but my fingers are closed it will.

Since we are in quarantine I decided at this time to not make a bunch of bombs to share with others. I would love to share but I am erroring in the side of caution. i put the rest of my wild flower seeds in my flower beds that I needed more plants.

Falling through the bee looking glass #1

In the past years, blogging about my art practice was something I did every day. It is how I document my work. Then I started focusing on bees. At first, it was bees and the weed killer Glyphosphate.

Adjustments.jpeg
Adjustments.jpeg
Adjustments.jpeg

The above pieces we're done in response to learning that Glyphosphate does not kill bees but impacts their immune system. With compromised immune systems bees subcome to disease. Glyphosphate is also now well known for causing cancer. I then made a five flip lenticular from these three images.

Butterflies and family

One of the joys of parenthood is enjoying nature through your kids at any age. Last night, Griffin sent us this image of a monarch caterpillar that he found in Minnesota this weekend. A few years back on Thanksgiving, we went to see the monarchs. It is a site to behold and a lovely outing. They really liked Sage. Respectfully enjoying the beauty of nature has long been a great joy for our family.

Sage provides fb a resting Place for a monarch

Sage provides fb a resting Place for a monarch

Griffin sharing a caterpillar with us from Minneapolis.

Griffin sharing a caterpillar with us from Minneapolis.

Bee school birthday gift.

For my 62nd birthday, my son Griffin and daughter-in-law Alex gave me bee school for two at Beeweavers outside of College Station. Below are some photos from the day.

public.jpeg

When we got out of the car, immediately we noticed a lovely white noise–the hum of busy bees filled the warm, summer air. I love that sound.

This is Roosevelt (or as Roosevelt would say, it is what is left of Roosevelt). He has been at BeeWeavers since he was 22 years old. Roosevelt is our teacher, guide and bee guru for the day.

This is Roosevelt (or as Roosevelt would say, it is what is left of Roosevelt). He has been at BeeWeavers since he was 22 years old. Roosevelt is our teacher, guide and bee guru for the day.

You need to wear long sleeves, loose jeans, and closed-toe shoes. They provide the bee nets/hats and jackets. We are posing in front of some bee boxes and trying to let you see the smoke can behind us. Roosevelt really wanted the smoke to show in th…

You need to wear long sleeves, loose jeans, and closed-toe shoes. They provide the bee nets/hats and jackets. We are posing in front of some bee boxes and trying to let you see the smoke can behind us. Roosevelt really wanted the smoke to show in the picture. You can’t see the smoke.

When you arrive one of the first things you see is this sweet bee bath. I have never noticed bees bathing and drinking water before.

When you arrive one of the first things you see is this sweet bee bath. I have never noticed bees bathing and drinking water before.

A close up of the bees in the bee bath floating on corks.

A close up of the bees in the bee bath floating on corks.

Selfie time

Selfie time

These are the boxes they use to show the public. I think they have thousands out and about nearby fields.

These are the boxes they use to show the public. I think they have thousands out and about nearby fields.

Roosevelt is smoking the honey bee boxes before we take a look Inside.. The smoke calms them down.

Roosevelt is smoking the honey bee boxes before we take a look Inside.. The smoke calms them down.

The bees were not aggressive.

The bees were not aggressive.

Bees on the outside of the box.

Bees on the outside of the box.

The bees carry on with their work as we inspect the first frame.

The bees carry on with their work as we inspect the first frame.

The bees secrete a brown wax from their abdomens to close the cells. The yellow in some sells is pollen and the tiny white spec is a larvae. It is all very fascinating. Some cells are empty.

The bees secrete a brown wax from their abdomens to close the cells. The yellow in some sells is pollen and the tiny white spec is a larvae. It is all very fascinating. Some cells are empty.

The yellow bag on this bees leg is pollen he has brought back to the hive.the pollen sticks to the long hairs on their legs.

The yellow bag on this bees leg is pollen he has brought back to the hive.the pollen sticks to the long hairs on their legs.

Here is a guy with 2 packs of pollen.

Here is a guy with 2 packs of pollen.

This frame is used to raise queens. They sell 500 queens a day.

This frame is used to raise queens. They sell 500 queens a day.

A close up of the wax cells the queens are incubated in.

A close up of the wax cells the queens are incubated in.

When the queen is ready to mate she is put in a boxe like these. She flies out to mate and returns to the box she came from. Beeweavers queens are not artificially inseminated. I was really glad to hear that.

When the queen is ready to mate she is put in a boxe like these. She flies out to mate and returns to the box she came from. Beeweavers queens are not artificially inseminated. I was really glad to hear that.

If you are starting your own honeybee farm you can purchase bees instead or robbing a hive. They will arrive in a box like this. I personally prefer to support local bees.

If you are starting your own honeybee farm you can purchase bees instead or robbing a hive. They will arrive in a box like this. I personally prefer to support local bees.

They put in the bee boxes a piece of cotton like this. The bees do not like it and they try to get it out. Their efforts fluff up the cotton and beetles get trapped in it. It is a great way to get rid of pest without pesticides.

They put in the bee boxes a piece of cotton like this. The bees do not like it and they try to get it out. Their efforts fluff up the cotton and beetles get trapped in it. It is a great way to get rid of pest without pesticides.

Here is a piece of the cotton and a few trapped beetles.

Here is a piece of the cotton and a few trapped beetles.

Here is Roosevelt when he first joined Beeweavers. He Was a great guide and teacher.

Here is Roosevelt when he first joined Beeweavers. He Was a great guide and teacher.

This calf was found alone on their farm, they took him in, bottle fed him and named him buzz. I am not sure if he thinks he is a bee or people. He loves to be scratched, who doesn’t?

This calf was found alone on their farm, they took him in, bottle fed him and named him buzz. I am not sure if he thinks he is a bee or people. He loves to be scratched, who doesn’t?

It was a great day despite the temperature. We learned a lot about honey bees. It was good to see a commercial bee establishment that cares about chemicals, pesticides and natural selection. A birthday gift I will remember for a long time.

Technique experiment for endangered bees.

Bee technique experiment

Bombus Affinis - listed on the Endangered list 2017

Bombus Affinis - listed on the Endangered list 2017

Detail of head with a big white eye, thorax antenna and leg

Detail of head with a big white eye, thorax antenna and leg

Th ghost of Bombus Affinis

Th ghost of Bombus Affinis

One is to heavy and ones too light. That is how they look to me wet. It is too soon to judge.

Hurricane Harvey - Heroes LIVEstock

In my original body of work “Harvey Heroes” the installation. I paid specific attention to selecting images for inspiration from all ethnic backgrounds. During the Hurricane Harvey flood rescue, racial, political gender and religious tensions were washed away. They were not part of the conversation, we were one people. That was the silver lining of Hurricane Harvey, that was what raised our Texas spirit above the flood line. Seeing people of all backgrounds helping each other made me proud to be from Houston. In the installation piece the process I use to get the abstract fluidity marks, dilutes the diversity of skin tones. I feel this process addresses skin tones as Harvey did. The work is very abstract and does not show the details that might define a particular ethnic background, again the spirit of Harvey.

 The exhibition opening was pushed back 30 days, with the extra time I decided to add a few LIVEstock pieces. There were not a lot of images from Harvey of livestock rescues on social media so I created a few of my own.

I regretted I had not made  a buffalo calf rescue piece. Saving the buffalo is my thing. Not long after making the decision to make a buffalo rescue piece I saw an image posted on Instagram of a black cowboy wearing a white hat. Immediately I thought how cool it would be to have a black cowboy rescue a buffalo calf. A white hat would separate a darker skin tone from my murky floodwater background, plus my new 44” X 30” paper and plate would help show more skin tone characteristics than the 22” X 30” pieces that compose the installation.. When I told Curtis what I was planning he, immediately, reminded me of the Buffalo Soldiers. He suggested I visit the Buffalo Museum to make sure it would be acceptable during today’s sensitive times to reference Buffalo Soldiers. The people at the museum were very busy so I did not bother them. I did consulted with one of my friends, artist Romeo Robinson; he liked the idea.

This piece has multiple layers of meaning. It brings attention to the importance of tending to animals in rural environments when floods occur. It brings attention to saving the buffalo from extinction and it addresses regenerative agriculture. Most importantly, it is an opportunity to celebrate and acknowledge the brave men who served our country in the military; the Buffalo Soldiers. They were given the name Buffalo Soldiers by the Native Americans, because the Buffalo Soldiers were as tough, fierce and brown as the American buffalo. They were admirable Americans. They deserve accommodations. While at the buffalo Soldier Museum I learned that the US government has never given the Buffalo Soldiers any accommodations for their service. They fought in the Civil War and WWI, This piece celebrates heroes on a multiple of levels. 

The piece below, the African-American cowboy is rescuing a buffalo calf. The white cowboy hat and white shirt separate the black skin on his face from the chaotic weather in the background.

I made one monotype and two ghost monotypes. See below.

FullSizeRender.jpg
FullSizeRender.jpg
FullSizeRender.jpg

I hope you like them.  

Hurricane Harvey and 10s of thousands still trying to recover. How you can Help?

 

 This past Wednesday, executives from HP were having a conference in Houston. They finished off their event with a visit to our exhibit, 51.88” Art of Resilience. Geraldina, and I were available to talk about the work.

I know corporations love to find projects to partner up with, so I reached out to Jeff Schultz with HoustonResponds to get an update on what type of help is still needed. I was able to pass the information on to HP. HoustonResponds is the organization that I donated the use of my Harvey drawings to for a publication used to get volunteers to help with the recovery.

I have pasted below the information that Jeff shared with me.

If you know any corporations looking for a good project, please have them contact HoustonResponds.

Here’s a link that may be as effective as anything to answer your question:https://www.houstonresponds.org/farfromfinished. We launched the “Far from Finished” campaign to raise awareness about the unmet need. The 90 second videos have been especially effective in communicating that as they put a face to the numbers.

There are still tens of thousands of Houstonians who are displaced or living in damage or gutted homes, many of whom do not have the resources to recover.

I would say that what most of these people need is a community around them that cares and is willing to walk through the recovery process with them, as well provide resources to rebuild their homes.

That’s part of what we do, and our strategy is to accomplish it through building coalitions of local churches that partner with any and all local organizations (faith-based and non-faith-based) involved in Harvey recovery.

How people can help, including corporations:

  1. Funds/resources: We depend largely on grants to fund repair, but those funds are beginning to run out. We are beginning to cultivate relationships with corporations to continue to fund the work, and HP might be an example of that.
  2. Volunteer: Our economic proposition is that substituting volunteer for professional labor and eliminating the profit margin can get homes repaired more quickly and economically, and sometimes with higher quality. We would love for corporations like HP to consider send volunteers to help with rebuild projects.
HP visiting our exhibit 

HP visiting our exhibit 

IMAGE.JPG

HP  

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” The inspiration?

He is one big pig, the beloved family pet that had to be hoisted upstairs to save him from drowning in the flood waters of Harvey. The idea of saving a pig was inspired by a YouTube video posted by a young family in Conroe, Texas. I hope you see in the figure not only the strength it takes to lift up a frightened squirming pig but also the determination that the figure has not to let the family’s favorite pet parish. The pig twist and turns  while straining his back legs straight out trying to reach the ground. 

photo by Nash Baker 

Bringing home the bacon

Bringing home the bacon

66” X 42” 60”

Steel, stainless steel lath, plaster, hydro stone, wire mesh, screen and cloth, and baling wire. 

the next pig post -  why a pig?

Hurricane Harvey Heroes- LIVEstock- “bringing home the bacon” why a pig?

Why a pig?  We humans have a lot in common with pigs. We're both omnivorous mammals that gain weight easily and are susceptible to the flu. We share 98% of the same DNA.

Photo graph by Nash Baker  66” X 42” 60”

Photo graph by Nash Baker 

66” X 42” 60”

Pigs are somewhat domestic (if you don’t believe me, check out @esterthewonderpig on Instagram).  In addition they are on rural, commercial, and regenerative hog farms. They are incredibly smart and very clean animals.

IMG_1702.JPG

2019 is the year of the pig. Pigs symbolize prosperity, wealth and abundance. Having a fattened up pig brings good luck. The Pig is thought to bring luck to farmers as it brings in a good crop.

The pig is very powerful and brings all good things.  They are a very laid back animal they do not readily attack or anger.

IMG_1710.JPG

They have been known to overindulge and can weigh  an average of around 700 lbs. They are also often adored characters in nursery rhymes, children’s stories and tv shows as well as a variety of sitcoms. Miss Piggy, Porky Pig, Piglet, Timon and Pumbaa, Petunia Pig, The three little pigs, This little piggy went to the Market, Old Major, and Babe. I could go on and on. 

A pig checks a lot of boxes that I feel a lot of people can relate to.

IMG_1708.JPG

From a personal stand point, my brothers had a couple of pigs on our farm in Dell City. I was very young and can barely remember them. I do remember something about my oldest brother’s, Bob Travis Jr.’s, pig drowning. I am not sure how. It was not a flood because Dell City is in the middle of the desert. When we were teenagers and living in the city, my brother, Dean Travis, was riding his motorcycle in the desert checking his beehives and found a piglet lost in the desert. The piglet had gotten his head stuck in a paint can. I can still remember Dean pulling into the driveway on his motorcycle with the poor squealing piglet tucked under his arm with its head still stuck in the can. He lived in our backyard that summer.

 

In the early 2000s, we lived in New Orleans, Louisiana. There is a nice size Vietnamese population in New Orleans and a fair amount of Vietnamese pot bellied pigs. A family that went to my children’s school had a miniature Vietnamese pot bellied pig. The mom used to walk him to school on a leash when she picked her kids up at 2:45. My daughter, Sage, did everything in her power to convince  me to buy her one. We already had two dogs, 2 birds, several frogs, turtles, fish and snakes. She finally quit asking when we learned they could not bend their knees to climb steps. Our home was on a small uptown lot with lots and lots of stairs. The pig would have to stay outside and we would want it to be part of our family. 

If anyone has a great pig family pet, urban or rural, please share stories and pictures. I would love to hear and see them.

Most importantly I hope this piece can bring a little good luck and good fortune to the people who are still suffering the wrath of Harvey. 

 


Hurricane Harvey - sculpture day 37 “bringing home the bacon”

Photographer Nash Baker getting the lighting just right before we take the piece of the pedestal. 

IMAGE.JPG